A kōan (公案)/ˈkoʊ.ɑːn/; Chinese: 公案; pinyin: gōng'àn; Korean: 공안 (kong'an); Vietnamese: công án) is a story, dialogue, question, or statement, which is used in Zen practice to provoke the "great doubt" and test a student's progress in Zen practice.
The Japanese term kōan is the Sino-Japanese reading of the Chinese word gong'an (Chinese: 公案; pinyin: gōng'àn; Wade–Giles: kung-an; literally: "public case"). The term is a compound word, consisting of the characters 公 "public; official; governmental; common; collective; fair; equitable" and 案 "table; desk; (law) case; record; file; plan; proposal."
According to the Yuan Dynasty Zen master Zhongfeng Mingben (中峰明本 1263–1323), gōng'àn originated as an abbreviation of gōngfǔ zhī àndú (公府之案牘, Japanese kōfu no antoku—literally the andu "official correspondence; documents; files" of a gongfu "government post"), which referred to a "public record" or the "case records of a public law court" in Tang-dynasty China.Kōan/gong'an thus serves as a metaphor for principles of reality beyond the private opinion of one person, and a teacher may test the student's ability to recognize and understand that principle.
Koan is a generative music engine that was created by a company called SSEYO, a company founded by Pete Cole and Tim Cole. It was founded specifically to create and market Koan. The technology is now owned by a company called Intermorphic Limited, which was co-founded by the Cole brothers in 2007.
Koan was actually an architecture named the SSEYO Koan Interactive Audio Platform (SKIAP). This consisted of the core Koan generative music engine (the SSEYO Koan Generative Music Engine (SKME), a set of authoring tools (SSEYO Koan Pro and SSEYO Koan X), a set of stand-alone Koan Music player (SSEYO Koan Plus, SSEYO Koan File Player and SSEYO Koan Album Player) and a plug-in for internet browsers such as Internet Explorer and Netscape.
The Koan generative music engine was very deep; this is partially because of the long history of the product. Development of the Koan engine started in 1990, when SSEYO was founded. By 1992, the first version went into beta testing. The first Koan software was publicly released in 1994 and distributed by Koch Media. The first Koan Pro authoring tool was released in 1995. The same year, SSEYO managed to bring Koan to the attention of Brian Eno, and it turned out that he was interested in using Koan. He started creating pieces with Koan Pro that, in April 1996, lead to the publication of his seminal title Generative Music 1 with SSEYO Koan software. This was a boxed product containing a floppy disk, on which was the SSEYO Koan Plus player and a set of 12 Koan generative-music pieces that he authored. Eno's early relationship with Koan was captured in his 1996 diary A Year with Swollen Appendices.
Kōan (弘安) was a Japanese era name (年号,, nengō,, lit. "year name") after Kenji and before Shōō. This period spanned the years from February 1278 through April 1288. The reigning emperors were Go-Uda-tennō (後宇多天皇) and Fushimi-tennō (伏見天皇).
The idea of want can be examined from many perspectives. In secular societies want might be considered similar to the emotion desire, which can be studied scientifically through the disciplines of psychology or sociology. Want might also be examined in economics as a necessary ingredient in sustaining and perpetuating capitalist societies that are organised around principles like consumerism. Alternatively want can be studied in a non-secular, spiritual, moralistic or religious way, particularly by Buddhism but also Christianity, Islam and Judaism.
In economics, a want is something that is desired. It is said that every person has unlimited wants, but limited resources (Economics is based on the assumption that only limited resources are available to us from the infinite Universe). Thus, people cannot have everything they want and must look for the most affordable alternatives.
Wants are often distinguished from needs. A need is something that is necessary for survival (such as food and shelter), whereas a want is simply something that a person would like to have. Some economists have rejected this distinction and maintain that all of these are simply wants, with varying levels of importance. By this viewpoint, wants and needs can be understood as examples of the overall concept of demand.
Want is a repackaged double album by Canadian-American singer-songwriter Rufus Wainwright, released in the United Kingdom on November 28, 2005. It contains all the tracks from both Want One and Want Two, along with two bonus tracks: a cover of Leonard Cohen's "Chelsea Hotel No. 2" along with "In with the Ladies".
All songs written by Wainwright, unless otherwise noted.
Want, in economics, is something that is desired.
Want or The Want may also refer to:
[Verse 1:]
When the night falls,
She had to call it a street life,
See the figure of the street lights
Wanna know what it be like when it be right... there.
Black lipstick, tattoos of the peace sign
Plus the mark of the beast sign, oh night please be kind,
Baby girl has no... fears.
Tight clothing,
Blowing cigarette smoke in slow motion
Offered a love potion, but it's frozen
Thinks the world's so insincere
Now she dancing with strangers
She don't know they name no
The city exclaimed her but she doesn't care
[Chorus: x2]
What you want want
What you want want
Come and get it get it
What you want want
What you want want want
[Verse 2:]
When the night falls
She had to call it a bright life
See the shine in the spotlights
Wanna know what that like when it be right... there.
White liar, put her name in their headlines
Taking pictures on her website
Just so weathered in the headlights
Baby girl don't you be... scared
Red carpet, on the arms of an artist
Is starlit on the star-less paparazzi target
Things being normal's just so unfair
She knows that it's dangerous, she wants to be famous
But she's not ashamed 'cause it ain't nothing there
[Chorus x2]
[Verse 3:]
When the day comes
And they looking far away from, where they came from
See the night has betrayed them, told em it would stay young
Told them they would stay young
Now they see the sun
The night's on the run right before the rise
Black mascara's running from their eyes
But big girls don't cry
You'll be alright
It'll be tonight(tonight)
They'll put back on the lights.