Ha-ha is a term in garden design that refers to a trench, one side of which is concealed from view, designed to allow an unobstructed view from a garden, pleasure ground, or park, while maintaining a physical barrier in one direction, usually to keep livestock out that are kept on an expansive estate or parcel.[1] It also may be used to mean a ditch, one side of which is vertical and faced with stone, the other face sloped and turfed, making the trench, in effect, a retaining wall, sometimes known as a "deer leap".[2]
Before the advent of mechanical lawnmowers a commonly used way to keep grass trimmed was to allow livestock, usually sheep, to graze; a ha-ha allowed them to feed on the grounds of large estates while keeping them off the lawn and gardens adjoining the house without a visible barrier and allowing an unobstructed vista from the house and gardens.[3][4][5]
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The ha-ha consorted well with Chinese gardening ideas of concealing barriers with nature, but its European origins are earlier than the European discovery of Chinese gardening.[6]
The basic design of sunken ditches is of ancient origins, being a feature of deer parks in England from Norman times onward. For example, between Dover and Canterbury in Parkside Farm, which takes its name from a deer park established by Bishop Odo, the brother of William the Conqueror, remnants of the ditch still survive. During his excavations at Iona in the period 1964–1974, Richard Reece discovered an 18th-century ha-ha to protect the abbey from cattle.[7]
In its modern form, the concept and term are of French origin, with the term being attested in toponyms in New France from 1686 (as seen in modern times in Saint-Louis-du-Ha! Ha!), and being a feature of the gardens of the Château de Meudon, circa 1700. The technical innovation was presented in Dezallier d'Argenville's La theorie et la pratique du jardinage (1709), which was translated into English by the architect John James (1712):
"Grills of iron are very necessary ornaments in the lines of walks, to extend the view, and to show the country to advantage. At present we frequently make thoroughviews, called Ah, Ah, which are openings in the walls, without grills, to the very level of the walks, with a large and deep ditch at the foot of them, lined on both sides to sustain the earth, and prevent the getting over; which surprises the eye upon coming near it, and makes one laugh, Ha! Ha! from where it takes its name. This sort of opening is haha, on some occasions, to be preferred, for that it does not at all interrupt the prospect, as the bars of a grill do."
In Britain, the ha-ha is a feature in landscape gardens laid out by Charles Bridgeman and by William Kent. The device was an essential component of the "swept" views of Capability Brown. Horace Walpole credits Bridgeman with the invention of the haha (Walpole 1780), but he was unaware of the earlier French origins.
"The contiguous ground of the park without the sunk fence was to be harmonized with the lawn within; and the garden in its turn was to be set free from its prim regularity, that it might assort with the wilder country without."[8]
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Look up haha in Wiktionary, the free dictionary. |
The etymology of the term is generally given as being an expression of surprise – “ha ha” or “ah! ah!” is exclaimed on encountering such a feature. This is the explanation given in French, where it is traditionally attributed to Louis, Grand Dauphin, on encountering such features at Meudon, by d'Argenville (trans. James), above, and by Walpole, who surmised that the name is derived from the response of ordinary folk on encountering them and that they were "... then deemed so astonishing, that the common people called them Ha! Has! to express their surprise at finding a sudden and unperceived check to their walk."
Ice houses are sometimes found built into ha-ha walls because they provide a very subtle entrance way that allows the ice house as a structure to be less intrusive.[9]
Most typically ha-has are still found in the grounds of grand country houses and estates and act as a means of keeping the cattle and sheep in the pastures and out of the formal gardens, without the need for obtrusive fencing. They vary in depth from about 2 feet (0.6 m) (Horton House) to 9 feet (2.7 m) (Petworth).
Ha-has were used in North America as well. Only two are believed to remain in Canada, one of which is on the grounds of Nova Scotia's Uniacke House (1813), a rural estate built by Richard John Uniacke, an Irish-born Attorney-General of Nova Scotia.
An unusually long example is the ha-ha separating the Royal Artillery Barrack Field from Woolwich Common in southeast London. This deep ha-ha was installed around 1774 to prevent sheep and cattle, grazing on Woolwich Common as a stopover on their journey to the London meat markets, from wandering onto the Royal Artillery gunnery range. A rare feature of this east-west ha-ha is that the normally hidden brick wall emerges above ground for its final 70 or so meters as the land falls away to the west, revealing a fine batter to the brickwork face of the so exposed wall - this final west section of the ha-ha forms the boundary of the Gatehouse[10] by James Wyatt RA. The Royal Artillery Ha-Ha is maintained in a good state of preservation by the Ministry of Defence, it is a Listed Building, and is accompanied by Ha-Ha Road that runs alongside its full length. There is a shorter ha-ha in the grounds of the nearby Jacobean Charlton House and, perhaps suggesting that the art of employing ha-has is not entirely lost, there is an example of a similar wall nearby Severndroog Castle in Oxleas Wood, constructed with what seems to be World War II bomb damage brickwork.
Ha-has were also used at Victorian-Era lunatic asylums such as Yarra Bend Asylum and Kew Lunatic Asylum in Australia. From the inside, the walls presented a tall face to patients, preventing them from escaping, while from outside the walls looked low so as not to suggest imprisonment.[11] Kew Asylum has been redeveloped as apartments; however some of the ha-has remain, albeit partially filled in.
A recent use of a ha-ha is at the Washington Monument to minimize the visual impact of security measures. After 9-11 and another unrelated terror threat at the monument, authorities had put up jersey barriers to restrict cars from approaching the monument. The new one-sided ha-ha, a low 0.76 m (30-inch) granite stone wall that doubles as a seating bench and also incorporates lighting, received the 2005 Park/Landscape Award of Merit.[12][13]
The front of a ha-ha, still blending in well into the surroundings at Castle Ashby, England.
From the rear, the ha-ha is fully invisible (same structure as previous, laid out by Capability Brown).
View of the Chirk Castle ha-ha found in Denbighshire, North Wales.
Ha-ha in front of the Royal Crescent, Bath
Ha-ha, Hanbury Hall, Worcestershire
The Ha-ha, at Titsey Place, Oxted, Surrey
An example of the ha-ha variation used at Yarra Bend Asylum in Victoria, Australia, circa 1900.
Partially filled in ha-ha inside the former Kew Lunatic Asylum
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Haha or ha ha is the sound of laughter.
Haha, ha ha , Ha Ha or Ha! Ha! may also refer to:
Ha Ha is the 9th studio album by Charged GBH released in 2002 on Go-Kart.
"You (Ha Ha Ha)" is a song by British singer and songwriter Charli XCX taken from her major label debut studio album, True Romance (2013). It was released as the album's 4th single in February 2013, along with several remixes. A music video for the song was released on YouTube on 10 January 2013.
"You (Ha Ha Ha) relies heavily on a sample of Gold Panda's single "You". The sample provides "psychedelic loops" to the track, that contains "maddening trance and haunted-house echoes" and"aural flourishes". The sound of the single has been described as a "combination of UK electro and saccharine vocals". It is set in the key of B Major.
In its list of the best songs of 2013, Pitchfork ranked "You (Ha Ha Ha)" at number 61. It praised the Gold Panda sample, saying that it "could even make Tumblr’s weird pop elite attempt a shimmy." In its review of the album for the same magazine, Marc Hogan called the track "gorgeously bitter". The song was also said to be "vindictive and catchy" by AllMusic, who named it as a highlight of the album. Meanwhile, when reviewing True Romance, Art Ivan of Tiny Mix Tapes found the song to be "a relatively unremarkable, straight pop song that still pushes things along, especially after the self-sustaining 'Nuclear Seasons'.” When presenting the music video, Marc Hogan of Spin Magazine said that the new single "wonderfully emphasizes the pure-pop joy and street-cool swagger that lurks behind the hypnotic shadows on tracks by the likes of not only Panda, but also current Charli collaborator Clams Casino[...]"
Ha Ha Ha is the sound of laughter.
Ha Ha Ha may also refer to:
Ha!-Ha!-Ha! was the second album by British pop group Ultravox, at that time known as "Ultravox!", with an exclamation mark, as a nod to Neu!. Although the group would later achieve fame and commercial success with lead singer Midge Ure the band was, in 1977, led by singer/songwriter John Foxx who was accompanied by guitarist Stevie Shears, drummer Warren Cann, bassist Chris Cross and keyboard/violinist Billy Currie.
Ha!-Ha!-Ha! was released on 14 October 1977, and was accompanied by lead single "ROckwrok" backed with "Hiroshima Mon Amour", which was released eleven days earlier. Neither reached the pop charts, although Island Records continued to have faith in the band. As a consequence of the album's confusing typography – it is variously known as Ha!-Ha!-Ha!, Ha! Ha! Ha! and -ha!-ha!-ha!, the group decided to abandon their exclamation mark for subsequent releases.
Whilst the group's first album had been a product of the David Bowie/Roxy Music-esque side of glam rock, their second was considerably more informed by the burgeoning punk movement, although it also marked the group's first widespread adoption of synthesisers and electronic production techniques. Money from the first album was used to improve the band's equipment, and funded the purchase of an ARP Odyssey and, most notably, a Roland TR-77 drum machine, which appeared on the album's final track, "Hiroshima Mon Amour". This song was the most indicative of the group's later synth-pop direction, and remains both a fan and critical favourite. It was performed on the group's 1978 Old Grey Whistle Test appearance and was covered by The Church on their 1999 covers album A Box of Birds and also by Jan Linton.
Ha! Ha! Ha! is a 1934 Fleischer Studio animated short film starring Betty Boop, and featuring Koko the Clown.
Max Fleischer draws Betty, then leaves her for the night in the studio. Koko escapes from the inkwell and helps himself to a candy bar left behind by Max. He starts to eat some of it but soon gets a terrible toothache. Betty tries to perform some amateur dentistry on Koko, by trying to yank the bad tooth out while dancing. After this fails, she attempts to calm him down but uses too much laughing gas, causing Betty and Koko to laugh hysterically. The laughing gas spreads the room, making a cuckoo clock and a typewriter laugh hysterically. The laughing gas then goes out the window and spreads into town. Both people and inanimate objects begin laughing hysterically, including a mailbox, a parking meter, a bridge, cars and graves. The short ends when Betty and Koko get back in the inkwell and it begins laughing, before panting.
This is a partial remake of the 1924 Koko animated short, The Cure. It was also Koko's last theatrical appearance.
Yeah we got a situation
Locked down and we're trapped in the basement
I'm a victim of pro-placement,
Cause you act and sound level
Trying to pull across your statement
Oh, oh
Because I know, you struggle
Choke when you see love grow
You, you lied, ha ha ha I was right
All alone, good job,
Good job, you fucked it up
Because we used to be the cool kids
You were old school, I was on the new shit
We were addicted to the blueprint
But we threw it in the flame and now we're never gonna trace it
Oh, Because we used to be the cool kids
You were old school, I was on the new shit
We were addicted to the blueprint
But we threw it in the flame and now we're never gonna trace it
Because I know, you struggle
Choke when you see love grow
You, you lied, ha ha ha I was right
All alone, good job,
Good job, you fucked it up
And now you're walking on your own
The rain falls down, I'm not answering my phone
I got to phase you out my zone,
Hope you realize now that I'm never coming home
You were meant to be alone
You, you lied, ha ha ha I was right
ha ha ha
All alone, good job,
Good job, you fucked it up
ha ha ha
It's the front