We Are. (Do As Infinity song)

"We Are.", stylized as We are., is Do As Infinity's sixth single, released in 2000.

This song was included in the band's compilation albums Do the Best and Do the A-side.

Track listing

Chart positions

External links

Keke Palmer discography

The discography of Keke Palmer, an American R&B singer-songwriter, consists of one studio album, one extended play, three mixtapes and seven singles. In 2005, Palmer signed a record deal with Atlantic Records. Palmer released her debut album So Uncool on September 18, 2007. The album failed to chart on the US Billboard 200, but did chart at number 85 on the R&B chart. The album was preceded by the lead single "Keep It Movin'". In 2010, Palmer was signed by the Chairman of Interscope Records, Jimmy Iovine, and began working on an album.

In January 2011, Palmer released her first mixtape Awaken. The mixtape was officially released on January 10, 2011, for downloads on mixtape-downloading websites. The first and only single released from the mixtape was "The One You Call". A music video was also released for the song. In July 2012, Palmer released the single "You Got Me" featuring Kevin McCall. The video for the single was released on July 11, 2012. Palmer released a self-titled mixtape Keke Palmer on October 1, 2012. It includes her new singles "You Got Me" & "Dance Alone" which have already been released. On May 16, 2013, Keke Palmer released a video showing her recording and performing a cover of Alicia Keys song "If I Ain't Got You".

We Are

We Are may refer to:

See also

Dutch Golden Age painting

The Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history generally spanning the 17th century, during and after the later part of the Eighty Years' War (1568–1648) for Dutch independence.

The new Dutch Republic was the most prosperous nation in Europe, and led European trade, science, and art. The northern Netherlandish provinces that made up the new state had traditionally been less important artistic centres than cities in Flanders in the south, and the upheavals and large-scale transfers of population of the war, and the sharp break with the old monarchist and Catholic cultural traditions, meant that Dutch art needed to reinvent itself entirely, a task in which it was very largely successful.

Although Dutch painting of the Golden Age comes in the general European period of Baroque painting, and often shows many of its characteristics, most lacks the idealization and love of splendour typical of much Baroque work, including that of neighbouring Flanders. Most work, including that for which the period is best known, reflects the traditions of detailed realism inherited from Early Netherlandish painting.