Opernhaus Wuppertal ("Wuppertal Opera House") is a theatre in Wuppertal, North Rhine-Westphalia, Germany. It houses mostly performances of operas, but also plays, run by the municipal Wuppertaler Bühnen. The house is also the venue for dance performances by the Tanztheater Wuppertal company created by Pina Bausch.
The house was built in 1905 on a design by Carl Moritz as the Stadttheater Barmen ("Barmen Municipal Theatre"). It was rebuilt after being severely damaged during World War II, and again restored in 2006 to 2009.
It is known for premieres and revivals of lesser-known works, and it was a starting point in the careers of many notable conductors, singers and stage directors.
The original building was the Stadttheater Barmen ("Barmen Municipal Theatre"), an all-purpose theatre for opera and plays built in 1905 before Barmen was merged into Wuppertal. It was designed by the architect Carl Moritz in a style drawing on neo-Baroque and Jugendstil. It was completed in 1907. The theatre was severely damaged during a World War II air raid on the night of 30 May 1943, which destroyed the hall completely and also damaged the stage area. It was rebuilt from 1954 to 1956, but with restricted Jugendstil elements which the leader of the project termed "schwerverdauliche Formensprache" (a language of forms hard to digest). The house reopened on 14 October 1956, one of the first war-damaged theatres in Germany to resume operations, with a gala performance of Paul Hindemith's Mathis der Maler.
Opera /ˈɒprə/ (Italian: [ˈɔːpera]; English plural: operas; Italian plural: opere [ˈɔːpere]) is an art form in which singers and musicians perform a dramatic work combining text (libretto) and musical score, usually in a theatrical setting. In traditional opera, singers do two types of singing: recitative, a speech-inflected style and arias, a more melodic style. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 1800s has been led by a conductor.
Opera is part of the Western classical music tradition. It started in Italy at the end of the 16th century (with Jacopo Peri's lost Dafne, produced in Florence in 1598) and soon spread through the rest of Europe: Schütz in Germany, Lully in France, and Purcell in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe (except France), attracting foreign composers such as Handel. Opera seria was the most prestigious form of Italian opera, until Gluck reacted against its artificiality with his "reform" operas in the 1760s. Today the most renowned figure of late 18th century opera is Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro (Le Nozze Di Figaro), Don Giovanni, and Così fan tutte, as well as The Magic Flute (Die Zauberflöte), a landmark in the German tradition.
"Opera", written by Buğra Uğur and Aysel Gürel, was the song performed by Çetin Alp & The Short Waves that represented Turkey at the Eurovision Song Contest 1983.
The song was performed 6th on the night, following Italy's Riccardo Fogli with "Per Lucia" and preceding Spain's Remedios Amaya with "Quién maneja mi barca". The song received no points from the 19 other countries taking part, placing joint last of 20 together with Spain who also failed to score.
The song was succeeded as Turkish representative at the 1984 contest by Beş Yıl Önce, On Yıl Sonra with "Halay".
Opera is the debut studio album of Richard Dorfmeister and Rupert Huber's electronic music project Tosca. It combines new material and previously released singles, including "Chocolate Elvis". "Irresistibly funky" (BBC), "the blues, and the thick sultry bass, makes it as sexy and melancholy as cigarette smoke after a one-night stand in a strange city" (Mixmag). It is "one of the few sure things in a modest genre" (Sasha Frere-Jones, LA Weekly).
All tracks written by Richard Dorfmeister and Rupert Huber.
http://www.toscamusic.com/discography/66-opera