Line, lines or LINE may refer to:
The Line is a 2009 play by British dramatist Timberlake Wertenbaker about the relationship between Edgar Degas and Suzanne Valadon. Set in " the intimate, if quarrelsome world of Montmartre", at the play's heart are " a leading artist, a protegee and a clash between traditions, lifestyles and eras." The 2009 London production of the play starred Henry Goodman as Degas and Sarah Smart as Valadon.
Wertenbaker has stated that she began with Valadon because someone had given her a biography which she found fascinating. In the biography she came across Degas and the relationship between the two intrigued Wertenbaker.
Valadon called Degas the Master, but Wertenbaker believes he also learned from her. "He loved her drawings and he did imitate them...I think he may also have learned other things from her; that there was another way of living, that there was another way of being that was very attractive.
It's hard to imagine that he spent as much time as he did with her and spoke of her so warmly and wanted to see her so much if he didn't get something from her because Degas was somebody who was very curious and didn't suffer fools gladly."
The Line is an American game show created by ITV Studios, produced by High Noon Entertainment and co-hosted by Jeff Davis and Candace Bailey. The series, which premiered on Game Show Network December 23, 2014, showcases potential contestants waiting in a "line" to enter a "vault". While in the latter, they must answer a series of eight questions to win a progressive jackpot. While waiting in the line, they may be chosen to perform various challenges which can earn them additional prizes and/or a move to the front, or the back, of the line.
In the vault, contestants answer up to eight true-or-false questions, with each correct answer adding $250 to the jackpot. Contestants who answer all eight questions correctly win the entire jackpot; contestants who fail to do so are ejected from the vault, while the next contestant steps in and continues to play for the jackpot.
While a contestant is in the vault, contestants who are waiting in the line play various mini-games. The games played include passing ten people in the line through a hula-hoop; if successful, those ten move straight to the beginning of the line. Other games include two teams of five working as a group to move a beach ball across a track, and offering random contestants the opportunity to open a red envelope that can send the to the beginning or end of the line.
A draw (US) or re-entrant (international), is a terrain feature formed by two parallel ridges or spurs with low ground in between them. The area of low ground itself is the draw, and it is defined by the spurs surrounding it. Draws are similar to valleys on a smaller scale; however, while valleys are by nature parallel to a ridgeline, a draw is perpendicular to the ridge, and rises with the surrounding ground, disappearing up-slope. A draw is usually etched in a hillside by water flow, and often contains a stream or loose rocks from eroded rockfall.
A draw differs from a valley or an arroyo, in that the ground always slopes downward from a draw in only one direction, and upward in the other three; while in a valley or arroyo there is noticeable upward slope in only two directions. The slope on a draw is generally quite sharp, with a clearly established fall line and characterized by a generally steep vertical drop over a short horizontal distance.
Lowball or low poker is a variant of poker in which the normal ranking of hands is inverted. Several variations of lowball poker exist, differing in whether aces are treated as high cards or low cards, and whether or not straights and flushes are used.
Lowball inverts the normal ranking of poker hands. There are three methods of ranking low hands, called ace-to-five low, deuce-to-seven low, and ace-to-six low. The 'ace-to-five' method is most common. A sub-variant within this category is 'high-low poker', in which the highest and lowest hands split the pot, with the highest hand taking any odd chips if the pot does not divide equally. Sometimes straights and/or flushes count in determining which hand is highest but not in determining which hand is lowest, being reckoned as a no-pair hand in the latter instance, so that a player with such a holding can win both ways and thus take the entire pot.
The most popular forms of lowball are ace-to-five lowball (also known as California lowball), and deuce-to-seven lowball (also known as Kansas City lowball). Ace-to-five lowball gets its name because the best hand at that form is 5-4-3-2-A. In ace-to-five lowball straights and flushes do not prevent a hand from being low. You win by simply having the five lowest cards. Deuce-to seven lowball gets its name because the best hand at that form is 7-5-4-3-2 (not of the same suit).
The lines of partition used to divide and vary fields and charges in heraldry are by default straight, but may have many different shapes. Care must sometimes be taken to distinguish these types of lines from the extremely unusual and non-traditional use of lines as charges, and to distinguish these shapes from actual charges, such as "a mount [or triple mount] in base," or, particularly in German heraldry, different kinds of embattled from castle walls.
In Scotland, varied lines of partition are often used to modify a bordure (or sometimes another ordinary) to difference the arms of a cadet from the chief of the house.
An ordinary indented is bounded by small zigzags like a triangle wave, with peaks on one side matching peaks on the other. An ordinary dancetty is similar, but with peaks matching troughs, so that the width is constant; it also typically has fewer points than indented. In early armory these were not distinguished. In the arms of the 55th Electronic Combat Group of the United States Air Force the indented is "edged wider on the back angle (sinister) than on the face (dexter) of each angle".
A line is a unit of language into which a poem or play is divided, which operates on principles which are distinct from and not necessarily coincident with grammatical structures, such as the sentence or clauses in sentences. Although the word for a single poetic line is verse, that term now tends to be used to signify poetic form more generally.
A distinct numbered group of lines in verse is normally called a stanza.
A conventions that determine what might constitute line in poetry depend upon different constraints, aural characteristics or scripting conventions for any given language. On the whole, where relevant, a line is generally determined either by units of rhythm or repeating aural patterns in recitation that can also be marked by other features such as rhyme or alliteration, or by patterns of syllable-count.
In Western literary traditions, use of line is arguably the principal feature which distinguishes poetry from prose. Even in poems where formal metre or rhyme is weakly observed or absent, the convention of line continues on the whole to be observed, at least in written representations, although there are exceptions (see Degrees of license). In such writing, simple visual appearance on a page (or any other written layout) remains sufficient to determine poetic line, and this sometimes leads to a "charge" that the work in question is no longer a poem but "chopped up prose". A dropped line is a line broken into two parts, with the second indented to remain visually sequential.
Alone at night
In the cold and windy city
When the candle fades away
Another morning
And the sun's shining pretty
You can watch the children play
But there's a hole in the sky
And it cries for you and I
And we can't find the reason for calling
There's a new place to see
Another world for you and me
And one can hear the bell which will be tolling
Tolling
They crossed the line
See the light, it shines
They crossed the line
Heaven or hell, who will decide
What's coming after
The curse of wrath and agony, oh lord
Please help us find our way
We tried to get out
Of the last light of eternity
But we couldn't get away
There's a hole in the sky
And it cries for you and I
But we can't find the reason for dreaming
There's a new place to see
Another world for you and me