Sharon

Sharon (Hebrew: שָׁרוֹן, Tiberian Hebrew: Šārôn) is a female name that can be spelled with one "r" or two (Sharron).

In some countries (like Israel), Sharon is a unisex name. It derives from the name the Israelite place name Sharon plain, referring to a fertile plain near the coast of Israel. This gives its name to a type of flowering shrub, the rose of Sharon. Sharon is one of many names that could formerly be applied to males (as in the 19th-century historian Sharon Turner), but is now nearly always used of females (cf. Vivian, Ashley, Beverly, etc.).

It began being used as a female name sometime in the early part of the 20th century, first being listed as one of the 1000 most popular names for females born in the United States in 1925. By the mid-1940s, it had become an extremely popular name for newborn American girls, remaining a top 10 name for most of the decade, peaking at #8 in both 1943 and 1945. Its popularity began to steadily decline thereafter; the name fell out of the top 100 after 1977, and out of the top 500 after 2001.

Diospyros kaki

Diospyros kaki is the most widely cultivated species of the genus Diospyros. Although its first published botanical description was not until 1780, the kaki is among the oldest plants in cultivation, known for its use in China for more than 2000 years. In some rural Chinese communities, the kaki fruit is seen as having a great mystical power that can be harnessed to solve headaches, back pains and foot ache.

The persimmon (kaki) is a sweet, slightly tangy fruit with a soft to occasionally fibrous texture. This species, native to China, is deciduous, with broad, stiff leaves. Cultivation extended first to other parts of East Asia and was later introduced to California and southern Europe in the 19th century, to Brazil in the 1890s, and numerous cultivars have been selected. A variety is Diospyros kaki var. sylvestris Makino. When ripe, this fruit comprises thick pulpy jelly encased in a waxy thin-skinned shell.

In many cultivars, known as the astringent varieties, the fruit has a high proanthocyanidin-type tannin content which makes the immature fruit astringent and bitter. The tannin levels are reduced as the fruit matures. It is not edible in its crisp, firm state; it tastes best when allowed to rest and soften after harvest. It has a soft jelly-like consistency and is best eaten with a spoon. The Japanese 'Hachiya' is a widely grown astringent cultivar. Other cultivars, such as Fuyu, do not contain tannins when firm. They can be eaten like an apple or can be allowed to go to any stage of ripeness, including to the jelly-like stage. These non-astringent varieties are considered to have a less complex flavor.

Sharon (Doctor Who)

Sharon (last name not given) is a fictional character who appeared in the Doctor Who Magazine comic strip based on the long-running British science fiction television series Doctor Who. She was a companion of the Fourth Doctor. Sharon was introduced in Doctor Who and the Star Beast, which ran in issues #19-#26 of Doctor Who Weekly (as it then was), written by Pat Mills and John Wagner, and drawn by Dave Gibbons. She was a secondary school student living in the city of Blackcastle, England. She was the first non-white companion, albeit not on television.

Character history

One night, a spacecraft crash-landed in Blackcastle, bringing with it the intergalactic tyrant Beep the Meep. The Meep was fleeing the galactic law enforcers called the Wrarth, but he used his appearance as a cute, furry alien to gain Sharon's sympathy. Sharon sheltered Beep for a time, and it was while doing this that she met the Doctor. Beep's ruse was eventually uncovered and he was handed over to the Wrarth, and the Doctor prepared to take Sharon back to Earth.

Woman

A woman is a female human. The term woman is usually reserved for an adult, with the term girl being the usual term for a female child or adolescent. The term woman is also sometimes used to identify a female human, regardless of age, as in phrases such as "women's rights". "Woman" may also refer to a person's gender identity. Women with typical genetic development are usually capable of giving birth from puberty until menopause. In the context of gender identity, transgender people who are biologically determined to be male and identify as women cannot give birth. Some intersex people who identify as women cannot give birth due to either sterility or inheriting one or more Y chromosomes. In extremely rare cases, people who have Swyer syndrome can give birth with medical assistance. Throughout history women have assumed or been assigned various social roles.

Etymology

The spelling of woman in English has progressed over the past millennium from wīfmann to wīmmann to wumman, and finally, the modern spelling woman. In Old English, wīfmann meant "female human", whereas wēr meant "male human". Mann or monn had a gender-neutral meaning of "human", corresponding to Modern English "person" or "someone"; however, subsequent to the Norman Conquest, man began to be used more in reference to "male human", and by the late 13th century had begun to eclipse usage of the older term wēr. The medial labial consonants f and m in wīfmann coalesced into the modern form "woman", while the initial element, which meant "female", underwent semantic narrowing to the sense of a married woman ("wife"). It is a popular misconception that the term "woman" is etymologically connected with "womb", which is from a separate Old English word, wambe meaning "stomach" (of male or female; modern German retains the colloquial term "Wampe" from Middle High German for "potbelly"). Nevertheless, such a false derivation of "woman" has appeared in print.

Woman (1918 film)

Woman is a 1918 American silent film directed by Maurice Tourneur, an allegorical film showcasing the story of women through points in time. Popular in its day, the film was distributed in the State's Rights plan as opposed to a major distributor like Paramount or Universal. This film has been preserved in private collections and in major venues like the Museum of Modern Art and reportedly the Gosfilmofond Archive in Russia.

Some scenes were shot at Bar Harbor, Maine. It was here that one of Tourneur's cameramen, John van den Broek, lost his life while filming a scene close to the raging Atlantic Ocean. His body was swept out to sea and never found.

Prints of this film are held at Cineteca Del Friuli, Germona, the Museum of Modern Art, New York, and Gosfilmofond of Russia, Moscow.

Plot

As described in a film magazine, a modern man and woman quarrel and, in reaction to his wife, the husband recalls all the women in history who have failed their husbands or lovers. Being in an unpleasant state, he recalls Adam in the garden with a very vain Eve who disports herself in a Broadway fashion and causes the downfall of caveman-like Adam. Then he dwells on the hideous betrayal of Claudius by an unfaithful Messilna. Next he recalls the useless ruination of Abelard by the charming Heloise. Following this episode he remembers Cyrene and the fisherman, where the wife basely deserted her husband and children to swim once more in her seal skin that had been hidden from her for many years. A particularly disagreeable episode in which a young woman during the American Civil War sacrifices a wounded soldier for a bauble. After this the modern woman returns and pins up a Red Cross poster, and the modern man sees the many women of today as more or less uninspiring. An epilogue noted how World War I made men realize the true value of women, and that women are working towards victory through good works in the Red Cross and other jobs.

Woman (1968 film)

Woman (여 - Yeo) is a 1968 three-part South Korean film directed by Kim Ki-young, Jung Jin-woo and Yu Hyun-mok. The film was based on ideas of Kim Ki-young's wife, Kim Yu-bong, and Kim directed the last third.

Synopsis

The film is a melodrama about a man who falls in love with a woman while traveling to Seoraksan. The man becomes infatuated with the woman's hair. The woman, who has a terminal illness, promises to leave her hair to the man after she has died. Later the man finds that the woman has died, and her hair has been sold to someone else. He then has a romantic relationship with another woman who turns out to be his mother.

Cast

Notes

Bibliography