Wrecking (Russian: вредительство or vreditel'stvo, lit. "inflicting damage", "harming"), was a crime specified in the criminal code of the Soviet Union in the Stalin era. It is often translated as "sabotage"; however, "wrecking", "diversionist acts", and "counter-revolutionary sabotage" were distinct sub-articles of Article 58 (RSFSR Penal Code) (58-7, 58-9, and 58-14 respectively), and the meaning of "wrecking" is closer to "undermining".
These three categories are distinguished in the following way.
As applied in practice, "wrecking" and "sabotage" referred to any action which negatively affected the economy, including failing to meet unrealistic economic targets, allegedly causing poor morale among subordinates (e.g. by complaining about conditions of work), lack of effort, or other incompetence. Thus, it referred to economic or industrial sabotage in the very broadest sense. The definion of sabotage was interpreted dialectically and indirectly, so any form of non-compliance with Party directives could have been considered a 'sabotage'.
The Union of Soviet Socialist Republics (Russian: Сою́з Сове́тских Социалисти́ческих Респу́блик, tr. Soyuz Sovetskikh Sotsialisticheskikh Respublik; IPA: [sɐˈjus sɐˈvʲɛtskʲɪx sətsɨəlʲɪsˈtʲitɕɪskʲɪx rʲɪˈspublʲɪk]) abbreviated to USSR (Russian: СССР, tr. SSSR) or shortened to the Soviet Union (Russian: Сове́тский Сою́з, tr. Sovetskij Soyuz; IPA: [sɐ'vʲetskʲɪj sɐˈjʉs]), was a Marxist–Leninist state on the Eurasian continent that existed between 1922 and 1991. A union of multiple subnational Soviet republics, its government and economy were highly centralized. The Soviet Union was a one-party state, governed by the Communist Party with Moscow as its capital.
Soviet is an American electronic rock band that formed in 1998 in Syracuse, NY. They later moved to New York City. Although influenced more by new romantic and Britpop music, Soviet was one of several Electropop artists who surfaced in the late 1990s that popularized the sound New York promoter and DJ Larry Tee coined as electroclash. The longest standing core member lineup consists of vocalist and songwriter Keith Ruggiero, and keyboardists Christopher Otchy, Amanda Lynn Berkowitz, and Greg Kochan.
The band began in 1995 while Keith Ruggierio attended Syracuse University as a film student. Having long been fascinated with the electronic new wave sound made popular by groups like China Crisis, Human League, Talk Talk, Ultravox, Gary Numan, and OMD, he set out to make music in this vein. It was difficult for him to find a band with similar interests, and so he began writing songs and recording on a Tascam 4-track tape machine with a few analog synthesizers he was able to acquire cheaply. He began to create demos, which he circulated to several friends.
Soviet may refer to:
In ordinary language, the term crime denotes an unlawful act punishable by a state. The term "crime" does not, in modern criminal law, have any simple and universally accepted definition, though statutory definitions have been provided for certain purposes. The most popular view is that crime is a category created by law; in other words, something is a crime if declared as such by the relevant and applicable law. One proposed definition is that a crime or offence (or criminal offence) is an act harmful not only to some individual or individuals but also to a community, society or the state ("a public wrong"). Such acts are forbidden and punishable by law.
The notion that acts such as murder, rape and theft are to be prohibited exists worldwide. What precisely is a criminal offence is defined by criminal law of each country. While many have a catalogue of crimes called the criminal code, in some common law countries no such comprehensive statute exists.
The state (government) has the power to severely restrict one's liberty for committing a crime. In modern societies, there are procedures to which investigations and trials must adhere. If found guilty, an offender may be sentenced to a form of reparation such as a community sentence, or, depending on the nature of their offence, to undergo imprisonment, life imprisonment or, in some jurisdictions, execution.
Crime fiction is the literary genre that fictionalises crimes, their detection, criminals, and their motives. It is usually distinguished from mainstream fiction and other genres such as historical fiction or science fiction, but the boundaries are indistinct. Crime fiction has multiple sub-genres, including detective fiction (such as the whodunit), courtroom drama, hard-boiled fiction and legal thrillers. Suspense and mystery are key elements that are nearly ubiquitous to the genre.
In Italy people commonly call a story about detectives or crimes giallo (English: yellow), because books of crime fiction have usually had a yellow cover since the 1930s.
The earliest known crime fiction is Thomas Skinner Sturr's anonymous Richmond, or stories in the life of a Bow Street officer (1827); the earliest full-length novel in the genre is The Rector of Veilbye by the Danish author Steen Steensen Blicher, published in 1829. Better known are the earlier dark works of Edgar Allan Poe (e.g., "The Murders in the Rue Morgue" (1841), "The Mystery of Marie Roget" (1842), and "The Purloined Letter" (1844)). Wilkie Collins' epistolary novel The Woman in White was published in 1860, while The Moonstone (1868) is often thought to be his masterpiece. French author Émile Gaboriau's Monsieur Lecoq (1868) laid the groundwork for the methodical, scientifically minded detective. The evolution of locked room mysteries was one of the landmarks in the history of crime fiction. The Sherlock Holmes mysteries of Arthur Conan Doyle are said to have been singularly responsible for the huge popularity in this genre. A precursor was Paul Féval, whose series Les Habits Noirs (1862–67) features Scotland Yard detectives and criminal conspiracies. The best-selling crime novel of the nineteenth century was Fergus Hume's The Mystery of a Hansom Cab (1886), set in Melbourne, Australia.
Crime was an early American punk band from San Francisco. The band was formed in 1976 by Johnny Strike (vocals, guitar), Frankie Fix (vocals, guitar), Ron "The Ripper" Greco (bass; ex-Flamin' Groovies), and Ricky Tractor (Ricky Williams) (drums). Their debut, the self-financed double A-side, "Hot Wire My Heart" and "Baby You're So Repulsive", appeared at the end of 1976, and is the first single released by a U.S. punk act from the West Coast.
The band's sound was characterized by simple rock-and-roll arrangements played at intensely high volumes. Michael Goldberg, critic for New York Rocker magazine, wrote in 1978: "Crime play loud. So loud that the plate glass window at the opposite end of the club shakes, tables tremble and people hang onto their drinks. Loudness may be Crime's only musical raison d'etre. This band is a literal translation of the concept 'minimal.' Drummer Hank Rank thumps out a simple Bo Diddley beat that is only adequate in the context of the rest of the band. Bassist Ron the Ripper coaxes a thick rumble from his amp that reminds one of the thunder of a bulldozer rolling over rugged terrain. And the guitar playing of [Johnny] Strike and Frankie Fix make you feel like you've been forcefully held underwater for the full 25 minutes of the set."