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Clogs | |
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Website | www.clogsmusic.com |
Members | |
Padma Newsome Bryce Dessner Rachael Elliott Thomas Kozumplik |
The Clogs are a mostly instrumental project led by Bryce Dessner and Padma Newsome. Their existence predates The National, and Clogs have released four widely acclaimed albums on Brassland Records -- Thom's Night Out (2001), Lullaby for Sue (2003), Stick Music (2004), and 2006's Lantern. They released their fifth album, The Creatures in the Garden of Lady Walton, on March 2, 2010.
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When Clogs formed they were an oddball classical ensemble in indie rock clothing. Today, however, they're at the forefront of a scene including friends in groups The Books, Rachel's, and Bell Orchestre.
The band members met in the late-90s while studying at the Yale School of Music. Newsome, born in Australia, started his career as a concert violinist in the Sydney Symphony, before a six-year detour took him to an ashram in the remote region of New South Wales. He began composing in the 90s at the University of Adelaide, when he was awarded a Fulbright scholarship that brought him to America. Dessner is an established soloist, and veteran of groups including Bang on a Can All-Stars, which has given him in contact with major figures like Philip Glass and Terry Riley. Elliott is a proud Vermonter and active freelance musician. Kozumplik is a master percussionist familiar with almost any style.
Clogs' "classical" music is the result of a peculiar writing process more akin to a rock band or a jazz quartet. The members come to rehearsals with basic ideas that the group riffs on and develops in jam sessions and live performance. Newsome later arranges these ideas into elegant and complex musical narratives that meld and extend the ideas of minimalist, modernist, and romantic composers, adding sounds and melodies drawn from the folk music of India, the Jewish Diaspora, and everywhere else.
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A British clog is a wooden soled clog from Great Britain.
There are two explanations of the development of the English style clog. They may have evolved from pattens which were slats of wood held in place by thonging or similar strapping. They were usually worn under leather or fabric shoes to raise the wearer's foot above the mud of the unmade road, not to mention commonly dumped human effluent and animal dung. Those too poor to afford shoes wore wood directly against the skin or hosiery, and thus the clog was developed, made of part leather and part wood. Alternatively they have been described as far back as Roman times, possibly earlier.
The wearing of clogs in Britain became more visible with the Industrial Revolution, when industrial workers needed strong, cheap footwear. Men and women wore laced and clasped clogs respectively, the fastening clasps being of engraved brass or more commonly steel. Nailed under the sole at toe and heel were clog irons, called calkers or cokers, generally 3/8" wide x 1/4" thick with a groove down the middle to protected the nail heads from wear. The heyday of the clog in Britain was between the 1840s and 1920s and, although traditionally associated with Lancashire, they were worn all over the country, not just in the industrial North of England. Indeed, Mark Clyndes of Walkleys says "More clogs were worn down south than in the northern industrial towns". The London fish docks, fruit markets and the mines of Kent being particularly noted.
"Witch" is the third episode of the first season of the television series Buffy the Vampire Slayer (1997-2003). It serves as the show's first regular episode after the Pilot and originally aired in the United States on March 17, 1997, on The WB Television Network. Sometimes billed as "The Witch", the episode was directed by Stephen Cragg and was the first episode not written by Joss Whedon, the show's creator. It's even the first of mere eight with no vampire in it.
The premise of Buffy the Vampire Slayer involves an adolescent girl named Buffy Summers who is chosen by mystical forces and endowed with superhuman powers in order to defeat vampires, demons, and other evils in the fictional town of Sunnydale. She accomplishes this with the assistance of a close circle of friends and family. In "Witch", Buffy attempts to maintain a level of normalcy in her life by auditioning for her school's cheerleading squad. However, Buffy and her friends must stop a fellow student from tampering with witchcraft in order to take competitors out of the running.
The Witch is a ballet made by John Cranko to Maurice Ravel's Piano Concerto No. 2 in G Major (1931). The premiere took place Friday, 18 August 1950 at the Royal Opera House, Covent Garden, London.
There are a number of traditions and beliefs in Navajo culture relating to practices which are referred to as "witchcraft" in English. In the Navajo language, they are each referred to distinctly, and are regarded as separate, albeit related, phenomena.
The practices lumped together in the category 'witchcraft' are very similar, at least in their externals, to the rituals practiced on the 'good side' of Navajo tradition, the ceremonials or 'sings'. The difference, however, is that while the good sings are to heal or bring luck, the bad ones are intended to hurt and curse. Similarly, all kinds of witches are associated with transgression of taboos and societal standards, especially those relating to family and the dead.
This is the most common type of witchcraft, centering on the Witchery or Corpse-poison Way—’áńt’įįzhį. The Witchery Way is recorded in the Emergence Story as having been invented by First Man and First Woman, so it goes back to the dawn of the human race. Practitioners of Witchery Way are called ’ánt’įįhnii, "witch people".
Stick or the stick may refer to:
Stick is a 1985 crime film directed by and starring Burt Reynolds, based on the novel of the same name by Elmore Leonard.
Ernest "Stick" Stickley, a former car thief, has just been released from prison. He meets up with an old friend, Rainy, whose "quick stop" near the Florida Everglades before they go home is an illegal drug deal that goes sour. With his friend dead, Stick needs to hide out for a while to elude the killers (who must eliminate him as a witness).
While lying low, Stick finds himself in the right place at the right time when he helps a wealthy eccentric named Barry get into his locked car. Hired as a driver, he has a comfortable home with a stable job and tries to make up for lost time with Katie, his teen-age daughter. He also finds a new flame in Kyle, a financial consultant who acts as a business adviser for Barry, who must decide what of Stick can be salvaged.
Before he can move on, however, Stick confronts drug dealer Chucky to demand the money owed to his murdered friend. Chucky refuses and sends albino hit-man Moke after the ex-con. Stick can't get on with his new life without cleaning up old business first. He becomes the target of Moke as well as the cartel that employs Chucky, led by the voodoo-obsessed Nestor.