Welcome is a 2009 French film directed by Philippe Lioret. It stars Vincent Lindon and features Firat Ayverdi and Derya Ayverdi in their inaugural roles. The film was released on 11 March 2009 in France. The director wanted to highlight the plight of immigrants living in Calais, France, and their plans to reach the United Kingdom meeting activists and associations trying to help the refugees.
The film tells the story of Simon Calmat (Vincent Lindon), a French swimming coach who is divorcing his wife Marion (Audrey Dana). Simon tries to help a young Iraqi-Kurd immigrant, Bilal Kayani (Firat Ayverdi), whose dream is to cross the English Channel from Calais in France to the United Kingdom by any means possible to be reunited with his girlfriend Mina (Derya Ayverdi). Meanwhile, Mina's father strongly opposes Bilal's plans as he wants to marry his daughter to her cousin who owns a restaurant. After being caught with other immigrants and returned to France, Simon gives him temporary refuge at his home after the young Bilal, nicknamed "Bazda" (runner, for his athletic abilities and love of football and Manchester United in particular) registers for swimming lessons, intending to train to be able to swim across the Channel. After police search Simon's apartment, Bilal goes on a final attempt and drowns 800 meters from the English coast while hiding from the coastguard. Simon then travels to inform Mina.
The year 2009 saw the release of many films. Seven made the top 50 list of highest-grossing films. Also in 2009, the Academy of Motion Picture Arts and Sciences announced that as of that year, their Best Picture category would consist of ten nominees, rather than five (the first time since the 1943 awards).
May
July
Films released in North America in 2009 include:
Welcome (Russian: Добро пожаловать) is a 1986 Soviet paint-on-glass-animated 10-minute film adapted from the 1948 children's book by Dr. Seuss Thidwick the Big-Hearted Moose. Coproduction of Sverdlovsk television studio and Gosteleradio.
Released in 1986, the film went on to win the Grand Prix at the Ottawa International Animation Festival in 1988 and in Los Angeles. Although the visual style is quite different, the story is mostly the same with the exception of some subtle changes — for example, the moose isn't shown rejoining his herd at the end and the squatter animals aren't stuffed and mounted. Also, none of the animals are ever named and there is no narrator. The film was directed by Alexei Karayev. The art director was Aleksandr Petrov, who would later win an Oscar for his 1999 film The Old Man and the Sea. The screenplay was written by Yury Iosifovich Koval, a renowned author.
The Welcome Metro Station is located on the Red Line of the Delhi Metro.
Under Phase III, Welcome station is proposed to become an interchange with the Inner Ring Road line. The work for the same has been started.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.