Yash (film)

Yash is a 1996 Indian Bollywood musical film directed by Sharad Saran. It stars Bijay Anand, Kartika Rane, Dilip Dhawan, Mangal Dhillon, Dina Pathak, Parikshat Sahni, Ajit Vachani and Sonu Walia. Its songs 'Subah Subah Jab Khidki Khole' & 'Yaaron Na Jane mujhe kya Ho Gya' went on to become surprise chartbusters at the time giving instant fame to its debutant composer Tabun (who later worked on Yaadein) & its lyricist Mehboob Kotwal. The film bombed badly at the box office since it was never intended to be made into a full-length feature film until the songs became a rage.

Synopsis

Vikram Rai (Mangal Dhillon) is a talented singer, unknown however in the singing world. Kalpana (Sonu Walia), the daughter of Kailashnath Sahai (Ajit Vachani) who is the owner of a singing company, is however won over by his singing and marries him against her father's wishes. They have a son whom they name Yash (Bijay Anand). As time passes Kalpana realises that she has married the wrong man. She leaves her husband and son and returns to her father's house. Kalpana's desertion is a real challenge for Vikram and after sending Yash to a hostel, he works hard and eventually becomes the owner of a company. Yash turns out to be a handsome young man in love with a girl, Angel (Kartika Rane), who is the daughter of a music teacher. Yash now feels rejected by both his parents - his mother who is more in love with money and his father who has fallen in love with Asha (Natasha Sinha). After taking training in music from Mr. Joseph, he becomes pop singer and gets a lot of fame. Seeing this his mother and grandfather wish to bring him into their company, but he refuses. In order to take revenge, Kailashnath destroys Vikram. When Yash learns of this, he comes to his father's help. Is Yash able to re-establish his father? Was he able to bring his parents together? This is the climax of Yash.

Film (band)

Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.

History

New wave years (1979-1981)

During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.

Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: