Klinik, (sometimes called The Klinik), is an industrial music band from Belgium, originally formed around 1982 by electro-synthpop practitioner Marc Verhaeghen, who is the only constant member.
Marc Verhaeghen originally formed Klinik in the early-to-mid 1980s; the exact date varies depending on the source. The group is normally described as one of the most influential Belgian industrial bands in history.
In 1985, Verhaeghen joined forces with two other bands, Absolute Body Control (with Dirk Ivens and Eric van Wonterghem), and "The Maniacs" (Sandy Nys) to form one "super group" "Absolute Controlled Clinical Maniacs". This rather unwieldy name was soon dropped in favour of the shorter name "The Klinik". Nys soon left the band to form "Hybryds", followed in 1987 by van Wonterghem, leaving The Klinik as the "classic" duo of Dirk Ivens and Marc Verhaeghen.
The Klinik soon made a name for themselves with their cold and harsh EBM sound and their live shows, where both Ivens and Verhaeghen performed with their heads wrapped in gauze, wearing long black leather coats. Ivens' hissing vocals and minimalist lyrics were complemented by Verhaeghen's synthesizer skills and distorted trombone playing. This however, did not last forever; after Time, an album neither member was fully pleased with, musical differences became too great, and they decided to go their separate ways. In a 2013 interview, Ivens said the due were moving in different directions musically, and that compromise between only two members was challenging.
Wired may refer to:
Wired is a full-color monthly American magazine, published in both print and online editions, that reports on how emerging technologies affect culture, the economy and politics. Owned by Condé Nast, it is headquartered in San Francisco, California and has been in publication since its first issue in March/April 1993. Several spin-offs have been launched including: Wired UK, Wired Italia, Wired Japan and Wired Germany.
In its earliest colophons, Wired credited Canadian media theorist Marshall McLuhan as its "patron saint." From the beginning, the strongest immediate influence on the magazine's editorial outlook came from the techno-utopian agenda of co-founder Stewart Brand and his long-time associate Kevin Kelly.
From 1998 to 2006, Wired magazine and Wired News (which publishes at Wired.com) had separate owners. However, throughout that time, Wired News remained responsible for reprinting Wired magazine's content online, due to a business agreement made when Condé Nast purchased the magazine (but not the website). In July 2006, Condé Nast announced an agreement to buy Wired News for $25 million, reuniting the magazine with its website.
Wired: The Short Life and Fast Times of John Belushi, is a 1984 non-fiction book by American journalist Bob Woodward about the American actor and comedian John Belushi. The hardcover edition includes sixteen pages of black-and-white photos, front and back.
Many friends and relatives of Belushi, including his widow Judith Belushi Pisano, Dan Aykroyd and James Belushi, agreed to be interviewed at length for the book, but later felt the final product was exploitative and not representative of the John Belushi they knew. Pisano wrote her own book, Samurai Widow (1990) to counter the image of Belushi portrayed in Wired. In 2013 Tanner Colby, who had co-authored the 2005 book Belushi: A Biography with Pisano, wrote about how Wired exposes Woodward's strengths and weaknesses as a journalist. While in the process of researching the anecdotes related in the book, he found that while many of them were true, Woodward missed, or didn't seek out, their meaning or context.
For example, in Woodward's telling, a "lazy and undisciplined" Belushi is guided through the scene on the cafeteria line in Animal House by director John Landis, yet other actors present for that scene recall how much of it was improvised by the actor in one single take. Blair Brown told Colby she was still angry about how Woodward "tricked" her in describing her and Belushi preparing for a love scene in Continental Divide. Colby notes that Woodward devotes a single paragraph to Belushi's grandmother's funeral, where he hit a low point and resolved to get clean for that film, while diligently documenting every instance of drug abuse he turned up. "It's like someone wrote a biography of Michael Jordan in which all the stats and scores are correct, but you come away with the impression that Michael Jordan wasn't very good at playing basketball," he concluded.