Wild One or Wild Ones may refer to:
Honeymoon is the fourth studio album and third major-label record by American singer and songwriter Lana Del Rey. It was released on September 18, 2015, by UMG Recordings, and was co-produced by Del Rey alongside longtime collaborators Rick Nowels and Kieron Menzies.
Upon release, Honeymoon received acclaim from music critics. The album debuted at number two on the US Billboard 200, selling 116,000 units in first week, and peaking at number one in Australia, Greece and Ireland. "High by the Beach" was released as its lead single on August 10, 2015, and was followed by promotional singles "Terrence Loves You" and "Honeymoon". "Music to Watch Boys To" was released on September 11, 2015 as the album's second single.
Del Rey finished the recording of her third studio album, Ultraviolence, in March 2014, and by June of the same year she had begun working on a follow-up idea stating that the process was "growing into something I really like. I'm kind of enjoying sinking into this more noirish feel for this one. It's been good". In a December 2014 interview with Galore Magazine, Del Rey revealed she had begun working on a new album. In January 2015, Lana Del Rey announced via Billboard that she had begun work on her fourth studio album, announcing she was going to release an album entitled Honeymoon sometime that same year. During the time of the announcement, Del Rey also said that she had written and recorded nine songs that could possibly be featured on the album and stated that she was covering Nina Simone's "Don't Let Me Be Misunderstood". During the interview with Billboard, Del Rey stated that the album would be different from her previous release, Ultraviolence (2014), but similar to her first major release, Born to Die (2012), and the extended play Paradise (2012).
Wild One! is a compilation album by the Canadian rock band The Guess Who. It features tracks recorded and originally released in Canada between 1965 and 1967, prior to their breakout US success with "These Eyes". This album features original lead singer Chad Allan on lead vocals for all tracks except for 6 & 9, which are sung by Burton Cummings.
Status quo is a Latin phrase meaning the existing state of affairs, particularly with regards to social or political issues. In the sociological sense, it generally applies to maintain or change existing social structure and values.
It is the nominal form of the prepositional Latin phrase "in statu quo" – literally "in the state in which", which itself is a shortening of the original phrase in statu quo res erant ante bellum, meaning "in the state in which things were before the war". To maintain the status quo is to keep the things the way they presently are. The related phrase status quo ante, literally "the state in which before", means "the state of affairs that existed previously".
The original phrase from 14th-century diplomatic Latin was in statu quo res erant ante bellum, meaning "in the state in which things were before the war". This gave rise to the shorter form status quo ante bellum "the state in which (it was) before war" (indicating the withdrawal of enemy troops and restoration of power to pre-war leadership), as well as other variations such as status quo itself.
In Israel, the term status quo (or the secular-religious status quo) refers to the political understanding between religious and secular political parties not to alter the communal arrangement in relation to religious matters, in a predominantly secular population. The established Jewish religious communities in Israel desire to maintain and promote the religious character of the state, while the secular community wishes to reduce the impact of religious regulations in their everyday lives. Occasionally, one political side seeks to make changes to inter-communal arrangements, but these are often met by fierce political opposition from the other side. The status quo preserves the established religious relations in Israel, and only small changes are usually made.
The prevailing view attributes the origins of the status quo to a letter sent by David Ben-Gurion, as chairman of the Jewish Agency Executive, on 19 June 1947, to the ultra-Orthodox Agudat Israel, in order to form a united policy to present to the United Nations Special Committee on Palestine (UNSCOP), which had commenced its fact-finding tour 4 days earlier. The letter was meant to address their concerns that the emerging State of Israel will be a secular one, which might hurt the status of religion and religious institutions, as well as the values of their followers.
The status quo of the Holy Land sites resulted from a firman (decree) of Ottoman Sultan Osman III in the 18th century that preserved the division of ownership and responsibilities of various sites important to Christians, Muslims, and Jews to their then current holders or owners. The actual provisions of the status quo were never formally established and represented agreements among the various religions that nothing could be changed from the way it was without upsetting the balance of order in maintaining the religious sites for visits by pilgrims.
When the Greeks launched a Palm Sunday takeover of various Holy Land sites in 1757 the Ottomans subsequently upheld this status quo.
This status quo for Jerusalem meant that certain statuses for the Holy Sites would be kept and were recognized as being permanent or at least the way things should be. The city was divided into four quarters. The Temple Mount became a Muslim holy place, and the Church of the Holy Sepulchre as well as other various Christian sites were recognized as belonging to the Christian world. Despite the arguments over who would control what aspects of these sites, the status quo has remained largely intact from the 17th century to the present. Although claims that this status quo was being violated led to the 1929 Palestine riots, it has not been changed, and the quarters and areas remain roughly as they have been inside Suleiman's walls.
( Rossi / Young )
Now you know this ain't the kind of life for you
It's not the way you thought that it would be
If I could change my way to you
If I could change, it wouldn't be me
And you see
I know I never tried the things I should have done
Oh and time is always passing by
I want to do the things I never done before
So I do try not to tell a lie
When I'm so low, when I'm so high
Yet you cry when I say I can't give you more
First you said you'd never try to slow me down
That ev'rything would work out really fine
But as those walls closed in on us
your words just fell right out of line
And behind
I know I never tried the things I should have done
And time is always passing by
I want to do the things I never done before
So I do try not to tell a lie
When I'm so low, when I'm so high
yet you cry when I say I can't give you moreOh, oh, oh, can't give you more
Can't give any more
Oh, oh, oh, can't give you more
Ain't got any more
Did you figure ours would be an easy thing
Like lazy days of lying in the sun
I told you if you wanted me
That ev'ry day just wouldn't be fun
Now it's done
I know I never tried the thing I should have done
And time is always passing by
I want to do the things I never done before
So I do try not to tell a lie
When I'm so low, when I'm so high
Yet you cry when I say I can't give you more
Oh, oh, oh, can't give you more
Can't give you more
Oh, oh, oh, can't give you more
I ain't got any more
Oh, oh, oh, I ain't got any more
I ain't got any more
Oh, oh, oh, can't give you more
I ain't got any more