WHAM-DT2 is the CW-affiliated television station for Rochester, New York. The station is a second digital subchannel of ABC affiliate WHAM-TV, owned by Deerfield Media and operated by Sinclair Broadcast Group. Over-the-air, it broadcasts a high definition digital signal on VHF channel 13.2 from a transmitter on Pinnacle Hill on the border between Rochester and Brighton. This can also be seen on Time Warner Cable channels 16 and 1212 in standard definition and high definition. It is also available on DirecTV channel 14 in the Rochester area. Although the digital cable feed is transmitted in 1080i, it is converted to 720p for transmission over the air to preserve bandwidth for WHAM-TV's main channel.
What is now WHAM-DT2 was launched in 2000 as a cable-only station with fictional call letters "WRWB", which replaced "XWBT", branded as WB26, on cable channel 26, which launched in the mid-1990s. It was an affiliate of The WB and, despite being in a market larger than those in The WB 100+ Station Group, followed a similar structure and program lineup to the stations in that group. The station was operated by Time Warner Cable (at that time a subsidiary of WB co-owner Time Warner). On January 24, 2006, The WB and UPN announced that they would end broadcasting and merge to form The CW, and on March 7 it was announced that WRWB would be the new network's Rochester affiliate. After the switch on September 18, the station's on-air identity changed from "Rochester's WB 16" to "Rochester's CW" (with a "TV 16" logo used to denote its cable channel) and the fictional WRWB calls were laid aside.
Wham! were an English musical duo formed by George Michael and Andrew Ridgeley in the early 1980s. They were briefly known in the United States as Wham! UK due to a naming conflict with an American band. Wham! sold more than 25 million certified records worldwide from 1982 to 1986.
Michael and Ridgeley met at Bushey Meads School in Bushey near the town of Watford in Hertfordshire. The two at first performed in a short-lived ska band called The Executive, alongside three of their former school friends David (Austin) Mortimer, Harry Tadayon and Andrew Leaver. When this group split, Michael and Ridgeley eventually formed Wham!, signing with Innervision Records.
Michael took on the majority of roles and responsibilities within the band—composer, producer, singer, and occasional instrumentalist. Still teenagers, they promoted themselves as hedonistic youngsters, proud to live a carefree life without work or commitment. This was reflected in their earliest singles which, part-parody, part-social comment, briefly earned Wham! a reputation as a dance protest group.
Here is a list of episodes in Matt Lucas and David Walliams' comedy show Rock Profile. Also see Rock the Blind.
Wham! was a weekly British comic book magazine published by Odhams Press. It ran for 187 issues from 20 June 1964 to 13 January 1968, when it merged into its sister title Pow!. Although Wham! was superficially a typical British comic in the mould of The Beano, its later issues (under the Power Comics imprint) included short instalments of The Fantastic Four reprinted from American Marvel Comics. To many of its readers, this move destroyed Wham's originality and style.
The initial success of Wham! prompted the creation of sister titles Pow! and Smash! with similar intent, and led to the formation of the Power Comics line. But as costs rose in 1968, the inevitable adjustment of content, followed by mergers of titles, made the Power Comics more like those they were attempting to replace.
Created by Leo Baxendale, in its early issues Wham! presented both clear imitations of Beano strips, such as a clone of his Bash Street Kids in the shape of The Tiddlers, and new original strips such as Eagle Eye, Junior Spy and Georgie's Germs in which he attempted to break the mould of older strips by the use of bizarre humour, outrageous puns, and surreal plots.
I have nothing left to say
But I'm gonna say it anyway
Thirty years upon a stage
And I hear the people say
Why won't he go away?
I pass the houses of the dead
They're calling me to join their group
But I stagger on instead
Dear God, sweet God
Protect me from the truth, hey
I'm dead but I don't know it
He's dead, he's dead
I'm dead but I don't know
He's dead, he's dead
I'm dead but I don't know it
He's dead, he's dead
Please don't tell me so
Let me, let me, let me go
I have a family to support
But surely, that is no excuse
I've nothing further to report
Time you spend with me
Is time you lose
I always thought that I would know
When it was time to quit
That when I lost a step or two or three or four or five
I'd notice it
Now that I've arrived here safely
I find my talent has gone
Why do I go on and on and on and on and on
And on and on and on and on and on
He's dead, he's dead, he's dead
I don't know it
He's dead, he's dead, he's dead
I didn't know
He's dead, he's dead, he's dead
I didn't know it
Who would be so cruel to tell me so?
You're dead!
When will I end this bitter game?
When will I end this cruel charade?
Everything I write all sounds the same
Each record that I'm making
Is like a record that I've made
Just not as good
I'm dead but I don't know it
He's dead, he's dead
I'm dead but I don't know
He's dead, he's dead
I'm dead but I don't know it
He's dead, he's dead
Please don't tell me so
Please don't tell me so