The yak (Bos grunniens and Bos mutus) is a long-haired bovid found throughout the Himalaya region of southern Central Asia, the Tibetan Plateau and as far north as Mongolia and Russia. Most yaks are domesticated Bos grunniens. There is also a small, vulnerable population of wild yaks, Bos mutus.
The English word "yak" derives from the Tibetan gyag (Tibetan: གཡག་, Wylie: g.yag ) – in Tibetan this refers only to the male of the species, the female being called a dri or nak. In English, as in most other languages which have borrowed the word, "yak" is usually used for both sexes.
Yaks belong to the genus Bos, and are therefore related to cattle (Bos primigenius taurus, Bos primigenius indicus). Mitochondrial DNA analyses to determine the evolutionary history of yaks have been somewhat ambiguous.
The yak may have diverged from cattle at any point between one and five million years ago, and there is some suggestion that it may be more closely related to bison than to the other members of its designated genus. Apparent close fossil relatives of the yak, such as Bos baikalensis, have been found in eastern Russia, suggesting a possible route by which yak-like ancestors of the modern American bison could have entered the Americas.
Yaksha (Sanskrit यक्ष yakṣa, Pali yakkha) is the name of a broad class of nature-spirits, usually benevolent, who are caretakers of the natural treasures hidden in the earth and tree roots. They appear in Hindu, Jain and Buddhist texts. The feminine form of the word is yakṣī) or Yakshini (yakṣiṇī).
In Hindu, Jain, and Buddhist texts, the yakṣa has a dual personality. On the one hand, a yakṣa may be an inoffensive nature-fairy, associated with woods and mountains; but there is also a darker version of the yakṣa, which is a kind of ghost (bhuta) that haunts the wilderness and waylays and devours travelers, similar to the rakṣasas.
In Kālidāsa's poem Meghadūta, for instance, the yakṣa narrator is a romantic figure, pining with love for his missing beloved. By contrast, in the didactic Hindu dialogue of the Yakṣapraśnāḥ "Questions of the Yakṣa", it is a tutelary spirit of a lake that challenges Yudhiṣṭhira. The yakṣas may have originally been the tutelary gods of forests and villages, and were later viewed as the steward deities of the earth and the wealth buried beneath.
Kong may refer to:
Kong (孔) is a Chinese, Korean, and Cambodian surname. It can also be written as Kung in Taiwan, Hung in Hong Kong, Khổng in Vietnam, and Gong in Korea. There are around 2.1 million people with this surname in China in 2002, representing 0.23% of the population.
This surname Kong is most notable as the surname of Confucius and his descendants. The family tree of Confucius and his descendants is generally considered to be the world longest, covering over 2,500 years with more than 80 generations recorded, and has two million entries according to its last update in 2009. The main line of descent traditionally held the title of Duke Yansheng, which was changed to the title of the first Sacrificial Official to Confucius in the 20th century. This title is currently held by Kung Tsui-chang.
Kong may also be the English transliteration of a rare Chinese surname 空, or a less common form of the Gong surnames such as 龔, 貢 and 弓.
The character for the Kong surname was derived from the Zi (子) family name. The founder of the Shang Dynasty, Tang of Shang whose family name was Zi, had the courtesy name of Taiyi (太乙). His descendants fused the character Zi (子) to Yi (乙), forming the character Kong (孔) which eventually became a surname. It first appeared during the Zhou Dynasty as the courtesy name Kongfu (孔父) of a noble in the State of Song named Jia (嘉), said to be a descendant of the Tang of Shang. Kongfu Jia was murdered, and his son escaped to the State of Lu where he adopted Kong as the name of his clan. His family settled in Qufu and Confucius was one of his descendants.
Richard Dorian "Dickie" Goodman (April 19, 1934 – November 6, 1989) was an American music and record producer born in Brooklyn, New York. He is best known for inventing and using the technique of the "break-in", an early precursor to sampling, that used brief clips of popular records and songs to "answer" comedic questions posed by voice actors on his novelty records. He also wrote and produced some original material, most often heard on the B-side of his break-in records.
In June 1956, Goodman created his first record, "The Flying Saucer Parts 1 & II", which he co-wrote with his partner Bill Buchanan, and featured a four-minute rewriting of Orson Welles’ War of the Worlds radio show. This recording was the subject of a copyright infringement case against Goodman. The court eventually ruled his sampled mix was considered a parody, and was an entirely new work. "The Flying Saucer" was officially released under the artist name "Buchanan and Goodman" and was Goodman's highest-charting single on Billboard, peaking at #3. Buchanan and Goodman followed up with four other records: "Buchanan and Goodman on Trial" (#80 in 1956), "Flying Saucer The 2nd" (#18 in 1957), "The Creature (From A Science Fiction Movie)" (as by Buchanan and Ancell) (#85 in 1957), and "Santa and the Satellite (Parts I & II)" (#32 in 1957).