Who Done It? may refer to:
"Who Done It" is the fourth episode in the fourth season (1980–1981) of the television series Dallas. The episode was written by Loraine Despres, and revealed who shot J.R. Ewing (played by Larry Hagman) in the third season finale, "A House Divided". The perpetrator's fate was revealed in the subsequent episode one week later.
For an eight-month-long period of media frenzy after the broadcast of "A House Divided" episode (wherein Dallas archvillain J.R. Ewing was shot by an unidentified perpetrator while working in his office), international oddsmakers created a set of odds for the possible culprits. The favorite was Dusty Farlow, who was Sue Ellen Ewing's lover (Sue Ellen being J.R.'s wife), with odds installed at 6:4. Sue Ellen herself was given 25:1 odds, as was J.R.'s mother Miss Ellie Ewing. At 4:1 were Sue Ellen's sister and her husband's mistress, Kristin Shepard and banker Vaughn Leland, who fell victim to a J.R. swindle. After Sue Ellen's fingerprints were found on the gun in subsequent episodes she became the favorite at 3 to 1 according to some oddsmakers, while others listed Kristin and Cliff Barnes as favorites (Cliff being J.R.'s rival from childhood).
Sly and Robbie are a prolific Jamaican rhythm section and production duo, associated primarily with the reggae and dub genres. Drummer Sly Dunbar and bassist Robbie Shakespeare teamed up in the mid-1970s after establishing themselves separately in Jamaica as professional musicians. Sly and Robbie are estimated to have played on or produced 200,000 recordings, many of them on their own label, Taxi Records.
Sly Dunbar, then drumming for Skin Flesh and Bones, and Robbie Shakespeare, playing bass and guitar with the Aggrovators, discovered they had the same ideas about music in general (both are huge fans of Motown, Stax Records, the Philly Sound, and country music, in addition to Jamaican legendary labels Studio One and Treasure Isle), and reggae production in particular. They first worked together with The Revolutionaries for the newly created Channel One studio and label, operated by the Hoo Kim brothers.
According to The Independent, their breakthrough album was The Mighty Diamonds' 1976 release Right Time, which helped to establish them as the "masters of groove and propulsion." The drum beat on the title song was particularly tricky; in 2001 Dunbar recalled, "When that tune first come out, because of that double tap on the rim nobody believe it was me on the drums, they thought it was some sort of sound effect we was using. Then when it go to number 1 and stay there, everybody started trying for that style and it soon become establish."
[ CHORUS ]
KRS, Latifah, don't forget
Mash up any male or female artist on the set
Mi comin with mi style, mi take your title and your
The BDP Posse and Flavor Unit in effect
[ VERSE 1 ]
It's Queen Latifah with the R.E. Posse, Flavor Unit
sound
Broken down by the Boogie Down (Productions)
Slip and slide to a Sly & Robbie instrumental
And also as an indicental
The music to which vocals you know I have done
Produced by (KRS-One)
One tribe, one guide, and one destiny
You want the best of me?
Death to those who testin me
Cause to test is to try to conquer
But me, I catch em (1-2-3) and do an encore
Get paid by music, no money to the mob
Cause I'm the woman for the job
[ CHORUS ]
[ KRS-One: ]
Flavor Unit - assemble!
BDP Crew - assemble!
Sly & Robbie - wheel up!
[ VERSE 2 ]
Once again, it's time for Queen Latifah to return
Because to live is to learn
I learn a lotta suckers out there thought we slept
Now they give us (nuff respect!)
I'ma get loose inside this queendom
Suckers tried to duck, it didn't work, cause I seen
them
I'm not out to shoot anybody out the box, but it's my
scene
(I know just what you mean)
Woman called Latifah is a wise one
There are no others like me, I'm a prized one
Although they try to measure up, I outsize them slobs
Cause I'm the woman for the job
[ CHORUS ]
[ VERSE 3 ]
Intelligence captivates your mind
While the sound of my voice detains and occupies your
ears
The thought and the message speak clearly through the
vocals
Your heart is breathtaken, and it's bringin you to
tears
The t-i-p (tip) That is what you are on the m-u-s-i-c
(Music) That is what you want to own, but you could
never be
The one to take my off the throne
Your mind's like a child's, my dear, and I am grown
So just forget it, cause while you wanna do it, I did
Also admit it, if you can hit it, you're with it
Show me your chest, you musta flown over a coockoo's
nest
No buts about it, my life you wanna out it? I doubt it
Suckers don't play me, cause suckers I do vamp
Last time you challenged me, you cancelled due to
cramps
Allegedly, really you weren't readily
Able to rock a rhyme so smooth, so steadily
But next time you better be
Cause these appointments ain't for nothin
They're only for coolin, crushin, and solo-bumrushin
KRS-One's creatin music like an Einstein
Rollin up the rhythm to keep the pace of my rhyme
Me chosen by super musicians, Sly and Rob
Cause I'm the woman for the job