Yojimbo (film)

Yojimbo (用心棒, Yōjinbō) is a 1961 jidaigeki film directed by Akira Kurosawa. It tells the story of a rōnin, portrayed by Toshiro Mifune, who arrives in a small town where competing crime lords vie for supremacy. The two bosses each try to hire the newcomer as a bodyguard.

Based on the success of Yojimbo, Kurosawa's next film, Sanjuro (1962), was altered to incorporate the lead character of this film. In both films, the character wears a rather dilapidated dark kimono bearing the same family mon (likely the emblem of his former samurai clan, before he became a rōnin).

Plot

It is 1860, and the era of the Tokugawa shogunate is coming to a close. A rōnin, or masterless samurai, wanders into a small town divided by a gang war between two gangsters, Seibei and Ushitora. Ushitora used to be Seibei's right-hand man, until Seibei decided that his son Yoichiro would succeed him. Tazaemon, the silk merchant and mayor, backs Seibei, while Tokuemon the sake brewer is allied with Ushitora. Gonji, the owner of an inn, advises the stranger to leave while he can, but after sizing up the situation, the rōnin tells Gonji that the town would be better off with both sides dead, and that he intends to stay.

Yojimbo

Yojimbo (用心棒, "Yōjinbō") is a Japanese word for bouncer, or bodyguard. The term may also refer to:

Yojimbo (software)

Yojimbo is a personal information manager for Mac OS X by Bare Bones Software. It can store notes, images/media, URLs, web pages. Yojimbo can also encrypt any of its contents and store the password in the Keychain. It is Bare Bones' second Cocoa application.

External links

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.