To be announced

To be announced (TBA), to be confirmed (TBC), and to be determined (or to be decided, TBD) are placeholder terms used very broadly in event planning to indicate that although something is scheduled or expected to happen, a particular aspect of that remains to be arranged or confirmed.

TBA vs. TBC vs. TBD

These phrases are similar, but may be used for different degrees of indeterminacy:

Other similar phrases sometimes used to convey the same meaning, and using the same abbreviations, include "to be ascertained", "to be arranged", "to be advised", "to be adjudicated", "to be done", "to be decided", and "to be declared".

Use of the abbreviation "TBA" is formally reported in a reference work at least as early as 1955, and "TBD" is similarly reported as early as 1967.

TBC (band)

TBC (styled as tbc), are a Christian girl band who were launched by Innervation Trust in 2004, as a "flagship" girl band alongside their brother band Thebandwithnoname. Innervation Trust is a Christian charity that exists to recruit and resource schools teams, dubbed "Collectives", each dedicated to a major city in the UK. Innervation Trust is the product of Mark Pennells and Zarc Porter, a songwriter/producer partnership also credited with writing most of the music for, and co-founding, the World Wide Message Tribe. After 7 years of promoting the Collective bands throughout every region of the UK, they were replaced by the primary school project, Pop Connection. This has since been replaced by iSingPOP. iSingPOP works in primary schools and will spend a week teaching all the children a number of songs (usually 7) as a choir and the next week will perform these songs in their local church or activity hall/centre with an audience. They also have a recording day to make their very own album.

Matt Schwartz

Matt Schwartz (born 26 October 1971) is an Israeli-British multi-instrumentalist record producer a songwriter, an artist, DJ, and a prolific audio engineer based in London. He has contributed to numerous records since 1995 as an engineer, producer, composer, musician and a songwriter, working with all the UK major record labels, he also had several club chart toppers and a few top 10 chart and airplay charts records in the UK, US and Europe as an artist.

Biography and life

Born in Israel, Schwartz came to London in the early 90's. Schwartz enrolled at Kingston University, and a year later began working at the Hit-House in Hammersmith between 1994–5 with the likes of Farley Jack Master Funk, Dirty Rotten Scoundrels, Matt Jam and Carl Brown, plus many more while producing records with James F. Reynolds.

Schwartz worked at BeatFarm studios in 1996-8, making hundreds of records with the likes of Massive Attack,Mica Paris,Arthur Baker, Sara J, Tall Paul,Wamdue Project,JTQ and a host of others while developing unsigned bands and making his own records.

Warp

Warp, warped or warping may refer to:

Agriculture

Aviation

Ships

Books and comics

Music

Warp (album)

Warp is the third and final album from New Musik released on March 5, 1982.

Track listing

LP: EPC 85567

All songs written by Tony Mansfield, except where noted.

Side One

Side Two

2001 Epic Records International CD Reissue: EICP 7015

Warp (magazine)

Warp was a New Zealand magazine and official organ of the National Association for Science Fiction (NASF), the country's first national science fiction fan organisation.

History

First published in November 1977, Warp continued on a usually two-monthly schedule until the late 1990s, surviving for a short period independently after NASF went into recess. The magazine was published by Transworld. Excluding the APA Aotearapa, Warp was the first New Zealand science fiction publication to reach 100 issues, which it did in June 1995. In all, some 115 editions of Warp were produced. Its largest issues were 44 pages in length.

The location of Warp's publishing varied according to the home city of its editor, although during much of the later 1980s it was based in Christchurch, and during the early and mid 1990s it was based in Dunedin. At times the magazine's schedule was erratic, especially during the late 1980s and shortly before its demise in the late 1990s.

Originally published in A4 format, for much of its run it was A5 in size, returning to A4 shortly before its demise.