Cannabis strains are either pure breeds or hybrid varieties of Cannabis, typically of the species C. indica or C. sativa. Varieties are developed to highlight a specific combination of properties of the plant or to establish marketing differentiation. Variety names are typically chosen by their growers, and often reflect properties of the plant, such as taste, color, smell, or the origin of the variety.[citation needed]
Contents |
A variety may refer ambiguously to different forms of cannabis:
Additionally, black market Cannabis dealers may distribute marijuana that is misleadingly called by a variety name. For example, Skunk and G13 may be used, but a lower grade may actually be sold.
The Cannabis genus is typically considered to have two species, Cannabis indica and Cannabis sativa.[1] A third species known as Cannabis ruderalis differs from the other two species in a few key ways. C. ruderalis is very short, produces only trace amounts of tetrahydrocannabinol (THC) and flowers independently of the photoperiod and according to age.[2]
Pure sativas are relatively tall (reaching as high as 4.5 meters), with long internodes and branches, and large, narrow-bladed leaves. Pure indica varieties are shorter and bushier, have wider leaflets, and are often favored by indoor growers. Sativas bloom later than indicas, often taking a month or two longer to mature. The subjective effects of sativas and indicas are said to differ, but the ratio of tetrahydrocannabinol (THC) to cannabidiol (CBD) in most named drug varieties of both types is similar (averaging about 200:1). Unlike most commercial drug varieties, indica landraces often consist of a mixture of plants with varying THC/CBD ratios.[3] The relatively high CBD to THC ratio typical of hashish produced in regions where these landraces are grown (including Afghanistan and Pakistan) is useful for treating insomnia.[4]
Indica
Sativa
In addition to "pure" indica, sativa, and ruderalis varieties, hybrid varieties with varying ratios of these three types are common. For example, the White Widow hybrid is purported to have about 60% "indica" and 40% "sativa" genetics. These hybrid varieties have combinations of traits derived from both parental types. There are also commercial crossbred hybrids which contain a mix of both ruderalis, indica and/or sativa genes (these hybrids are usually called autoflowering varieties). "Lowryder" is the most famous auto-flowering hybrid and retains the auto-flowering characteristic of ruderalis plants, while also producing usable amounts of THC/CBD. Autoflowering marijuana varieties are considered advantageous by some growers due to their discreet size, short growing periods, and the fact that they do not rely on a change in light schedule to determine when to flower.[5]
Varieties are often named by the breeder or grower to differentiate one from another. In competitive legal markets, such as in Amsterdam, there is significant pressure to create unique varieties that dominate the market. This results in a number of distinct variety names that may refer to very similar cannabis.
Likewise, when a variety becomes popular, many breeders and growers may produce variations of the same variety using the same or similar name. For example, Sour refers to a subset of sativa-dominant Cannabis strains.
Breeding involves pollinating a female cannabis plant with male pollen. This will happen naturally. However, the intentional creation of new varieties typically involves selective breeding in a controlled environment.
Often male plants, once identified by their ball-like stamen, will be separated from female flowers. This prevents accidental fertilization of the female plants, either to facilitate sinsemilla flowering or to provide more control over which male is chosen. Pollen produced by the male is caught and stored until it is needed.
The seeds produced by a germinated female will be F1 hybrids of the male and female. These offspring will not be identical to their parents. Instead, they will have characteristics of both parents. Advanced techniques can stabilize certain characteristics.
A common technique to stabilize a cannabis variety is called "cubing", in which the breeder will seek specific traits in the hybrid offspring (e.g. greater resin production, tighter node spacing, etc.) and breed said offspring with a parent plant. The same traits are sought in the new inbred offspring, which are then again bred with the original parent plant. This process is called cubing because it usually repeated across three (or possibly more) generations before a variety can be considered at least somewhat stable.
Seed shops sell both pure varieties that have specific aspects stabilized as well as unstabilized hybrids that may be of questionable quality.
Most cannabis varieties used today in North America are asexually propagated Sativa varieties that were bred hydroponically to produce large amounts of "bud."[citation needed]
|
Shaaman
Shaman, originally known as Shaaman, was a Brazilian progressive/power metal band assembled in 2000 by three musicians who left the band Angra - Andre Matos, Luis Mariutti and Ricardo Confessori. The band was completed with guitar player Hugo Mariutti (Luis' younger brother - both of them also play in another band called Henceforth).
Shaaman changed its name to Shaaman due to legal reasons, but the issue was solved and they renamed it back to Shaaman.
In October 2006, Andre Matos officially left the band along with the Mariutti brothers. Confessori is currently reforming the band.
The band was formed in mid-2000, when musicians Andre Matos (Vocals, keyboards, ex-Viper), Luis Mariutti (Bass, ex-Firebox) and Ricardo Confessori (Drums, ex-Korzus) left the band Angra. At the time the band was assembled, they did not have a guitarist, so Hugo Mariutti (ex-Henceforth) was initially hired to assist in the compositions. Later they permanently integrated him into the band.
Shaman is a 2013 novel by Kim Stanley Robinson. Set during the Ice Age, it tells the story of a trainee shaman, from a tribe of European early modern humans, who must learn the skills to survive and to aid his people.
The novel begins with Loon, a boy from a band of Ice Age humans who call themselves the Wolf Pack, being stripped naked and sent into a lonely valley where he is expected to try to survive alone for two weeks as a test of manhood. Despite a rainstorm on the first day, Loon succeeds in using the skills he has been taught by Thorn, the Wolf Pack's shaman. He manages to start a fire, kill animals for food, and make himself clothing. During his trial he encounters a group of Neanderthals (a subspecies of human whom his band calls 'the Old Ones') who attack him, and he injures a leg while escaping them, an injury that will trouble him for the rest of his story. Despite many adventures, Loon completes his trial and returns to the Wolf Pack. At this point it is revealed that he is just twelve years old.
Badí‘ (Arabic: ﺑﺪﻳﻊ 1852 – 1869) was the title of Mírzá Áqá Buzurg-i-Nishapuri, also known by the title the Pride of Martyrs. He was the son of `Abdu'l-Majid-i-Nishapuri, a follower of the Báb and Bahá'u'lláh.
Badí‘ is most famous for being the bearer of a tablet written by Bahá'u'lláh to Nasiri'd-Din Shah, for which he was tortured and killed at the age of 17. He is also one of the foremost Apostles of Bahá'u'lláh.
The Kitáb-i-Badí', a book written by Bahá'u'lláh, has no relation to the Badí‘ of this article.
Although Badí's father was a Bahá'í, Badí was originally not touched by the new religion. He was an unruly and rebellious youth, and his father described him as the "despair of the family". It was upon a meeting with Nabíl-i-A`zam that Badí‘ heard a poem by Bahá'u'lláh and began weeping. After finishing his studies, he gave away his possessions and set out on foot for Baghdad, where a significant number of Bahá'ís were under persecution. Finally he set out on foot from Mosul through Baghdad to the prison city of `Akka.
"Bad" is a song by rock band U2 and the seventh track from their 1984 album, The Unforgettable Fire. A song about heroin addiction, it is considered a fan favourite, and is one of U2's most frequently performed songs in concert.
A performance of the song at 1985's Live Aid was a career breakthrough for the band.
The live version included as the opening track of the Wide Awake in America EP is frequently chosen for airplay by radio DJs ahead of the studio version. The song is featured on the trailer of Brothers and in the opening and closing sequences of Taking Lives.
"Bad" began with an improvised guitar riff during a jam session at Slane Castle where U2 were recording The Unforgettable Fire. The basic track was completed in three takes. Of its immediate and live nature, U2 guitarist the Edge said "There's one moment where Larry puts down brushes and takes up the sticks and it creates this pause which has an incredibly dramatic effect." Producer Brian Eno added the sequencer arpeggios that accompany the song.
"Bad" is a song by American hip hop recording artist Wale. It was released on February 5, 2013, as the first single from his third studio album The Gifted (2013). The song, produced by Kelson Camp, features a guest appearance from Tiara Thomas. "Bad" has so far peaked at number 21 on the US Billboard Hot 100, making it Wale's second top 40 entry after "Lotus Flower Bomb", and becoming his highest-charting single as a lead artist. It also became Thomas' first top 40 entry.
The song was originally released on December 24, 2012, as track 6 on Wale's mixtape Folarin, but would later appear on his album The Gifted.
Wale spoke about the concept of the video in an interview saying, "It was an amazing experience because it felt like a real movie, The concept of the video is about a girl. She’s trying to find herself by means of intimacy. She hasn’t really discovered what she wants out of love or lust. It’s almost a true story about some of the girls I’ve been with or courted."It featues a cameo from Rick Ross. The music video was directed by Alexandre Moors and premiered on March 20, 2013, on 106 & Park.
[Intro]
Uh, uh, stop. Stop, don't...
Don't ever do that... No...
Because, I know if I let you it's gon' be all around town
And I just don't have my business sounding like that
You know what, you don't know how to keep no secret
I mean when this song is gon' be out, people are gonna know my sh's the bomb
And I'm not worried about that. Uh, uh, no, stop
Don't, don't, stop, stop. Aight, you gon' get yourself in some trouble
Alright let's do it...
[Verse 1]
Damn, this a trip I know he wanted to get at me
Jumped into my hoopdie wanna feel something ???
Knockin' for a head of this bump...
Flava I give it to him now if he don't tell later
Patience baby, don't rush, it's been too long and I just can't give it up
It's vigin material, gotta watch what I'm doin'
I can't hand it to everyone just because they rulin'
But I let you cause I sweat you and your style is unique
You just don't have your business all in the street
So people, slide it in and press play
Let me take you for a ride around my way, okay
[Chorus: Teena Marie]
All you do is push it in, then you push it out
That's the dance we call the push
If you got it let me hear you shout [x2]
...Push out, and, push out, and, push out, and push out, and in
Go 'head, go 'head let your body work
Go 'head let your body jerk
[Verse 2]
Hot of the wax, wait till you hit the back
The B-Side is the bomb, word to Mom...
Check the material, juicy like cereal
'95 flava, a year later...
You know it's poppin and ain't no stoppin' my beat
The techniques you use are those of a freak
Sit back and observe, right next to the kerb
Gettin' it on, Daddy got nerve...
You know I let cause I sweat you and your style is unique
You just don't have your business all in the street
So people, slide it in and press play
Let me take you for a ride around my way, okay
[Chorus]
[Verse 3]
Be honest with me when it's done
Don't be callin' me Mommy if I ain't number one
Aight son, what you think, tell me if this shit stinks
So let you here before we hit the streets
Do I... have enough funk in my trunk
To make a fella do right or make a fella do wrong
Was it better from the back on every track
I won't be offended if you say this shit is wack
See, you know I let you cause I sweat you and your style is unique
You just don't have your business all in the street
So people, slide it in and press play
Let me take for a ride around my way, okay