The clockwork universe theory compares the universe to a mechanical clock wound up by a supreme being, or initiated by the Big Bang. It continues ticking along, as a perfect machine, with its gears governed by the laws of physics, making every single aspect of the machine completely predictable. Before the emergence of quantum mechanics, many scientists believed that the Universe was completely deterministic in this way.
What sets this theory apart from others is the idea that God's only contribution to the universe was to set everything in motion, and from there the laws of science took hold and have governed every sequence of events since that time. This idea was very popular among deists during the Enlightenment, when scientists realized that Newton's laws of motion, including the law of universal gravitation, could explain the behaviour of the solar system.
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Suggested arguments against this theory include: the concept of free will; the second law of thermodynamics (the total entropy of any isolated thermodynamic system tends to increase over time, approaching a maximum value); and quantum physics with its mathematical description which some interpret as unpredictable, random behaviour.
Isaac Newton has been recognized as a prominent opponent of the clockwork universe theory, though the theory has often been wrongly attributed to him. Edward B. Davis has acknowledged Newton's belief that the clockwork universe theory wrongly reduces God's role in the universe, as reflected in the writings of Newton-supporter Samuel Clarke. Responding to Gottfried Leibniz, a prominent supporter of the theory, in the Leibniz–Clarke correspondence, Clarke wrote:
"The Notion of the World's being a great Machine, going on without the Interposition of God, as a Clock continues to go without the Assistance of a Clockmaker; is the Notion of Materialism and Fate, and tends, (under pretence of making God a Supra-mundane Intelligence,) to exclude Providence and God's Government in reality out of the World."[1]
A similar concept goes back, to John of Sacrobosco's early 13th-century introduction to astronomy: On the Sphere of the World. In this widely popular medieval text, Sacrobosco spoke of the universe as the machina mundi, the machine of the world, suggesting that the reported eclipse of the Sun at the crucifixion of Jesus was a disturbance of the order of that machine.[2]
This conception of the universe consisted of a huge, regulated and uniform machine that operated according to natural laws in absolute time, space, and motion. God was the master-builder, who created the perfect machine and let it run. God was the Prime Mover, who brought into being the world in its lawfulness, regularity, and beauty. This view of God as the creator, who stood aside from his work and didn’t get involved directly with humanity, was called Deism (which predates Newton) and was accepted by many who supported the “new philosophy”.
In 2009 artist Tim Wetherell created a large wall piece for Questacon (The National Science and Technology centre in Canberra, Australia) representing the concept of the clockwork universe. This steel artwork contains moving gears, a working clock, and a movie of the moon's terminator in action.
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World Machine is the sixth studio album by the British pop group Level 42, released in 1985; it was the band's breakthrough album internationally.
It peaked at #3 on the UK album charts, staying on the chart for 72 weeks. It was also the band's first disc to enter the Billboard 200 (reaching notably the Top 20) where it stayed for 36 weeks. This release marked a transition from their jazz-funk beginnings to the funky pop they are best known for - a transition which eventually resulted in the departure of drummer Phil Gould subsequent to the release of their follow up album Running in the Family. The cover photo is of Hafnarfjall, a mountain in west Iceland.
The record featured the singles "Something About You" (the band's only American top 10 hit, peaking at number 7, and a success internationally) and "Leaving Me Now". Also featured was "Physical Presence", the song from which the name for their first live record was taken.
The album was re-released in 2000 along with the "True Colours" album on a 2-CD set. In 2007, World Machine has been re-released as a 2-CD Deluxe Edition. Album sales have reached over three million copies, being notably certified 2x Platinum by the BPI.
"World Machine" is the title track of British musical group Level 42's album World Machine, and it was released as a single in 1985. This song had peacked in #25 on the Billboard US Dance in 1985. The song was written by Mark King, Mike Lindup, Phil Gould and Wally Badarou.
Spindles turn in the rooms,
Engines roar to the tune,
Stoke the fire - overkill
Turning cycle - it's overdue
Time's running out
Running so fast
The pressure is on
We're on overdrive
Wheels seize to a halt
Labour silent to no groove
Suckon pulls me - override
Inside out - on overdrive
World machine - engines burn
Fuel diseased - take me back
World machine - engines dead
Can't you see.
Silence falls in the womb
Mechanical soil starts to move
Quench the fire - overuse
There's no pity - there's no use
Tears run to the soil
Blood entwines to be one
Stoke the fire - it's overdue