Web (2013 film)

Web is a 2013 documentary film directed by Michael Kleiman.

The documentary follows several Peruvian families as they gain computer and Internet access for the first time through the One Laptop per Child program as well as interviews with people such as author Clay Shirky, Wikipedia’s Jimmy Wales, Dennis Crowley of Foursquare, Scott Heiferman of Meetup and One Laptop founder Nicholas Negroponte . Kleiman spent ten months living in Peru, dividing his time in the towns of Antuyo in the mountains and Palestina in the Amazon rainforest .

Awards

It premiered and won the Sundance Now Audience Award at the 2013 DOC NYC Film Festival.

References

.web

.web is a generic top-level domain that will be awarded by ICANN to one of seven registry applicants. The .web TLD will be in the official root once ICANN awards the registry contract.

Historic information about .web

.web was operated as a prospective registry, not in the official root, by Image Online Design since 1995. It originated when Jon Postel, then running the top level of the Domain Name System basically single-handedly, proposed the addition of new top-level domains to be run by different registries. Since Internet tradition at the time emphasized "rough consensus and running code", Christopher Ambler, who ran Image Online Design, saw this as meaning that his company could get a new TLD into the root by starting up a functional registry for it. After asking and receiving permission from IANA to do so, IOD launched .web, a new unrestricted top level domain.

Since then IOD has tried to get their domain into the official root through several plans to admit new top-level domains. Several new-TLD plans in the late 1990s, including Postel's original proposal, failed to reach sufficient consensus among the increasingly contentious factions of the Internet to admit any new TLDs, including .web. When ICANN accepted applications for new TLDs in 2000 which resulted in the seven new domains added soon afterward, IOD's application was not approved; neither was it officially rejected, however, since all unapproved applications remain in play for possible future acceptance. A second round of new TLDs, however, was done entirely with new applications, and only for sponsored domains (generally intended for use by limited communities and run by nonprofit entities). The .web registry remains hopeful, however, that their application will eventually be approved. On May 10, 2007, ICANN announced the opening of public comments towards a new, third round of new gTLDs, a round in which IOD has not participated.

Web

Web or Webs may refer to:

Arachnology

Computing

Mathematics

The WB 100+ Station Group

The WB 100+ Station Group (originally called The WeB from its developmental stages until March 1999) is a defunct programming service operated by The WB Television Network – owned by the Warner Bros. Entertainment division of Time Warner, the Tribune Company and the group's founder, Jamie Kellner – comprising an affiliate group primarily made of non-broadcast local cable television outlets. Operating from September 21, 1998 to September 18, 2006, the service was intended for areas ranked below the top 100 Nielsen Media Research-designated television markets in the United States.

In addition to carrying WB programming, it also maintained a master schedule of syndicated programming that aired simultaneously on all WB 100+ affiliates outside of designated network programming time periods, essentially structuring the service as a de facto national feed of The WB. Programming and promotional services for The WB 100+ were housed at The WB's corporate headquarters in Burbank, California; engineering and master control operations were based at the California Video Center in Los Angeles.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Television film

A television film (also known as a TV film; television movie; TV movie; telefilm; telemovie; made-for-television film; direct-to-TV film; movie of the week (MOTW or MOW); feature-length drama; single drama and original movie) is a feature-length motion picture that is produced for, and originally distributed by or to, a television network, in contrast to theatrical films, which are made explicitly for initial showing in movie theaters.

Origins and history

Though not exactly labelled as such, there were early precedents for "television movies", such as Talk Faster, Mister, which aired on WABD (now WNYW) in New York City on December 18, 1944, and was produced by RKO Pictures, or the 1957 The Pied Piper of Hamelin, based on the poem by Robert Browning, and starring Van Johnson, one of the first filmed "family musicals" made directly for television. That film was made in Technicolor, a first for television, which ordinarily used color processes originated by specific networks (most "family musicals" of the time, such as Peter Pan, were not filmed but broadcast live and preserved on kinescope, a recording of a television program made by filming the picture from a video monitor – and the only method of recording a television program until the invention of videotape).