Wolf tone (disambiguation)

Wolf tone suggests:

Wolf (Trevor Rabin album)

Wolf is the third studio album by Trevor Rabin released in 1980.

Track listing

All songs written and composed by Trevor Rabin, except where indicated. 

Personnel

References

Wolf (band)

Wolf is a Swedish heavy metal band from Örebro. Formed in 1995, the band has since released seven studio albums and toured with Saxon, Evile, Tankard and more recently, Trivium.

History

The band was formed in 1995 in Örebro, Sweden. They toured the United Kingdom with Primitai in early February 2015 in support of their seventh studio album Devil Seed, released in August 2014.

Members

Current members

Former members

Discography

Studio albums

South Devon Railway Eagle class

The Eagle class were sixteen 4-4-0 saddle tank broad gauge locomotives operated on the South Devon Railway, Cornwall Railway and associated adjacent railways. They were designed for passenger trains on this steep and sharply curved line but were also used on goods trains when required.

They were ordered by Evans, Walker and Gooch who were contracted to operate the locomotives for both the railways. They were designed by Daniel Gooch a development of his earlier Comet class with slightly smaller wheels and larger tanks containing 1,100 gallons, a 37.5% increase, and built by Slaughter, Grüning and Company.

From 1 July 1866 the locomotives were bought by the South Devon Railway, after which they were operated as a combined fleet over both railways, but they continued to be accounted to their original owner. On 1 February 1876 the South Devon Railway was amalgamated with the Great Western Railway, the locomotives were given numbers by their new owners but continued to carry their names too.

Tone (musical instrument)

Tone and sound are terms used by musicians and related professions to refer to the audible characteristics of a player's sound. Tone is the product of all influences on what can be heard by the listener, including the characteristics of the instrument itself, differences in playing technique (e.g. embouchure for woodwind and brass players, fretting technique or use of a slide in stringed instruments, or use of different mallets in percussion), and the physical space in which the instrument is played. In electric and electronic instruments, tone is also affected by the amplifiers, effects, and speakers used by the musician. In recorded music, tone is also influenced by the microphones, signal processors, and recording media used to record, mix, and master the final recording, as well as the listener's audio system.

Stringed instruments

The tone of a stringed instrument is influenced by factors related to construction and player technique. The instrument's shape, particularly of its resonant cavity, as well as the choice of tonewood for the body, neck, and fingerboard, are all major determinants of its tone. The material and age of the strings is also an important factor. Playing technique also influences tone, including subtle differences in the amount of pressure applied with the fretting hand, picking or bowing intensity, use of muting and/or drone techniques.

Twelve-tone technique

Twelve-tone technique—also known as dodecaphony, twelve-tone serialism, and (in British usage) twelve-note composition—is a method of musical composition devised by Austrian composer Arnold Schoenberg (1874–1951) and associated with the "Second Viennese School" composers, who were the primary users of the technique in the first decades of its existence. The technique is a means of ensuring that all 12 notes of the chromatic scale are sounded as often as one another in a piece of music while preventing the emphasis of any one note through the use of tone rows, orderings of the 12 pitch classes. All 12 notes are thus given more or less equal importance, and the music avoids being in a key. Over time, the technique increased greatly in popularity and eventually became widely influential on 20th century composers. Many important composers who had originally not subscribed to or even actively opposed the technique eventually adopted it in their music, such as Aaron Copland and Igor Stravinsky.

Steel tongue drum

A steel tongue drum, tank drum or hank drum is a round steel slit/tongue drum originally fashioned from a propane tank.

Description

A steel tongue drum can be made from an empty (often 20 lb) propane tank. The tank is flipped over, the base cut/knocked off; and seven to ten tongues are cut radially into the bottom of the tank, forming the top of the instrument. Steel tongue drum can also be made from new unused tank heads. The tongues can be tuned by the maker by varying the length of the cuts, or by adding weights, often neodymium magnets to the tongues. The steel tongue drum is often tuned to pentatonic scales but can be tuned to the diatonic scale, the chromatic scale, or any set of notes the maker chooses. The instrument is played with the fingers or with mallets. The tone is bell-like.

 Sound example 

History

The steel tongue drum had several predecessors, most notably the Whale Drum by Jim Doble and the Tambiro by Felle Vega. In February 2007 Dennis Havlena, inspired by the physical properties of the Tambiro and the tone layout of the Hang, created a steel tongue drum with a circular cross pattern layout and from an empty 20-pound propane tank. The name 'Hank Drum' came from a combination of "Hang" and "tank".