William I (Old Norman: Williame I; Old English: Willelm I; c. 1028 – 9 September 1087), usually known as William the Conqueror and sometimes William the Bastard, was the first Norman King of England, reigning from 1066 until his death in 1087. The descendant of Viking raiders, he had been Duke of Normandy since 1035. After a long struggle to establish his power, by 1060 his hold on Normandy was secure, and he launched the Norman conquest of England in 1066. The rest of his life was marked by struggles to consolidate his hold over England and his continental lands and by difficulties with his eldest son.
William was the son of the unmarried Robert I, Duke of Normandy, by Robert's mistress Herleva. His illegitimate status and his youth caused some difficulties for him after he succeeded his father, as did the anarchy that plagued the first years of his rule. During his childhood and adolescence, members of the Norman aristocracy battled each other, both for control of the child duke and for their own ends. In 1047 William was able to quash a rebellion and begin to establish his authority over the duchy, a process that was not complete until about 1060. His marriage in the 1050s to Matilda of Flanders provided him with a powerful ally in the neighbouring county of Flanders. By the time of his marriage, William was able to arrange the appointments of his supporters as bishops and abbots in the Norman church. His consolidation of power allowed him to expand his horizons, and by 1062 William was able to secure control of the neighbouring county of Maine.
The Bastard may refer to:
The Bastard (悪太郎 Akutarō, aka The Young Rebel, The Incorrigible One and Bad Boy) is a 1963 Japanese youth film directed by Seijun Suzuki for the Nikkatsu Corporation. It is based on the loosely autobiographical novel of the same name by Toko Kon. Ken Yamanouchi stars as Togo Konno, the titular bastard. The film marked Suzuki's first collaboration with production designer Takeo Kimura.
The Bastard is a historical novel written by John Jakes and originally published in 1974. It is book one in a series known as The Kent Family Chronicles or the American Bicentennial Series. The novel mixes fictional characters with historical events or people, to tell the story of the United States of America in the time period leading up to the American Revolution. The novel was adapted into a four-hour television film in 1978, The Bastard.
The story begins in November 1770 in Auvergne, France, near Chavaniac. Philippe Charboneau, a seventeen-year-old boy, is living with his mother, Marie, in an inn inherited from her deceased father. The young Philippe never knew his father. Having kept it a secret from him for years, she finally told him his father was James Amberly, the 6th Duke of Kent. The Duke began a love affair with Marie when she was performing on stage in Paris, but he never married her, making Philippe illegitimate. Their affair was brief and when he returned to England, Amberly married and had a legitimate son, Roger; however, he continued to support Marie and intended for Philippe to inherit half of his fortune. When Philippe and Marie received word that the Duke had taken ill they immediately made plans to travel to Kent, England and stake their claim to his inheritance. Once at Kent, the Duke’s wife, Lady Jane Amberly, and Roger, her son, refused to recognize Philippe as the son of the Duke. Marie insisted otherwise and was determined not to leave Kent until her son inherited what she felt was rightly his, half of the Amberlys' wealth.
If you ask me how I knew, I saw you.
I had a bird's-eye view of a bird's-eye
view when I saw you.
I saw you not as you think,
simply just as you. I saw you
And all of this augers well
even though it's presaging pell-mell.
All of it augers well.
the bastard of it being, having to choose
Then you turned all Billy Sunday, shoutin'
"Philadelphia for Christ and Christ for
Philadelphia,"
as the sun groomed the plane with crepuscular rays. When I saw you
And all of this augers well.
Even so, it's presaging pell-mell.
And all of it augers well.
the bastard being, having to choose
between a flickering fuse and power
beyond what you use
Never mind us purple italians,
never mind that pool in the mountains
Victory came and went
on winged elephants. I saw you.
And all of this augers well
even though, even so it's
presaging pell-mell.
All of it augers well
this is the bastard
the bastard of it being: having to choose