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Colors of noise |
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White |
Pink |
Red (Brownian) |
Grey |
White noise is a random signal (or process) with a flat power spectral density. In other words, the signal contains equal power within a fixed bandwidth at any center frequency. White noise draws its name from white light in which the power spectral density of the light is distributed over the visible band in such a way that the eye's three color receptors (cones) are approximately equally stimulated. In statistical sense, a time series rt is characterized as having weak white noise if {rt} is a sequence of serially uncorrelated random variables with zero mean and finite variance. Strong white noise also has the quality of being independent and identically distributed, which implies no autocorrelation. In particular, if rt is normally distributed with mean zero and standard deviation σ, the series is called a Gaussian white noise.[1]
An infinite-bandwidth white noise signal is a purely theoretical construction. The bandwidth of white noise is limited in practice by the mechanism of noise generation, by the transmission medium and by finite observation capabilities. A random signal is considered "white noise" if it is observed to have a flat spectrum over a medium's widest possible bandwidth.
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While it is usually applied in the context of frequency domain signals, the term white noise is also commonly applied to a noise signal in the spatial domain. In this case, it has an auto correlation which can be represented by a delta function over the relevant space dimensions. The signal is then "white" in the spatial frequency domain (this is equally true for signals in the angular frequency domain, e.g., the distribution of a signal across all angles in the night sky).
The image to the right displays a finite length, discrete time realization of a white noise process generated from a computer.
Being uncorrelated in time does not restrict the values a signal can take. Any distribution of values is possible (although it must have zero DC component). Even a binary signal which can only take on the values 1 or -1 will be white if the sequence is statistically uncorrelated. Noise having a continuous distribution, such as a normal distribution, can of course be white.
It is often incorrectly assumed that Gaussian noise (i.e., noise with a Gaussian amplitude distribution — see normal distribution) is necessarily white noise, yet neither property implies the other. Gaussianity refers to the probability distribution with respect to the value, in this context the probability of the signal reaching an amplitude, while the term 'white' refers to the way the signal power is distributed over time or among frequencies.
We can therefore find Gaussian white noise, but also Poisson, Cauchy, etc. white noises. Thus, the two words "Gaussian" and "white" are often both specified in mathematical models of systems. Gaussian white noise is a good approximation of many real-world situations and generates mathematically tractable models. These models are used so frequently that the term additive white Gaussian noise has a standard abbreviation: AWGN.
White noise is the generalized mean-square derivative of the Wiener process or Brownian motion.
It is used by some emergency vehicle sirens due to its ability to cut through background noise, which makes it easier to locate.[citation needed]
White noise is commonly used in the production of electronic music, usually either directly or as an input for a filter to create other types of noise signal. It is used extensively in audio synthesis, typically to recreate percussive instruments such as cymbals which have high noise content in their frequency domain.
It is also used to generate impulse responses. To set up the equalization (EQ) for a concert or other performance in a venue, a short burst of white or pink noise is sent through the PA system and monitored from various points in the venue so that the engineer can tell if the acoustics of the building naturally boost or cut any frequencies. The engineer can then adjust the overall equalization to ensure a balanced mix.
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White noise can be used for frequency response testing of amplifiers and electronic filters. It is not used for testing loudspeakers as its spectrum contains too great an amount of high frequency content. Pink noise is used for testing transducers such as loudspeakers and microphones. White noise is used as the basis of some random number generators. For example, Random.org uses a system of atmospheric antennae to generate random digit patterns from white noise.
White noise is a common synthetic noise source used for sound masking by a tinnitus masker.[2] White noise machines and other white noise sources are sold as privacy enhancers and sleep aids and to mask tinnitus.[3] Alternatively, the use of a FM radio tuned to unused frequencies ("static") is a simpler and more cost-effective source of white noise.[4] However, white noise generated from a common commercial radio receiver tuned to an unused frequency is extremely vulnerable to being contaminated with spurious signals, such as adjacent radio stations, harmonics from non-adjacent radio stations, electrical equipment in the vicinity of the receiving antenna causing interference, or even atmospheric events such as solar flares and especially lightning.
The effects of white noise upon cognitive function are mixed. Recently, a small study found that white noise background stimulation improves cognitive functioning among secondary students with Attention deficit hyperactivity disorder (ADHD), while decreasing performance of non-ADHD students.[5][6] Other work indicates it is effective in improving the mood and performance of workers by masking background office noise,[7] but decreases cognitive performance in complex card sorting tasks.[8]
A random vector Failed to parse (Missing texvc executable; please see math/README to configure.): \mathbf{w}
is a white random vector if and only if its mean vector and autocorrelation matrix are the following:
That is, it is a zero mean random vector, and its autocorrelation matrix is a multiple of the identity matrix. When the autocorrelation matrix is a multiple of the identity, we say that it has spherical correlation.
A continuous time random process Failed to parse (Missing texvc executable; please see math/README to configure.): w(t)
where Failed to parse (Missing texvc executable; please see math/README to configure.): t \in \mathbb{R} is a white noise process if and only if its mean function and autocorrelation function satisfy the following:
i.e. it is a zero mean process for all time and has infinite power at zero time shift since its autocorrelation function is the Dirac delta function.
The above autocorrelation function implies the following power spectral density:
since the Fourier transform of the delta function is equal to 1. Since this power spectral density is the same at all frequencies, we call it white as an analogy to the frequency spectrum of white light.
A generalization to random elements on infinite dimensional spaces, such as random fields, is the white noise measure.
Two theoretical applications using a white random vector are the simulation and whitening of another arbitrary random vector. To simulate an arbitrary random vector, we transform a white random vector with a carefully chosen matrix. We choose the transformation matrix so that the mean and covariance matrix of the transformed white random vector matches the mean and covariance matrix of the arbitrary random vector that we are simulating. To whiten an arbitrary random vector, we transform it by a different carefully chosen matrix so that the output random vector is a white random vector.
These two ideas are crucial in applications such as channel estimation and channel equalization in communications and audio. These concepts are also used in data compression.
Suppose that a random vector Failed to parse (Missing texvc executable; please see math/README to configure.): \mathbf{x}
has covariance matrix Failed to parse (Missing texvc executable; please see math/README to configure.): K_{xx}
. Since this matrix is Hermitian symmetric and positive semidefinite, by the spectral theorem from linear algebra, we can diagonalize or factor the matrix in the following way.
where Failed to parse (Missing texvc executable; please see math/README to configure.): E
is the orthogonal matrix of eigenvectors and Failed to parse (Missing texvc executable; please see math/README to configure.): \Lambda is the diagonal matrix of eigenvalues. Thus, the inverse equation Failed to parse (Missing texvc executable; please see math/README to configure.): E^T K_{xx} E = \Lambda also holds.
We can simulate the 1st and 2nd moment properties of this random vector Failed to parse (Missing texvc executable; please see math/README to configure.): \mathbf{x}
with mean Failed to parse (Missing texvc executable; please see math/README to configure.): \mathbf{\mu} and covariance matrix Failed to parse (Missing texvc executable; please see math/README to configure.): K_{xx} via the following transformation of a white vector Failed to parse (Missing texvc executable; please see math/README to configure.): \mathbf{w} of unit variance:
where
Thus, the output of this transformation has expectation
and covariance matrix
The method for whitening a vector Failed to parse (Missing texvc executable; please see math/README to configure.): \mathbf{x}
with mean Failed to parse (Missing texvc executable; please see math/README to configure.): \mathbf{\mu} and covariance matrix Failed to parse (Missing texvc executable; please see math/README to configure.): K_{xx} is to perform the following calculation:
Thus, the output of this transformation has expectation
and covariance matrix
So, from the inverse equation shown above, we get the following:
Thus, with the above transformation, we can whiten the random vector to have zero mean and the identity covariance matrix.
We cannot extend the same two concepts of simulating and whitening to the case of continuous time random signals or processes. For simulating, we create a filter into which we feed a white noise signal. We choose the filter so that the output signal simulates the 1st and 2nd moments of any arbitrary random process. For whitening, we feed any arbitrary random signal into a specially chosen filter so that the output of the filter is a white noise signal.
White noise can simulate any wide-sense stationary, continuous-time random process Failed to parse (Missing texvc executable; please see math/README to configure.): x(t) : t \in \mathbb{R}\,\!
with constant mean Failed to parse (Missing texvc executable; please see math/README to configure.): \mu and covariance function
We can simulate this signal using frequency domain techniques.[clarification needed]
Because Failed to parse (Missing texvc executable; please see math/README to configure.): K_x(\tau)
is Hermitian symmetric and positive semi-definite, it follows that Failed to parse (Missing texvc executable; please see math/README to configure.): S_x(\omega) is real and can be factored as
if and only if Failed to parse (Missing texvc executable; please see math/README to configure.): S_x(\omega)
satisfies the Paley-Wiener criterion.
If Failed to parse (Missing texvc executable; please see math/README to configure.): S_x(\omega)
is a rational function, we can then factor it into pole-zero form as
Choosing a minimum phase Failed to parse (Missing texvc executable; please see math/README to configure.): H(\omega)
so that its poles and zeros lie inside the left half s-plane, we can then simulate Failed to parse (Missing texvc executable; please see math/README to configure.): x(t) with Failed to parse (Missing texvc executable; please see math/README to configure.): H(\omega) as the transfer function of the filter.
We can simulate Failed to parse (Missing texvc executable; please see math/README to configure.): x(t)
by constructing the following linear, time-invariant filter
where Failed to parse (Missing texvc executable; please see math/README to configure.): w(t)
is a continuous-time, white-noise signal with the following 1st and 2nd moment properties:
Thus, the resultant signal Failed to parse (Missing texvc executable; please see math/README to configure.): \hat{x}(t)
has the same 2nd moment properties as the desired signal Failed to parse (Missing texvc executable; please see math/README to configure.): x(t)
.
Suppose we have a wide-sense stationary, continuous-time random process Failed to parse (Missing texvc executable; please see math/README to configure.): x(t) : t \in \mathbb{R}\,\!
defined with the same mean Failed to parse (Missing texvc executable; please see math/README to configure.): \mu
, covariance function Failed to parse (Missing texvc executable; please see math/README to configure.): K_x(\tau) , and power spectral density Failed to parse (Missing texvc executable; please see math/README to configure.): S_x(\omega)
as above.
We can whiten this signal using frequency domain techniques. We factor the power spectral density Failed to parse (Missing texvc executable; please see math/README to configure.): S_x(\omega)
as described above.
Choosing the minimum phase Failed to parse (Missing texvc executable; please see math/README to configure.): H(\omega)
so that its poles and zeros lie inside the left half s-plane, we can then whiten Failed to parse (Missing texvc executable; please see math/README to configure.): x(t) with the following inverse filter
We choose the minimum phase filter so that the resulting inverse filter is stable. Additionally, we must be sure that Failed to parse (Missing texvc executable; please see math/README to configure.): H(\omega)
is strictly positive for all Failed to parse (Missing texvc executable; please see math/README to configure.): \omega \in \mathbb{R} so that Failed to parse (Missing texvc executable; please see math/README to configure.): H_{inv}(\omega) does not have any singularities.
The final form of the whitening procedure is as follows:
so that Failed to parse (Missing texvc executable; please see math/README to configure.): w(t)
is a white noise random process with zero mean and constant, unit power spectral density
Note that this power spectral density corresponds to a delta function for the covariance function of Failed to parse (Missing texvc executable; please see math/README to configure.): w(t) .
White noise, pink noise, and brown noise are used as percussion in 8-bit (chiptune) music. They are also used in electronic music such as trance and house music, to create "sweeps".
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The term white noise, the 'sh' noise produced by a signal containing all audible frequencies of vibration, is sometimes used as slang (or a neologism) to describe a meaningless commotion or chatter that masks or obliterates underlying information.
The information itself may have characteristics that achieve this effect without the need to introducing a masking layer. A common example of this usage is a politician including more information than needed to mask a point he doesn't want noticed.
In music the term is used for music that is discordant with no melody; disagreeable, harsh or dissonant.
On the January 11, 2005 broadcast of ABC's Good Morning America, Claire Shipman claimed "the political rhetoric on Social Security is white noise" to most Americans.
The novel White Noise by Don DeLillo explores several themes that emerged during the mid-to-late twentieth century. The title is a metaphor pointing to the confluence of all the symptoms of postmodern culture that in their coming-together make it very difficult for an individual to actualize his or her ideas and personality.
White Noise: The Light, also marketed as White Noise 2, is a 2007 horror thriller film, directed by Patrick Lussier and written by Matt Venne. The sequel stars Nathan Fillion and Katee Sackhoff in the lead roles. It is a stand-alone sequel to the 2005 film White Noise, directed by Geoffrey Sax. The film received positive reviews, but was not commercially successful, and failed to recoup its $10 million budget.
After witnessing the murder of his wife and young son at the hands of Henry Caine (Craig Fairbrass), who then turned the gun on himself, Abe Dale (Nathan Fillion) is so distressed that he attempts to take his own life. A near-death experience follows that leaves Abe with the ability to identify those who are about to die. He acts on these premonitions to save three people from death, among them a nurse met during his recovery, Sherry Clarke (Katee Sackhoff).
Abe soon learns that Henry, before murdering Abe's wife and son, actually saved their lives. Abe concludes that Henry also had the ability to see death. Wanting to learn more about Henry, Abe visits his house only to learn that Henry survived his suicide. Investigating further, Abe discovers the phenomenon of "Tria Mera", The Third Day, when Christ was resurrected. Also on the third day the devil takes possession of the mortals who cheated death. Abe concludes that three days after he saved their lives, those he saved will be possessed and compelled to take the lives of others. Accepting this responsibility, Abe comes to terms with the horrible fact that he must consider killing those he had saved to prevent further tragedy.
Kerberos Saga Rainy Dogs, (犬狼伝説 紅い足痕 (Kenrou Densetsu Akai Ashiato lit. "Dog-Wolf Legend: The Red Footsteps"), is a 2003-2005 Kerberos saga manga written by Mamoru Oshii and illustrated by Mamoru Sugiura who was in charge of the continuity in the Kerberos Panzer Cop manga. The story is the sequel to the Kerberos Panzer Cop and a prequel to the StrayDog movie.
Kerberos Koichi Todome (都々目紅一) chases elite sniper Eito Kurosaki (黒崎英斗) a.k.a. "Afghan Hound" in Asia with a vengeance. During the Kerberos Riot event (see Kerberos Panzer Cop Act 8), Kurosaki betrayed the Special Armed Garrison by letting know Bunmei Muroto about the coup d'état. Kurosaki left the bessieged Self-Police headquarters using a helicopter and escaped overseas, since then, Koichi is after him, the once brothers in arms are now deadly enemies.
The Killers (Russian: Убийцы, translit. Ubiytsy) is a 1956 student film by the Soviet and Russian film director Andrei Tarkovsky and his fellow students Marika Beiku and Aleksandr Gordon. The film is based on the short story "The Killers" by Ernest Hemingway, written in 1927. It was Tarkovsky's first film, produced when he was a student at the State Institute of Cinematography (VGIK).
The Killers is an adaptation of a short story by Ernest Hemingway. The story is divided into three scenes. The first and third scenes were directed by Beiku and Tarkovsky, the second by Gordon.
The first scene shows Nick Adams (Yuli Fait) observing two gangsters (Valentin Vinogradov and Boris Novikov) in black coats and black hats entering a small-town diner where Adams is eating. They tell the owner, George (Aleksandr Gordon), that they are searching for the boxer Ole Andreson and that they want to kill him. They tie up Nick Adams and the cook, and wait for Ole Andreson to appear. Three customers enter the restaurant and are sent away by George. One of the customers is played by Tarkovsky, who whistles Lullaby of Birdland.
"The Killers" is a short story by Ernest Hemingway, published in Scribner's Magazine in 1927. How much Hemingway received for the literary piece is unknown, but some sources state it was $200. Historians have some documents showing that the working title of the piece was "The Matadors". After its appearance in Scribner's, the story was published in Men Without Women, Snows of Kilimanjaro, and The Nick Adams Stories. The writer's depiction of the human experience, his use of satire, and the everlasting themes of death, friendship, and the purpose of life have contributed to make "The Killers" one of Hemingway's most famous and frequently anthologized short stories.
The story features Nick Adams, a famous Hemingway character from his short stories. In this story, Hemingway shows Adams crossing over from teenager to adult. The basic plot of the story involves a pair of criminals who enter a restaurant seeking to kill a boxer, a Swede named Ole Andreson, who is hiding out for reasons unknown, possibly for winning a fight.
Man, I got these broads icin' it up
While my little B.G.s on the bus puttin' out cigarette butts
But me, personally, playboy I done had bad luck
And I'mma always show love to my cut
Hit the club, light the lights up
The Cash Money motto is to drink till you throw up
Point the broad out, guaranteed I can pluck
'Cause woody, I'm tattooed and barred up
Medallion iced up, Rolex bezeled up
And my pinky ring is platinum plus
Earrings be trillion cut and my grill be slugged up
My heart filled with anger lost, stranded as a youngster
Stack my cheese up
'Cause one day I'mma give this street life up
Beef, I don't discuss
Woody outta line, woody gone get his head bust
Cash Money millionaires plus
Don't touch broad if you can't pluck the broad
20 inches with TVs is a must
By the year 2,000 Lil' Wayne gone tear this game up
Boss B, slow down in the Jag you lost me
You know how I flow the new Rose Royce B
The number one ripper, dippin' low-low
In a compressor sippin' Mo'-Mo'
Spend a lotta cheddar, look, my click couldn't be betta
I'm married to CMR, baby, love it or leave it
Drop drops when it's hot, stretch Hummers when it's not
Light up the whole block when you glance at my watch
It's Wayne baby, thugged out, won't change, baby
I do ya thang lady, in a blue Navigaty
That's game, baby, you can call me a game shotter
But since I drive a Bubble, people call me Lex Lurger
I pull up in a Expedition, they be like, "Ah, no-no-no, he didn't"
Tattoos and fast cars, do you know who we are
I'm Lil' Weezy puttin' down for CMR
Bling bling
Everytime I come around yo' city
Bling bling
Pinky ring worth about 50
Bling bling
Everytime I buy a new ride
Bling bling
Lorenzos on Yokahama tires
Bling bling
It's the player with the Lex Bubble
Candy coated helicopter with the leather cover
If ya slippin', not?? take off the rubber
Then toss that broad 'cause I don't love her
Balla, Manny bought a private plane
Then turned around and sold that thang to Juv' and Wayne
They put 30 inch Lorenzos on that thang, man
You little kids out there just don't understand
I'm a 1999 driver
I'm a uptown 3rd Ward magnolia TC rider
Ol' ignorant boy always stunnin'
Big ballin' Calhounie's, you can see him when he comin'
Booted up, diamond up
Golds be shinin' up, all them diamonds be blindin' up
People at the second line be sayin' I be damn
Up in they best fits sayin', "Juv' got me, damn"
Bling bling
Everytime I come around yo' city
Bling bling
Pinky ring worth about 50
Bling bling
Everytime I buy a new ride
Bling bling
Lorenzos on Yokahama tires
Bling bling
Everytime I come around yo' city
Bling bling
Pinky ring worth about 50
Bling bling
Everytime I buy a new ride
Bling bling
Lorenzos on Yokahama tires
Bling bling
I be that player with the ice on me
If it cost less than 20 it don't look right on me
I stay flossed out all through the week
My money long if you don't know I'm the B.G.
I be dealin' with your girl all in your home
Haters be like, "Look at that Benz and all that chrome"
Diamonds worn by everybody, that's in my click
Man, I got the price of a mansion 'round my neck and wrist
My nigga baby gettin' a special built machine
A Mercedes Benz 700 B14
I know you haters can't believe that
I can't wait to see you busters face when you see that
Man, look at that
Girls wear shades just to stand on side of me
They say, "Take that chain off, boy, you blindin' me"
All day my phone ringin', bling bling bling
Can see my earring from a mile, bling bling
Bling bling
Everytime I come around yo' city
Bling bling
Pinky ring worth about 50
Bling bling
Everytime I buy a new ride
Bling bling
Lorenzos on Yokahama tires
Bling bling
Everytime I come around yo' city
Bling bling
Pinky ring worth about 50
Bling bling
Everytime I buy a new ride
Bling bling
Lorenzos on Yokahama tires
Bling bling