Xenos may refer to:
The Xenos is a custom graphics processing unit (GPU) designed by ATI (now taken over by AMD), used in the Xbox 360 video game console developed and produced for Microsoft. Developed under the codename "C1", it is in many ways related to the R520 architecture and therefore very similar to an ATI Radeon X1800 series of PC graphics cards as far as features and performance are concerned. However, the Xenos introduced new design ideas that were later adopted in the TeraScale microarchitecture, such as the unified shader architecture. The package contains two separate dies, the GPU and an eDRAM, featuring a total of 337 million transistors.
On the chip, the shader units are organized in three SIMD groups with 16 processors per group, for a total of 48 processors. Each of these processors is composed of a 5-wide vector unit (total 5 FP32 ALUs) that can serially execute up to two instructions per cycle (a multiply and an addition). Thus each of the 48 processors can perform 10 floating-point ops per cycle. All processors in a SIMD group execute the same instruction, so in total up to three instruction threads can be simultaneously under execution.
Xenos is a 32K Disk adventure game for the TRS-80 Model I/III (Catalog Number 25-1955).
Xenia (Greek: ξενία, xenía, trans. "guest-friendship") is the ancient Greek concept of hospitality, the generosity and courtesy shown to those who are far from home and/or associates of the person bestowing guest-friendship. The rituals of hospitality created and expressed a reciprocal relationship between guest and host expressed in both material benefits (such as the giving of gifts to each party) as well as non-material ones (such as protection, shelter, favors, or certain normative rights).
The Greek god Zeus is sometimes called Zeus Xenios in his role as a protector of travelers. He thus embodied the religious obligation to be hospitable to travelers. Theoxeny or theoxenia is a theme in Greek mythology in which human beings demonstrate their virtue or piety by extending hospitality to a humble stranger (xenos), who turns out to be a disguised deity (theos) with the capacity to bestow rewards. These stories caution mortals that any guest should be treated as if potentially a disguised divinity and help establish the idea of xenia as a fundamental Greek custom. The term theoxenia also covered entertaining among the gods themselves, a popular subject in classical art, which was revived at the Renaissance in works depicting a Feast of the Gods.
Xenos (Greek: ξένος, xénos, plural xenoi) is a word used in the Greek language from Homer onwards. The most standard definition is "stranger". However, the word, itself, can be interpreted to mean different things based upon context, author and period of writing/speaking, signifying such divergent concepts as "enemy" or "stranger", a particular hostile interpretation, all the way to "guest friend"' one of the most hallowed concepts in the cultural rules of Greek hospitality.
Xenos can be translated both to foreigner (in the sense of a person from another Greek state) and to a foreigner or traveler brought into a relationship of long distance friendship. Xenos can also be used simply to assert that someone is not a member of your community, that is simply foreigner and with no implication of reciprocity or relationship. Xenos generally refers to the variety of what a particular individual can be, specifically guest, host, stranger, friend, and, as previously mentioned, foreigner.
Xenos is a genus of insects belonging to the Stylopidae family. The word derives from the Greek word for strange. A species of the genus is Xenos vesparum, first described by Pietro Rossi in 1793The females are permanent entomophagous endoparasites of Polistes paper wasps. They dwell their whole life in the abdomen of the wasp.
The sense to see and I saw you walk away
The sense to feel and I feel lonely everyday
The sense to hear for I heard you say goodbye
The sense to taste now I can taste the tears that I cry
My senses tell me all that I need to know
It's over but I don't have the sense to let you go
It doesn't make much sense for me to cry for you
And if I had any sense at all I'd realize we're through
But my senses are reacting much too slow
And it's over but I don't have the sense to let you go