Waste and wastes are unwanted or unusable materials. Waste is any substance which is discarded after primary use, or it is worthless, defective and of no use.
The term is often subjective (because waste to one person is not necessarily waste to another) and sometimes objectively inaccurate (for example, to send scrap metals to a landfill is to inaccurately classify them as waste, because they are recyclable). Examples include municipal solid waste (household trash/refuse), hazardous waste, wastewater (such as sewage, which contains bodily wastes (feces and urine) and surface runoff), radioactive waste, and others.
According to the Basel Convention,
Under the Waste Framework Directive, the European Union defines waste as "an object the holder discards, intends to discard or is required to discard."
There are many waste types defined by modern systems of waste management, notably including:
Waste is a play by the English author Harley Granville Barker. It exists in two wholly different versions, from 1906 and 1927. The first version was refused a license by the Lord Chamberlain and had to be performed privately by the Stage Society in 1907; the second was finally staged in public at the Westminster Theatre in 1936.
The plot centres around ambitious independent politician Henry Trebell, his plans for a bill to disestablish the Church of England and his fall from grace and suicide after his affair with married woman Amy O'Connell, who dies after a botched abortion. The title may refer to the waste of his potential talents due to the scandal, the loss of the disestablishment bill and the termination of Amy's pregnancy.
Waste is unwanted or undesired material.
Waste, WASTE or W.A.S.T.E. may also refer to:
The Eucharist /ˈjuːkərɪst/ (also called Holy Communion, the Lord's Supper, and other names) is a rite considered by most Christian churches to be a sacrament. According to the New Testament, it was instituted by Jesus Christ during his Last Supper. Giving his disciples bread and wine during the Passover meal, Jesus commanded his followers to "do this in memory of me" while referring to the bread as "my body" and the wine as "my blood". Through the Eucharistic celebration Christians remember Christ's sacrifice of himself once and for all on the cross.
Christians generally recognize a special presence of Christ in this rite, though they differ about exactly how, where, and when Christ is present. While all agree that there is no perceptible change in the elements, some believe that they actually become the body and blood of Christ, others believe the true body and blood of Christ are really present in, with, and under the bread and wine (whose reality remains unchanged), others believe in a "real" but merely spiritual presence of Christ in the Eucharist, and still others take the act to be only a symbolic reenactment of the Last Supper. Some Protestants view the Eucharist as an ordinance in which the ceremony is seen not as a specific channel of divine grace, but as an expression of faith and of obedience to Christ.
Eucharist can refer to:
Eucharist was a Swedish melodic death metal band which released two albums in the 1990s.
Eucharist's first album, A Velvet Creation (1993), featured Markus Johnsson (vocals, guitar), Thomas Einarsson (guitar), Tobias Gustafsson (bass guitar), and Daniel Erlandsson (drums), while for the second, Mirrorworlds (1997), they were reduced to the trio of Johnsson, Erlandsson, and bass guitarist Martin Karlsson. One of numerous groups involved in establishing the very melodic style now known as the Gothenburg Sound, Eucharist did not fare particularly well in the face of the era's stiff competition, resulting in personnel eventually joining rival bands. Most notably, original bass guitarist Gustaffsson joined the power metal band Armageddon, and drummer Erlandsson worked for a time with Gothenburg scene leaders In Flames before settling in permanently with Arch Enemy.
Eucharist was founded in Veddige, a small city about 40 km from Gothenburg, Sweden, some time around 1989. A demo released in 1992 became a classic in the metal underground. It was titled Greeting Immortality. The same year, Obscure Plasma Records released the Greeting Immortality 7" (without the consent of the band), and in 1993 the band recorded a song named "The View" for a Deaf Records (Peaceville Records) compilation album called Deaf Metal Sampler. Afterwards, the band suddenly split up.