Why Me or Why Me? may refer to:
"Why Me" is an American country and gospel song written and recorded by American country music singer and songwriter Kris Kristofferson.
Kristofferson had become the toast of Nashville in the early 1970s, with the massive success of compositions including "For the Good Times," "Me and Bobby McGee," "Sunday Morning Coming Down," "Help Me Make It Through the Night" and many other songs. He had a hit of his own as well, with "Loving Her Was Easier (Than Anything I'll Ever Do Again)."
"Why Me" was recorded by Kristofferson in 1972, and features backing vocals by soon-to-be wife Rita Coolidge and up-and-coming singer-songwriter Larry Gatlin. It was included on the album, Jesus Was a Capricorn and, in 1973, the song became the biggest hit of his career.
According to country music historian Bill Malone, Kristofferson wrote the song during an emotionally low period of his life after having attended a religious service conducted by the Rev. Jimmie Rogers Snow. Malone wrote, "'Why Me, Lord'" - as the song is sometimes known - "may seem greatly out of character for Kristofferson, but it can be interpreted as his own personal religious rephrasing of 'Sunday Morning Coming Down.' In this case, he is 'coming down' not from drugs, but from the whole hedonistic euphoria of the (1960s)." Malone also described Kristofferson's gruff vocal styling as "perfect" for the song, since "he sounds like a man who has lived a lot but is now humbling himself before God."
"Why Me" is a song from Styx's 1979 triple-platinum album Cornerstone. Released as the album's second single, it reached number 26 on the Billboard Hot 100 singles chart. The song also reached number 10 on the Canada RPM Top 100 Singles chart on the week of February 23rd, 1980.
Sly and Robbie are a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Sly and Robbie are estimated to have played on or produced 200,000 recordings, many of them on their own label, Taxi Records.
Sly Dunbar, then drumming for Skin Flesh and Bones, and Robbie Shakespeare, playing bass and guitar with the Aggrovators, discovered they had the same ideas about music in general (both are huge fans of Motown, Stax Records, the Philly Sound, and country music, in addition to Jamaican legendary labels Studio One and Treasure Isle), and reggae production in particular. They first worked together with The Revolutionaries for the newly created Channel One studio and label, operated by the Hoo Kim brothers.
According to The Independent, their breakthrough album was The Mighty Diamonds' 1976 release Right Time, which helped to establish them as the "masters of groove and propulsion." The drum beat on the title song was particularly tricky; in 2001 Dunbar recalled, "When that tune first come out, because of that double tap on the rim nobody believe it was me on the drums, they thought it was some sort of sound effect we was using. Then when it go to number 1 and stay there, everybody started trying for that style and it soon become establish."
[ CHORUS ]
KRS, Latifah, don't forget
Mash up any male or female artist on the set
Mi comin with mi style, mi take your title and your
The BDP Posse and Flavor Unit in effect
[ VERSE 1 ]
It's Queen Latifah with the R.E. Posse, Flavor Unit
sound
Broken down by the Boogie Down (Productions)
Slip and slide to a Sly & Robbie instrumental
And also as an indicental
The music to which vocals you know I have done
Produced by (KRS-One)
One tribe, one guide, and one destiny
You want the best of me?
Death to those who testin me
Cause to test is to try to conquer
But me, I catch em (1-2-3) and do an encore
Get paid by music, no money to the mob
Cause I'm the woman for the job
[ CHORUS ]
[ KRS-One: ]
Flavor Unit - assemble!
BDP Crew - assemble!
Sly & Robbie - wheel up!
[ VERSE 2 ]
Once again, it's time for Queen Latifah to return
Because to live is to learn
I learn a lotta suckers out there thought we slept
Now they give us (nuff respect!)
I'ma get loose inside this queendom
Suckers tried to duck, it didn't work, cause I seen
them
I'm not out to shoot anybody out the box, but it's my
scene
(I know just what you mean)
Woman called Latifah is a wise one
There are no others like me, I'm a prized one
Although they try to measure up, I outsize them slobs
Cause I'm the woman for the job
[ CHORUS ]
[ VERSE 3 ]
Intelligence captivates your mind
While the sound of my voice detains and occupies your
ears
The thought and the message speak clearly through the
vocals
Your heart is breathtaken, and it's bringin you to
tears
The t-i-p (tip) That is what you are on the m-u-s-i-c
(Music) That is what you want to own, but you could
never be
The one to take my off the throne
Your mind's like a child's, my dear, and I am grown
So just forget it, cause while you wanna do it, I did
Also admit it, if you can hit it, you're with it
Show me your chest, you musta flown over a coockoo's
nest
No buts about it, my life you wanna out it? I doubt it
Suckers don't play me, cause suckers I do vamp
Last time you challenged me, you cancelled due to
cramps
Allegedly, really you weren't readily
Able to rock a rhyme so smooth, so steadily
But next time you better be
Cause these appointments ain't for nothin
They're only for coolin, crushin, and solo-bumrushin
KRS-One's creatin music like an Einstein
Rollin up the rhythm to keep the pace of my rhyme
Me chosen by super musicians, Sly and Rob
Cause I'm the woman for the job