Libra

Libra may refer to:

Science and technology

Entertainment

Other

Libra (Gary Bartz album)

Libra is the debut album by saxophonist Gary Bartz' Quintet recorded in 1967 and released on the Milestone label.

Reception

Michael G. Nastos of Allmusic said "Featured are excellent compositions and playing in mainstream mode... This is the more lyrical side of Bartz".

Track listing

All compositions by Gary Bartz except as indicated

Personnel

References

Libra (DC Comics)

Libra is a fictional character, a supervillain appearing in comic books published by DC Comics. He first appeared in Justice League of America #111 (May-June 1974), where he formed the first incarnation of the Injustice Gang (though there had been other villain groups with similar names, like the Injustice Society and the Injustice League). Libra made his return with a leading role in Final Crisis in 2008.

Publication history

Libra's only major appearance, prior to his appearance in Final Crisis, was in Justice League of America #111–112, in 1974. In 2004, he made a brief cameo in the JLA/Avengers crossover (#4) by Kurt Busiek and George Pérez.

Grant Morrison, the writer of Final Crisis, explained the reason for picking an obscure villain:

In May 2008, his appearances were reprinted in DC Universe Special: Justice League of America at the same time as he was reintroduced, along with the Human Flame (a Martian Manhunter foe who appeared in Detective Comics #274), in Justice League of America #21. He returns, apparently retaining the full might of his godlike status, to lead a new and final incarnation of the Secret Society of Super-Villains, this time offering to every villain, from simple costumed crooks to major ones, the realization of his/her fondest wish.

Wet

Wet is the condition of containing liquid or being covered in liquid. Wetness is also a measure of how well a liquid sticks to a solid rather than forming a sphere on the surface. The greater the amount of surface that touches the more wet the condition.

Wet or WET may also refer to:

In arts and entertainment

Games

In music

Other uses in arts and entertainment

Businesses

Places

In science and technology

Wet (Nicole Scherzinger song)

"Wet" is a song by American recording artist Nicole Scherzinger, taken from her debut solo studio album Killer Love (2011). The song was written by Ester Dean and Traci Hale, co-written and produced by Norwegian duo StarGate (Tor E. Hermansen and Mikkel S. Eriksen) and Sandy Vee. The song was serviced as the fourth single from the album to British radio stations on August 28, 2011, by Polydor Records, while in Australia it was released in the following month.

The dance-pop and pop song speak of Scherzinger singing that "her body is aching for a man's touch". It received generally positive reviews from music critics. The song received moderate commercial success where it peaked at number twenty-one on the UK Singles Chart, in addition to peaking at number ten on the Irish Singles Chart, where it also became one of her highest charting releases. The accompanying music video for "Wet" was directed by Justin Francis. It was generally received by critics which favored Scherzinger's intricate choreography.

Wet (magazine)

WET: The Magazine of Gourmet Bathing was a publication of the 1970s and early 80s. Founded by Leonard Koren in 1976 it ran thirty-four issues before closing in 1981. The idea for the magazine grew out of the artwork Leonard Koren was doing at the time—what he termed ‘bath art’—and followed on the heels of a party he threw at the Pico-Burnside Baths.

As Kristine McKenna, music editor for WET from 1979 until 1981, wrote: "The world wasn’t crying out for a periodical on bathing when Leonard Koren introduced Wet magazine in 1976. However, Koren had the imagination and audacity to create his own world, and that’s exactly what he did with Wet: The Magazine of Gourmet Bathing."

WET covered a range of cultural issues and was widely known for its use of graphic art. Started as a simple one-man operation that included artwork and text solicited from friends and acquaintances, the production, team, and circulation of the magazine would grow over the years. Its content also evolved to cover a wider expanse of stories that captured a Los Angeles attitude that was emerging at the same time as punk, but with its own distinct aesthetic. As design problems arose, solutions were often improvised on the spot. Its layout and design helped to catalyze the graphic styles later known as New Wave and Postmodern. In a letter he wrote on August 25, 1988, Tibor Kalman, president of M&Co. wrote that WET "is one of the most important and well-designed magazines in U.S. design history."