World is a common name for the whole of human civilization, specifically human experience, history, or the human condition in general, worldwide, i.e. anywhere on Earth.[2]
In a philosophical context it may refer to: (1) the whole of the physical Universe, or (2) an ontological world (see world disclosure). In a theological context, world usually refers to the material or the profane sphere, as opposed to the celestial, spiritual, transcendent or sacred. The "end of the world" refers to scenarios of the final end of human history, often in religious contexts.
World history is commonly understood as spanning the major geopolitical developments of about five millennia, from the first civilizations to the present.
World population is the sum of all human populations at any time; similarly, world economy is the sum of the economies of all societies (all countries), especially in the context of globalization. Terms like world championship, gross world product, world flags etc. also imply the sum or combination of all current-day sovereign states.
In terms such as world religion, world language, and world war, world suggests international or intercontinental scope without necessarily implying participation of the entire world.
In terms such as world map and world climate, world is used in the sense detached from human culture or civilization, referring to the planet Earth physically.
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The English word world comes from the Old English weorold (-uld), weorld, worold (-uld, -eld), a compound of wer "man" and eld "age," which thus means roughly "Age of Man."[3] The Old English is a reflex of the Common Germanic *wira-alđiz, also reflected in Old Saxon werold, Old High German weralt, Old Frisian warld and Old Norse verǫld (whence the Icelandic veröld).[4]
The corresponding word in Latin is mundus, literally "clean, elegant", itself a loan translation of Greek cosmos "orderly arrangement." While the Germanic word thus reflects a mythological notion of a "domain of Man" (compare Midgard), presumably as opposed to the divine sphere on the one hand and the chthonic sphere of the underworld on the other, the Greco-Latin term expresses a notion of creation as an act of establishing order out of chaos.
'World' distinguishes the entire planet or population from any particular country or region: world affairs pertain not just to one place but to the whole world, and world history is a field of history that examines events from a global (rather than a national or a regional) perspective. Earth, on the other hand, refers to the planet as a physical entity, and distinguishes it from other planets and physical objects.
'World' can also be used attributively, to mean 'global', 'relating to the whole world', forming usages such as world community or world canonical texts.[5]
By extension, a 'world' may refer to any planet or heavenly body, especially when it is thought of as inhabited, especially in the context of science fiction or futurology.
'World', in original sense, when qualified, can also refer to a particular domain of human experience.
In philosophy, the term world has several possible meanings. In some contexts, it refers to everything that makes up reality or the physical universe. In others, it can mean have a specific ontological sense (see world disclosure). While clarifying the concept of world has arguably always been among the basic tasks of Western philosophy, this theme appears to have been raised explicitly only at the start of the twentieth century[6] and has been the subject of continuous debate. The question of what the world is has by no means been settled.
The traditional interpretation of Parmenides' work is that he argued that the every-day perception of reality of the physical world (as described in doxa) is mistaken, and that the reality of the world is 'One Being' (as described in aletheia): an unchanging, ungenerated, indestructible whole.
In his Allegory of the Cave, Plato distingues between forms and ideas and imagines two distinct worlds : the sensible world and the intelligible world.
In Hegel's philosophy of history, the expression Weltgeschichte ist Weltgericht (World History is a tribunal that judges the World) is used to assert the view that History is what judges men, their actions and their opinions. Science is born from the desire to transform the World in relation to Man; its final end is technical application.
The World as Will and Representation is the central work of Arthur Schopenhauer. Schopenhauer saw the human will as our one window to the world behind the representation; the Kantian thing-in-itself. He believed, therefore, that we could gain knowledge about the thing-in-itself, something Kant said was impossible, since the rest of the relationship between representation and thing-in-itself could be understood by analogy to the relationship between human will and human body.
Two definitions that were both put forward in the 1920s, however, suggest the range of available opinion. "The world is everything that is the case," wrote Ludwig Wittgenstein in his influential Tractatus Logico-Philosophicus, first published in 1922. This definition would serve as the basis of logical positivism, with its assumption that there is exactly one world, consisting of the totality of facts, regardless of the interpretations that individual people may make of them.
Martin Heidegger, meanwhile, argued that "the surrounding world is different for each of us, and notwithstanding that we move about in a common world".[7] The world, for Heidegger, was that into which we are always already "thrown" and with which we, as beings-in-the-world, must come to terms. His conception of "world disclosure" was most notably elaborated in his 1927 work Being and Time.
In response, Freud proposed that we do not move about in a common world, but a common thought process. He believed that all the actions of a person are motivated by one thing: lust. This led to numerous theories about reactionary consciousness.
Some philosophers, often inspired by David Lewis, argue that metaphysical concepts such as possibility, probability and necessity are best analyzed by comparing the world to a range of possible worlds; a view commonly known as modal realism.
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It has been suggested that World (theology) be merged into this article or section. (Discuss) Proposed since July 2010. |
Mythological cosmologies often depict the world as centered around an axis mundi and delimited by a boundary such as a world ocean, a world serpent or similar.
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"World" is a song from the Bee Gees' fourth album Horizontal, released in 1967 in the United Kingdom. Though it was a big hit in Europe, Atco Records did not issue it as a single in the United States, having just issued a third single from Bee Gees' 1st, "Holiday".
The song's lyrics question the singer's purpose in life.
The song's first recording session was on 3 October 1967 along with "With the Sun in My Eyes" and "Words". The song's last recording session was on 28 October 1967. "World" was originally planned as having no orchestra, so all four tracks were filled with the band, including some mellotron or organ played by Robin. When it was decided to add an orchestra, the four tracks containing the band were mixed to one track and the orchestra was added to the other track. The stereo mix suffered since the second tape had to play as mono until the end when the orchestra comes in on one side. Barry adds: "'World' is one of those things we came up with in the studio, Everyone just having fun and saying, 'Let's just do something!' you know". Vince Melouney recalls: "I had this idea to play the melody right up in the top register of the guitar behind the chorus".
"World (The Price of Love)" is a 1993 single by New Order, taken from the album Republic. Simply listed as "World" on the album, the subtitle "The Price of Love" was added for the single release, as it is repeated during the chorus. A 7:34 dance remix of the track by Paul Oakenfold, called the "Perfecto mix", was included on many releases of the single and was used for an alternate edit of the video.
The same music video was used for both the original version and an edit of the Perfecto remix of the song. Shot in Cannes with only 5 long steadicam shots, the video features the camera slowly journeying from a pier into an expensive hotel, lingering on the faces of passers-by. It features the band only fleetingly - Peter Hook sits at a table on the seafront, Bernard Sumner stands overlooking the sea, and Stephen Morris and Gillian Gilbert pose for a photograph outside the Carlton Hotel. This would be the last time the band would appear in a video until 2005's "Jetstream".
The 11th and final season of the American sitcom television series Frasier originally aired from September 23, 2003 to May 13, 2004 on NBC.
On May 13, 2004 a special episode, "Analyzing the Laughter" (production code 263) was shown.
The season ranked 35th in the seasonal ratings and had an average viewership of 10.920 million viewers.
Majin Boo (Japanese: 魔人ブウ Hepburn: Majin Bū), spelled Majin Buu in the Funimation anime dub and translated as Djinn-Boo in the Viz Media manga, is a fictional character and the final antagonist in the Dragon Ball manga series created by Akira Toriyama. He is introduced in chapter #460 Majin Boo Appears?! (魔人ブウ出現か!? Majin Bū Shutsugen ka!?) first published in Weekly Shōnen Jump magazine on March 1, 1994. Majin Boo is a magical life form created by the evil warlock Bibbidi that terrorized galaxies by destroying entire planets, millions of years before the events of Dragon Ball take place. He was temporarily sealed away and brought to Earth; however, Bibbidi was killed and Boo remained hidden. During the series, he is revived by Bibbidi's son Bobbidi in order to carry on his father's plan to conquer the entire universe.
Toriyama stated that when creating a villain in Dragon Ball, he would try to make them different from any that had come before. Although it was difficult and he was usually not entirely pleased with the results, he thinks he did achieve this with Majin Boo. The Shenlong Times issue #2, a bonus pamphlet given to some buyers of the Daizenshuu 2: Story Guide guidebook, says that Majin Boo was modeled after Toriyama's editor at the time, Fuyuto Takeda. Boo, Bibbidi and Bobbidi take their names from the song "Bibbidi-Bobbidi-Boo" in the Walt Disney movie Cinderella.
Boo (Asturian and official name: Bo ) is one of 18 parish (administrative division) in Aller, a municipality within the province and autonomous community of Asturias, in northern Spain.
The altitude is between 420 m (1,380 ft) and 480 m (1,570 ft) above sea level. It is 6.9 km2 (2.7 sq mi) in size with a population of 529 (INE 2008).
Dream is a brand of white chocolate by Cadbury. It is no longer manufactured in the UK and Ireland, but is still produced in Australia, New Zealand and South Africa. It is similar to a Milkybar, which is made by Nestlé. Some of the difference between it and Milkybar is that "Dream" uses real cocoa butter, is slimmer then the Milkybar, and the Milkybar uses puffed rice. It was first launched in Australia and New Zealand in 2001. According to Cadbury, the product became one of the top five block chocolate brands in New Zealand and had driven growth in the overall chocolate market. In 2002, the product was launched in the United Kingdom and Canada and was featured in the credits for Coronation Street.
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