World tree

The world tree is a motif present in several religions and mythologies, particularly Indo-European religions, Siberian religions, and Native American religions. The world tree is represented as a colossal tree which supports the heavens, thereby connecting the heavens, the terrestrial world, and, through its roots, the underworld. It may also be strongly connected to the motif of the tree of life.

Specific world trees include világfa in Hungarian mythology, Ağaç Ana in Turkic mythology, Modun in Mongolian mythology, Yggdrasil (or Irminsul) in Germanic (including Norse) mythology, the Oak in Slavic and Finnish mythology, Kien-Mu or Jian-Mu in Chinese mythology, and in Hindu mythology the Ashvattha (a Sacred Fig).

Norse mythology

In Norse mythology, Yggdrasil is the world tree. Yggdrasil is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both sources, Yggdrasil is an immense ash tree that is central and considered very holy. The Æsir go to Yggdrasil daily to hold their courts. The branches of Yggdrasil extend far into the heavens, and the tree is supported by three roots that extend far away into other locations; one to the well Urðarbrunnr in the heavens, one to the spring Hvergelmir, and another to the well Mímisbrunnr. Creatures live within Yggdrasil, including the harts Dáinn, Dvalinn, Duneyrr and Duraþrór, the giant in eagle-shape Hraesvelgr, the squirrel Ratatoskr and the wyrm Níðhöggr. Scholarly theories have been proposed about the etymology of the name Yggdrasil, the potential relation to the trees Mímameiðr and Læraðr, and the sacred tree at Uppsala.

Axis mundi

The axis mundi (also cosmic axis, world axis, world pillar, center of the world, world tree), in certain beliefs and philosophies, is the world center, or the connection between Heaven and Earth. As the celestial pole and geographic pole, it expresses a point of connection between sky and earth where the four compass directions meet. At this point travel and correspondence is made between higher and lower realms. Communication from lower realms may ascend to higher ones and blessings from higher realms may descend to lower ones and be disseminated to all. The spot functions as the omphalos (navel), the world's point of beginning.

The image is mostly viewed as feminine, as it relates to the center of the earth (perhaps like an umbilical providing nourishment). It may have the form of a natural object (a mountain, a tree, a vine, a stalk, a column of smoke or fire) or a product of human manufacture (a staff, a tower, a ladder, a staircase, a maypole, a cross, a steeple, a rope, a totem pole, a pillar, a spire). Its proximity to heaven may carry implications that are chiefly religious (pagoda, temple mount, minaret, church) or secular (obelisk, lighthouse, rocket, skyscraper). The image appears in religious and secular contexts. The axis mundi symbol may be found in cultures utilizing shamanic practices or animist belief systems, in major world religions, and in technologically advanced "urban centers". In Mircea Eliade's opinion, "Every Microcosm, every inhabited region, has a Centre; that is to say, a place that is sacred above all." The axis mundi is often associated with mandalas.

Égig érő fa

The égig érő fa ("sky-high tree"), also called életfa ("tree of life"), világfa ("world tree"), or tetejetlen fa ("tree without a top"), is an element of Hungarian shamanism and native faith, and a typical element of Hungarian folk art and folk tales, and also a distinct folk tale type.

Several of these tales have versions in the Transylvanian, German, Romanian, Romani, Serbian, Croatian, Bulgarian, Turkish and other cultures in Asia, but the origin of the Hungarian tales goes back to the táltos traditions of Hungarians. The "táltosok" (shamans) are the humans who are entitled to climb up the égig érő fa and wander in the seven or nine layers of the sky.

One version of these tale is about the "kiskondás" (small swineherd) who climbs up the tree to save the princess who is held captive by a dragon (as told in the Világhírű Szép Miklós tale). The tree is a frequent element of certain funny tales, in which for example a gypsy climbs up into the heaven and then down into the hell.

The world tree often grows out of a reindeer or a horse. It often carries among its branches the Sun and the Moon. This latter concept is typical of Uralic and Siberian people. The tree often stands on the world mountain, with its top in the sky and its roots in hell, where snakes and toads live. In the tales birds often sit on the tree, for example eagles, hawks or the mythical Hungarian bird, the turul.