Professional wrestling has accrued a considerable nomenclature through its long existence. Much of it stems from the industry's origins in the days of carnivals and circuses, and the slang itself is often referred to as "carny talk." In the past, wrestlers used such terms in the presence of fans so as not to reveal the worked nature of the business. In recent years, widespread discussion on the Internet has popularized these terms. Many of the terms refer to the financial aspects of pro wrestling in addition to performance-related terms.
Electrical work is the work done on a charged particle by an electric field. The equation for 'electrical' work is equivalent to that of 'mechanical' work:
where
The electrical work per unit of charge, when moving a negligible test charge between two points, is defined as the voltage between those points.
Particles that are free to move, if positively charged, normally tend towards regions of lower voltage (net negative charge), while if negatively charged they tend to shift towards regions of higher voltage (net positive charge).
However, any movement of a positive charge into a region of higher voltage requires external work to be done against the field of the electric force, work equal to that electric field would do in moving that positive charge the same distance in the opposite direction. Similarly, it requires positive external work to transfer a negatively charged particle from a region of higher voltage to a region of lower voltage.
The electric force is a conservative force: work done by a static electric field is independent of the path taken by the charge. There is no change in the voltage (electric potential) around any closed path; when returning to the starting point in a closed path, the net of the external work done is zero. The same holds for electric fields.
A work of art, artwork, art piece, piece of art or art object is an aesthetic physical item or artistic creation. Apart from "work of art", which may be used of any work regarded as art in its widest sense, including works from literature and music, these terms apply principally to tangible, portable forms of visual art:
Used more broadly, the term is less commonly applied to:
Kavana may refer to:
Kavana is the debut studio album by British singer-songwriter Kavana. Kavana was discovered by Take That's manager Nigel Martin-Smith, and was subsequently signed to his label in early 1996. The album was recorded throughout 1996 and the beginning of 1997, being released the week following the album's fourth single, "MFEO". Kavana worked with many big name stars on the album, including Lulu ("Protected", who also provides backing vocals for the track) and Howard Donald ("Crazy Chance"). The album was released on 11 April 1997 to good critical reception, however only reached #29 on the UK Albums Chart. Subsequently, second pressing copies of the album have a "Reduced Price" logo printed on the booklet and were retailed shortly before the release of "Crazy Chance '97". However, again these failed to increase the album's chart position. Both "I Can Make You Feel Good" and "MFEO" became UK Top 10 hits, both peaking at #8 respectively.
Don't try to understand the way I'm feeling now
And don't misread my words cos what I say is how
I see our future baby, no question or no maybe
A change has gotta come someday
The way it was before, can't carry on no more
This one way love affair
I know you don't seem to care, now tell me if I'm wrong
For lovin' to be strong you got to
Work, just to make it work
You gotta work to make it work
Nothing comes so easy, got to
Work, just to make it work
You gotta work to make it work
Yeh Yeh
I saw it long ago, I realised you'd never show me
The way you feel inside, you'd always choose to hide
We got a future baby, no question or no maybe
A change is gonna come right away
I gotta make you see it's the only way to be
No more one way love affair
And now you know I really care
The time has come to pass if love is gonna last
(Repeat chorus)
If we could reach an understanding you'd see that it's much better
Than livin' our lives on our own
I know it seems old-fashioned, but baby that's no reason
To run away from love
Cos there's no-one above you
(Repeat chorus to fade)