A wrong (from Old English wrang – crooked) is an act that is illegal or immoral.Legal wrongs are usually quite clearly defined in law of each state or jurisdiction. They can be divided into civil wrongs and crimes (or criminal offences) in common law countries, while civil law countries tend to have some additional categories, such as contraventions.
Moral wrong is an underlying concept for legal wrong, and some moral wrongs are punishable by law, for example rape or murder. Other moral wrongs have nothing to do with law. On the other hand, some legal wrongs, such as parking offences, could hardly be classified as moral wrongs.
In law, a wrong can be a legal injury, which is any damage resulting from a violation of a legal right. It can also imply the state of being contrary to the principles of justice or law. It means that something is contrary to conscience or morality and results in treating others unjustly. If the loss caused by a wrong is minor enough, there is no compensation, which principle is known as de minimis non curat lex. Otherwise, damages apply.
"Wrong" is a song written and recorded by British group Everything but the Girl. It was released in June 1996 as the second single from their album, Walking Wounded. A club remix of the song provided by Todd Terry went to number-one on the Hot Dance Club Play chart. The remix also reached number 8 in Canada and the United Kingdom.
In 2001 an official mash-up credited to EBTG vs Soul Vision titled "Tracey in My Room" was released, produced by Ben Watt using Tracey Thorn's vocal of "Wrong". A further remix of the track features on Everything but the Girl 2003 compilation album Like the Deserts Miss the Rain.
Wrong is a concept in law and ethics that is the opposite of right. The word may also refer to:
A grave is a location where a dead body (typically that of a human, although sometimes that of an animal) is buried. Graves are usually located in special areas set aside for the purpose of burial, such as graveyards or cemeteries.
Certain details of a grave, such as the state of the body found within it and any objects found with the body, may provide information for archaeologists about how the body may have lived before its death, including the time period in which it lived and the culture that it had been a part of.
In some religions, it is believed that the body must be burned for the soul to survive; in others, the complete decomposition of the body is considered to be important for the rest of the soul (see Bereavement).
The formal use of a grave involves several steps with associated terminology.
The excavation that formed the grave. Excavations vary from a shallow scraping, to removal of topsoil to a depth of 6 feet (1.8 metres), or more where a vault or burial chamber is to be constructed. However, most modern graves in the United States are only 4 feet deep as the casket is placed into a concrete box which prevents a sinkhole, is strong enough to be driven over, and will not float in a flood.
In musical terminology, tempo [ˈtɛmpo] ("time" in Italian; plural: tempi [ˈtɛmpi]) is the speed or pace of a given piece or subsection thereof.
A piece of music's tempo is typically written at the start of the score, and in modern Western music is usually indicated in beats per minute (BPM). This means that a particular note value (for example, a quarter note, or crotchet) is specified as the beat, and that the amount of time between successive beats is a specified fraction of a minute. The greater the number of beats per minute, the smaller the amount of time between successive beats, and thus faster a piece must be played. For example, a tempo of 60 beats per minute signifies one beat per second, while a tempo of 120 beats per minute is twice as rapid, signifying one beat every 0.5 seconds. Mathematical tempo markings of this kind became increasingly popular during the first half of the 19th century, after the metronome had been invented by Johann Nepomuk Maelzel, although early metronomes were somewhat inconsistent. Beethoven was one of the first composers to use the metronome; in the 1810s he published metronomic indications for the eight symphonies he had composed up to that time. for example a minum has a 2 seconds
The grave accent ( ` ) (/ˈɡreɪv/ or UK /ˈɡrɑːv/) is a diacritical mark used in many written languages, including Breton, Catalan, Corsican, Dutch, French, Greek (until 1982; see polytonic orthography), Haitian Creole, Italian, Mohawk, Norwegian, Occitan, Portuguese, Ligurian, Scottish Gaelic, Vietnamese, Welsh, Romansh and Yoruba.
The grave accent was first used in the polytonic orthography of Ancient Greek to mark a lower pitch than the high pitch of the acute accent. In modern practice, it is used to replace an acute accent in the last syllable of a word when the word is followed immediately by another word in the sentence. The grave and circumflex have been replaced with an acute accent in the modern monotonic orthography.
The grave accent marks the stressed vowels of words in Maltese, Catalan and Italian.
Darkane is a Swedish extreme metal band that originated in Helsingborg in 1998. Their music contains ample thrash elements interspersed with acoustic interludes and symphonic features, such as the in studio use of synthesizers and occasionally full orchestras and choir singing. The name Darkane is a portmanteau of the words "dark" and "arcane".
Darkane was formed by former Agretator guitarist Christofer Malmström and drummer Peter Wildoer, who recorded a 2-song demo in 1998. On the strength of these two songs, Darkane landed a record deal with War Music, and the band's lineup was completed by bassist Jörgen Löfberg, guitarist Klas Ideberg, and vocalist Bjorn “Speed” Strid. However, as vocalist of the already-established Soilwork, Speed was unable to continue dividing his time, and decided to leave Darkane. After a period of several months without a vocalist, he was replaced by vocalist Lawrence Mackrory, who was recommended by the band's producer, Daniel Bergstrand.