A hi-hat, also spelled hihat, is a type of cymbal and stand used as a typical part of a drum kit by percussionists in rhythm and blues, hip-hop, disco, jazz, metal, rock and roll, house, reggae and other forms of contemporary popular music. It is a standard part of the modern drum kit. The hi-hat consists of two cymbals that are mounted on a stand, one on top of the other, and a pedal which can be used to clash and hold the cymbals together. Open and closed hi-hat refer to notes struck while the two cymbals are apart or together (open or closed), while pedal hi-hat refers to parts or notes played solely with the pedal used to strike the two cymbals. Most cymbal patterns consist of both open and closed notes.
A hat is a head covering which is worn for various reasons, including protection against the elements, ceremonial reasons, religious reasons, safety, or as a fashion accessory. In the past, hats were an indicator of social status. In the military, hats may denote nationality, branch of service, rank and/or regiment.Police typically wear distinctive hats such as peaked caps or brimmed hats, such as those worn by the Royal Canadian Mounted Police. Some hats have a protective function. As examples, the hard hat protects construction workers' heads from injury by falling objects and a British police Custodian helmet protects the officer's head, a sun hat shades the face and shoulders from the sun, a cowboy hat protects against sun and rain and a Ushanka fur hat with fold-down ear-flaps keeps the head and ears warm. Some hats are worn for ceremonial purposes, such as the mortarboard, which is worn (or carried) during university graduation ceremonies. Some hats are worn by members of a certain profession, such as the Toque worn by chefs. Some hats have a religious functions, such as the Mitres worn by Bishops and the turban worn by Sikhs.
Hats may refer to:
Hats is the second studio album by Scottish band The Blue Nile, originally released on 16 October 1989 on Linn Records and A&M Records.
After a prolonged delay in which an entire album's worth of work was scrapped, The Blue Nile released Hats to rave reviews, including a rare five-star rating from Q magazine. It also became the band's most successful album, reaching number 12 on the UK album charts and spawning three singles: "The Downtown Lights", "Headlights on the Parade", and "Saturday Night".
Rickie Lee Jones, a fan of the band, personally selected The Blue Nile as her opening act for her US tour in 1990. She would later record a duet with them, a cover of their own "Easter Parade" from A Walk Across the Rooftops, which was featured as a B-side to the single "Headlights on the Parade". "The Downtown Lights" was covered by two artists in 1995: by Annie Lennox (with whom The Blue Nile worked on her debut album Diva) on her second solo recording, Medusa; and by Rod Stewart on his album A Spanner in the Works.
Twisted mind, twisted Face
There's no rest, endless Race
It's too late to save your Face
From the twisted sons of Hate
In your brain, the vein of Pain
Causes you to twist your Face
Velocity, accelerate
Pressure builds, burning Strain
Mirror skiing for the answer
Your face a twisted Mess
Speeding faster, never Slowing
You know there's no rest
Feel the Rush, urgency
Methamphetamine, can't be Freed
Feel your Heart beat faster faster
Never ending Thrust
Feel your Skull begin to Crush
Your Brain turns into Mush
Crank it up, smell the Rage
Locked within, Cage of Death
Can't slow down, no time to Rest
No way to end this Chase
Your twisted Face, your burning Nose
You die a fucking Disgrace
Twisted Mind, Twisted Face
There's no rest, endless Race
It's too late to save your Face
From the twisted Sons of Hate
In your Brain, the Vein of Pain
Causes you to twist your Face
Velocity, Accelerate
Pressure builds, burning Strain
Mirror skiing for the Answer
Your face a twisted Mess
Speeding faster, never slowing
You know there's no Rest
Twisted Face
Twisted Face