A fairy tale (pronounced /ˈfeəriˌteɪl/) is a type of short story that typically features European folkloric fantasy characters, such as dwarves, elves, fairies, giants, gnomes, goblins, mermaids, trolls, or witches, and usually magic or enchantments. Fairy tales may be distinguished from other folk narratives such as legends (which generally involve belief in the veracity of the events described) and explicitly moral tales, including beast fables.
In less technical contexts, the term is also used to describe something blessed with unusual happiness, as in "fairy tale ending" (a happy ending) or "fairy tale romance" (though not all fairy tales end happily). Colloquially, a "fairy tale" or "fairy story" can also mean any far-fetched story or tall tale; it is used especially of any story that not only is not true, but could not possibly be true. Legends are perceived as real; fairy tales may merge into legends, where the narrative is perceived both by teller and hearers as being grounded in historical truth. However, unlike legends and epics, they usually do not contain more than superficial references to religion and actual places, people, and events; they take place once upon a time rather than in actual times.
A fairy tale is a story featuring folkloric characters.
Fairy Tale(s) or Fairytale(s) may also refer to:
Josef Suk wrote the music for Julius Zeyer's mythological drama Radúz and Mahulena in 1897-8. It was first performed on 6 June 1898, under the baton of Adolf Čech.
In 1899-1900, Suk extracted a four-movement Suite to this Pohádka (or Fairy Tale). Zeyer greatly impressed Suk. The style and orchestration is much affected by Richard Strauss (who was ten years Suk's elder), although Suk's writing is somewhat simpler. There are harmonic sideslips and turns of phrase that could almost have come out of Strauss's A Hero's Life (1898), yet Suk's manner is essentially simpler (and has at its centre the same lyricism which also makes his earlier Serenade such a delightful piece). Dvořák thought this Suite "music from heaven". The Suite was revised in 1912, and remains one of Suk's most successful works.
The four movements are:
"You Oughta Know" is a song by Canadian-American singer Alanis Morissette, released as the lead single from her third studio album, Jagged Little Pill (1995) on July 7, 1995. After releasing two commercially successful studio albums through MCA Records Canada, Morissette left MCA Records Canada and was introduced to manager Scott Welch. Morissette began working on new music after moving from her hometown of Ottawa to Toronto, but did not make much progress until travelling to Los Angeles, where she met Glen Ballard. Alanis and Ballard co-wrote the song with the latter producing it, while musicians Flea and Dave Navarro of the Red Hot Chili Peppers played bass and guitar on the track.
The song was the first released track that saw Morissette's departure from bubblegum pop to the alternative rock sound she was later known for. Released to positive reviews from critics, the single managed to outperform the label's initial expectations. KROQ-FM, an influential Los Angeles modern rock radio station, began playing "You Oughta Know", leading to the single receiving commercial success, reaching the top ten in Australia and the United States, where it was a multiformat hit in several different genre charts, and making the top forty in Canada, Sweden, New Zealand, Belgium, the Netherlands, and the United Kingdom.
Hey, I’m kinda jealous, I’m kinda mad
I’m kinda poutin’, I’m kinda sad
Girl, where’d you get him, he’s such a find
You hit the jackpot, one of a kind
Refrain:
Do he got a brother or maybe just another one like him?
Do he got a homie,
You can introduce me to?
Just like him
Chorus:
I’m kind jealous that your boyfriend seems like a fairytale like a
fairytale
He’s hella perfect, hella cute, hella fun like a fairytale, like a
fairytale
Did he come to your rescue? Did he win the fight?
Did he slay the dragon? Did you ride off in the night?
Sorry, I can’t stop staring, I’m still in shock
How did you find him? He’s smokin’ hot
Must have paid cupid, more than a lot
To go searchin’ all around the clock for him
[Refrain]
[Chorus]
Bridge:
But I don’t mean to be jealous, I don’t mean to be mad
In fact I’m rather happy, in fact I’m rather glad that I know
That cupid is on the road and he’s gonna find mine
[Chorus]
Did he come to your rescue?
Did he win the fight?
Did he slay the dragon?