Erroll Louis Garner (June 15, 1923 - January 2, 1977) (some sources say 1921) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad "Misty", has become a jazz standard. Scott Yanow of Allmusic calls him "one of the most distinctive of all pianists" and a "brilliant virtuoso". He received a star on the Hollywood Walk of Fame at 6363 Hollywood Blvd.
Born with his twin brother Ernest in Pittsburgh, Pennsylvania, to an African American family on June 15, 1923, Erroll began playing piano at the age of three. His elder siblings were taught piano by Miss Bowman. From an early age Erroll would sit down and play anything she'd demonstrated, just like Miss Bowman, his eldest sister Martha said. He attended George Westinghouse High School, as did fellow pianists Billy Strayhorn and Ahmad Jamal. Garner was self-taught and remained an "ear player" all his life – he never learned to read music. At the age of seven, he began appearing on the radio station KDKA in Pittsburgh with a group called the Candy Kids. By the age of 11, he was playing on the Allegheny riverboats. At 14 in 1937, he joined local saxophonist Leroy Brown.
"Where or When" is a show tune from the 1937 Rodgers and Hart musical Babes In Arms. It was first performed by Ray Heatherton and Mitzi Green. That same year, Hal Kemp recorded a popular version. It also appeared in the movie of the same title two years later. Dion and the Belmonts also released a successful remake of the song, which reached number 3 on the Billboard Hot 100 in January 1960. In 1963, The Lettermen released their version as a single, which peaked at number 98 on the Hot 100. The song was used for the 1992 biopic Sinatra, starring Philip Casnoff; Frank Sinatra performs the song on stage at the Paramount Theatre.
"Where or When" is the first number to appear in the original Broadway production of Babes in Arms. The musical opens in Seaport, Long Island, on a hectic morning that finds most of the adult population embarking on a five-month vaudeville tour. Soon after his parents' departure, twenty-year-old Valentine LaMar (played by Ray Heatherton) discovers at his doorstep a young hitchhiker named Billie Smith (played by Mitzi Green). Instantly smitten, he engages her in a discussion of movie stars, self-defense maneuvers, and Nietzsche's theory of individualism, at which point Val impulsively steals a kiss. Both admit to a powerful sense of déjà vu and sing "Where or When" as a duet.MGM bought the screen rights to Babes in Arms in 1938, and the following year the studio released a film with that title, starring Mickey Rooney and Judy Garland, that bore little resemblance to its stage predecessor; the characters and plot were substantially revised (by ten studio writers), and only two numbers were retained from the score. "Where or When" was one that survived, appearing 37 minutes into the film, sung by Betty Jaynes, Douglas McPhail and Garland in a scene depicting a rehearsal sequence, although Garland is cut short during her performance.
Where or When is a 2008 film by Iranian film director Bahman Pour-Azar. He co-wrote the film script with Jun Kim over seven years, but shot the entire movie in less than a week at various locations in both New York and New Jersey. The film was produced for less than US$50,000.
The 85-minute feature was inspired by the 1959 French classic Hiroshima Mon Amour directed by Alain Resnais and contains the classic show tune from the 1937 Rodgers and Hart musical Babes In Arms, Where Or When.
Where Or When stars Mitchell Conwell, Shelly DeChristofaro, Jun Kim, and Carl Monego.
The film takes place on the eve of a nuclear holocaust, an event that the characters are unaware of. During this final day they must deal with anger, guilt, hatred, and love. All of this set to the backdrop of today's global issues.
Pour-Azar is able to film this event that portrays a scenario with horrible and unimaginable consequences by using the terrifying images from Hiroshima Mon Amour and contrasting them with the upbeat show tune Where or When.
Cole Porter
Like the beat beat beat of the tom-tom
When the jungle shadows fall,
Like the tick tick tock of the stately clock
As it stands against the wall,
Like the drip drip drip of the raindrops
When the sum'r show'r is through,
So a voice within me keeps repeating
You-You-You
Night and day you are the one,
Only you beneath the moon and sun,
Whether near me or far
It's no matter, darling, where you are,
I think of you, night and day.
Day and night, why is it so
That this longing for you follows wherever I go?
In the roaring traffic's boom,
In the silence of my lonely room,
I think of you, night and day.
Night and day under the hide of me
There's an, oh, such a hungry yearning
Burning inside of me,
And its torment won't be through
Till you let me spent my life making love to you
Day and night, night and day.