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Barry Manilow (born Barry Alan Pincus; June 17, 1943) is an American singer-songwriter and producer. He is best known for such recordings as "Mandy", "Can't Smile Without You", and "Copacabana (At the Copa)".
In 1978, five of his albums were on the best-seller charts simultaneously, a feat equalled only by Herb Alpert, The Beatles, Frank Sinatra, Michael Jackson, Bruce Springsteen, and Johnny Mathis. He has recorded a string of Billboard hit singles and multi-platinum albums that have resulted in him being named Radio & Records' No. 1 adult contemporary artist, and winning three straight American Music Awards for favorite pop/rock male artist. Between 1974 and 1983 Manilow had three No. 1 singles and 25 that reached the top 40. Although not a favorite of music critics, Manilow has been praised by several well-known entertainers, including Sinatra, who was quoted in the 1970s saying, "He's next." In 1988, Bob Dylan stopped Manilow at a party, hugged him and said, "Don't stop what you're doing, man. We're all inspired by you."
Barry Manilow is the debut album by Barry Manilow. It was released as Barry Manilow in 1973, then re-mixed and re-released as Barry Manilow I in 1975.
"Could It Be Magic", "One Of These Days" and "Oh My Lady" were remixed at Media Sound Studios, NYC, April 1975 for the re-release on Arista Records. This version was also re-issued by Arista Records on CD.
Barry Manilow is the sixth self-titled album released by singer and songwriter Barry Manilow. Manilow released a total of six self-titled albums in his career: Barry Manilow (later re-released as Barry Manilow I), Barry Manilow II, Barry, Manilow, and this album with the same title as his first. The album was released in 1989, and reached Gold certification. This album also represented a hint of future album releases...95% of the songs were not written/co-written by Manilow, which had up until that point been rare. Manilow, known for being a composer, typically always stocked his albums with material he co-wrote with his celebrated lyricists. After the release of this album, the 1990s dawned and a new era in his career began as he embarked on introducing contemporary audiences to pop music of the 1930s through the late 1940s. This album is also one of his longest of original material, clocking in at nearly an hour. There are few up-tempo songs, favoring ballads of which he is known to perform.
Havana (/həˈvænə/; Spanish: La Habana, [la aˈβana]) is the capital city, largest city, province, major port, and leading commercial centre of Cuba. The city proper has a population of 2.1 million inhabitants, and it spans a total of 728.26 km2 (281.18 sq mi) – making it the largest city by area, the most populous city, and the third largest metropolitan area in the Caribbean region. The city extends mostly westward and southward from the bay, which is entered through a narrow inlet and which divides into three main harbours: Marimelena, Guanabacoa and Atarés. The sluggish Almendares River traverses the city from south to north, entering the Straits of Florida a few miles west of the bay.
The city of Havana was founded by the Spanish in the 16th century and due to its strategic location it served as a springboard for the Spanish conquest of the continent becoming a stopping point for the treasure-laden Spanish galleons on the crossing between the New World and the Old World. King Philip II of Spain granted Havana the title of City in 1592. Walls as well as forts were built to protect the old city. The sinking of the U.S. battleship Maine in Havana's harbor in 1898 was the immediate cause of the Spanish–American War.
Havana is an Edwardian musical comedy in three acts, with a book by George Grossmith, Jr. and Graham Hill, music by Leslie Stuart, lyrics by Adrian Ross and additional lyrics by George Arthurs. It premiered on 25 April 1908 at the Gaiety Theatre, London, starring Evie Greene as Consuelo, W. H. Berry as Reginald Brown, Lawrence Grossmith as Don Adolfo and Mabel Russell as Pepita. A young Gladys Cooper was in the chorus.
The production ran for 221 performances before touring the provinces. It also soon played in Berlin, Germany. An American production played at the Casino Theatre in New York after a Philadelphia tryout, with revisions by its star, James T. Powers. This production was staged by Ned Wayburn and ran from 11 February 1909 to 25 September 1909 for a total of 236 performances.
Among the show's musical numbers are the songs Little Miquette, Cupid's Telephone, How Did the Bird Know That? and Pensacola. Musical selections from the show were recorded by the Victor Light Opera Company in 1909.
Havana ("turn left in Havana") is a club passing pattern. There are 4 jugglers with a total of 12 clubs and the pattern is a type of rotating feed, much like a feed weave. Feeders do a 2 count (everies) while feedees do a 6 count. All passes are right hand tramline.
There is always one feeder, but the feeder changes throughout. It is best described from the feeders point of view. When feeding, begin passing to your leftmost feedee. Make 5 passes in a windshield wiper fashion.
After the first pass, feedee B and C begin to switch places in a clockwise motion. After the places have been exchanged and the feeder has given their 4th pass, B takes one additional step forward and turns counter clockwise (see: "turn left"), such that D will be the new feeder.
Once A finishes their 5th pass, D immediately begins their feed cycle starting on their left. Note that A has no break between A's 5th pass and D's first pass.
Some find that practicing a 4 person feed weave with a single feeder is a good warm up for this pattern.
Always and always now
Where there was just one
There'll be two
And you won't be alone again
I'm home again
Over and over now
We'll make up for nights that we missed
And kiss like we once kissed again
I'm home again
Close your eyes
I'll close mine
Remember how much we once had
And babe, I'm so glad
To be home again
Love you, I love you now, now
There's no one but you in my life
And I won't let you go again
See I'm home again
Oh close your eyes
I'll close mine
Remember how much we once had
And babe, I'm so glad
To be home again
Love you, I love you
Oh more then anything else in my life
And I won't let you go again
I'm home again
I'm home again
I'm home again