An insider is a member of any group of people of limited number and generally restricted access. The term is used in the context of secret, privileged, hidden or otherwise esoteric information or knowledge: an insider is a "member of the gang" hence knows things outsiders don't, including insider jargon.
In our complicated and information-rich world, the concept of insider knowledge is popular and pervasive, as a source of direct and useful guidance. In a given situation, an insider is contrasted with an outside expert: the expert can provide an in-depth theoretical analysis that should lead to a practical opinion, while an insider has firsthand, material knowledge. Insider information may be thought of as more accurate and valuable than expert opinion.
There are many popular cultural roles ascribed to the insider.
In criminal and social justice, whistle-blowing and leaks are seen as (often heroic) efforts of individual insiders to right wrongs by making secret information public, usually in David and Goliath situations (e.g. by revealing transgressions of governments, large corporations or other powerful organizations). When whistle-blowers are cultivated by outside forces, they are known as informants and informers.
Insider is the second album of the Manchester alternative rock band Amplifier. It was released in 2006 by the German-based label SPV on 29 September in Germany and Austria then in the rest of Europe on 2 October.
All songs by Sel Balamir
Professional wrestling has accrued a considerable nomenclature through its long existence. Much of it stems from the industry's origins in the days of carnivals and circuses, and the slang itself is often referred to as "carny talk." In the past, wrestlers used such terms in the presence of fans so as not to reveal the worked nature of the business. In recent years, widespread discussion on the Internet has popularized these terms. Many of the terms refer to the financial aspects of pro wrestling in addition to performance-related terms.
Electrical work is the work done on a charged particle by an electric field. The equation for 'electrical' work is equivalent to that of 'mechanical' work:
where
The electrical work per unit of charge, when moving a negligible test charge between two points, is defined as the voltage between those points.
Particles that are free to move, if positively charged, normally tend towards regions of lower voltage (net negative charge), while if negatively charged they tend to shift towards regions of higher voltage (net positive charge).
However, any movement of a positive charge into a region of higher voltage requires external work to be done against the field of the electric force, work equal to that electric field would do in moving that positive charge the same distance in the opposite direction. Similarly, it requires positive external work to transfer a negatively charged particle from a region of higher voltage to a region of lower voltage.
The electric force is a conservative force: work done by a static electric field is independent of the path taken by the charge. There is no change in the voltage (electric potential) around any closed path; when returning to the starting point in a closed path, the net of the external work done is zero. The same holds for electric fields.
A work of art, artwork, art piece, piece of art or art object is an aesthetic physical item or artistic creation. Apart from "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, portable forms of visual art:
Used more broadly, the term is less commonly applied to:
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm, I'm gonna work
I'm, I'm gonna work
I'm, I'm gonna work
I'm, I'm gonna work
I'm, I'm gonna work
I'm, I'm gonna work
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work on you
Until you're feeling right
I'm gonna make you mine
Under the disco light
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work, gonna work
Gonna work you on
I'm gonna work
I'm gonna work
I'm gonna work
I'm gonna work
I'm gonna work