WHO is a iHeartMedia radio station broadcasting 50,000 watts on 1040 AM from Des Moines, Iowa with a news/talk format. The station is owned by iHeartMedia, Inc. The station can be heard over most of the continental United States during nighttime hours. During daytime hours, its transmitter power and Iowa's flat land (with near-perfect soil conductivity) allows it to be heard in almost all of Iowa, as well as parts of Minnesota, Illinois, Missouri, Nebraska, Kansas, and Wisconsin.
WHO first began broadcasting on April 11, 1924, from the top floor of the Liberty Building in downtown Des Moines. The station was originally owned by Bankers Life, which is now the Principal Financial Group. After the FRC's General Order 40 reallocated frequencies in 1928, WHO ended up sharing time on the same frequency with WOC in Davenport. In 1930, B. J. Palmer, owner of WOC, bought WHO, and the two stations operated together as WOC-WHO until a new 50,000-watt transmitter near Mitchellville began operating on November 11, 1933. (WOC ceased broadcasting that day but returned on another frequency a year later.) WHO moved from 1000 AM to the current 1040 AM on March 29, 1941, as a result of the North American Radio Broadcasting Agreement. Today WHO is one of only two 50,000-watt AM radio stations in Iowa (KXEL in Waterloo is the other, however, it is not on a "1928 Band Plan" clear channel like WHO, but is on a NARBA band plan clear channel, dually allocated to The Bahamas (Class I-A) and to Waterloo, IA (Class I-B)), though WHO's signal is non-directional and KXEL's is directional, as are most, but not all Class I-Bs.
Who Am I? may refer to:
Who Am I? (Khmer: ខ្ងុំជាអ្នកណា,Kyom Chear Nak Na) is the debut Cambodian lesbian-themed tragic romance film by writer and director Khmer novelist, Phoan Phoung Bopha. The plot deals with a taboo lesbian love story about a Cambodian American woman infatuated with a famous Cambodian actress.
Rath (Keo Sreyneang), a Cambodian-American woman, who returns to Cambodia in order to meet her favorite Khmer singer-actress, Thida (Ny Monica), after a series of long-distance telephone conversations. With strong help and support, Thida became godsister to Rath, who was allowed to live with her and her family in Cambodia. Their relationship began as a sisterly/best friends. Thereafter, Rath and Thida were inseparable and constantly spent time with each other. Unbeknownst to Thida, Rath had romantic feelings for her.
One night, Rath forces herself onto Thida. Thida cries out and is heard by her mother. She is warned by her mother to not have any type of intimate relationship with Rath. Having realized that she has fallen in love with Rath later, they continue to find ways to see each other.
"Who Am I" is a song recorded by Christian rock band Casting Crowns. Written by Mark Hall and produced by Mark A. Miller and Steven Curtis Chapman, it was released on February 22, 2004, as the second single from the band's 2003 self-titled debut album. A pop rock and adult contemporary ballad, the song is based around the piano and utilizes orchestral sounds. Lyrically, the song is centered on worshiping God. The song received positive reviews from music critics upon its release, with several regarding it as one of the best songs on their debut album.
"Who Am I" received the awards for Song of the Year and Pop/Contemporary Recorded Song of the Year at the 36th GMA Dove Awards, and it was also nominated for Worship Song of the Year. It achieved success on Christian radio, topping the Billboard Hot Christian Songs and Hot Christian AC charts as well as simultaneously peaking atop the Radio & Records Christian AC, Christian CHR, and INSPO charts. It has been certified Gold by the Recording Industry Association of America (RIAA), signifying sales of over 500,000 digital downloads. Casting Crowns has performed the song in concert as well as at special events, and re-recorded the song in 2013 for their acoustic album The Acoustic Sessions: Volume One.
Status quo is a Latin phrase meaning the existing state of affairs, particularly with regards to social or political issues. In the sociological sense, it generally applies to maintain or change existing social structure and values.
It is the nominal form of the prepositional Latin phrase "in statu quo" – literally "in the state in which", which itself is a shortening of the original phrase in statu quo res erant ante bellum, meaning "in the state in which things were before the war". To maintain the status quo is to keep the things the way they presently are. The related phrase status quo ante, literally "the state in which before", means "the state of affairs that existed previously".
The original phrase from 14th-century diplomatic Latin was in statu quo res erant ante bellum, meaning "in the state in which things were before the war". This gave rise to the shorter form status quo ante bellum "the state in which (it was) before war" (indicating the withdrawal of enemy troops and restoration of power to pre-war leadership), as well as other variations such as status quo itself.
In Israel, the term status quo (or the secular-religious status quo) refers to the political understanding between religious and secular political parties not to alter the communal arrangement in relation to religious matters, in a predominantly secular population. The established Jewish religious communities in Israel desire to maintain and promote the religious character of the state, while the secular community wishes to reduce the impact of religious regulations in their everyday lives. Occasionally, one political side seeks to make changes to inter-communal arrangements, but these are often met by fierce political opposition from the other side. The status quo preserves the established religious relations in Israel, and only small changes are usually made.
The prevailing view attributes the origins of the status quo to a letter sent by David Ben-Gurion, as chairman of the Jewish Agency Executive, on 19 June 1947, to the ultra-Orthodox Agudat Israel, in order to form a united policy to present to the United Nations Special Committee on Palestine (UNSCOP), which had commenced its fact-finding tour 4 days earlier. The letter was meant to address their concerns that the emerging State of Israel will be a secular one, which might hurt the status of religion and religious institutions, as well as the values of their followers.
The status quo of the Holy Land sites resulted from a firman (decree) of Ottoman Sultan Osman III in the 18th century that preserved the division of ownership and responsibilities of various sites important to Christians, Muslims, and Jews to their then current holders or owners. The actual provisions of the status quo were never formally established and represented agreements among the various religions that nothing could be changed from the way it was without upsetting the balance of order in maintaining the religious sites for visits by pilgrims.
When the Greeks launched a Palm Sunday takeover of various Holy Land sites in 1757 the Ottomans subsequently upheld this status quo.
This status quo for Jerusalem meant that certain statuses for the Holy Sites would be kept and were recognized as being permanent or at least the way things should be. The city was divided into four quarters. The Temple Mount became a Muslim holy place, and the Church of the Holy Sepulchre as well as other various Christian sites were recognized as belonging to the Christian world. Despite the arguments over who would control what aspects of these sites, the status quo has remained largely intact from the 17th century to the present. Although claims that this status quo was being violated led to the 1929 Palestine riots, it has not been changed, and the quarters and areas remain roughly as they have been inside Suleiman's walls.
( Rossi / Young )
Now you know this ain't the kind of life for you
It's not the way you thought that it would be
If I could change my way to you
If I could change, it wouldn't be me
And you see
I know I never tried the things I should have done
Oh and time is always passing by
I want to do the things I never done before
So I do try not to tell a lie
When I'm so low, when I'm so high
Yet you cry when I say I can't give you more
First you said you'd never try to slow me down
That ev'rything would work out really fine
But as those walls closed in on us
your words just fell right out of line
And behind
I know I never tried the things I should have done
And time is always passing by
I want to do the things I never done before
So I do try not to tell a lie
When I'm so low, when I'm so high
yet you cry when I say I can't give you moreOh, oh, oh, can't give you more
Can't give any more
Oh, oh, oh, can't give you more
Ain't got any more
Did you figure ours would be an easy thing
Like lazy days of lying in the sun
I told you if you wanted me
That ev'ry day just wouldn't be fun
Now it's done
I know I never tried the thing I should have done
And time is always passing by
I want to do the things I never done before
So I do try not to tell a lie
When I'm so low, when I'm so high
Yet you cry when I say I can't give you more
Oh, oh, oh, can't give you more
Can't give you more
Oh, oh, oh, can't give you more
I ain't got any more
Oh, oh, oh, I ain't got any more
I ain't got any more
Oh, oh, oh, can't give you more
I ain't got any more