"Waltz #2 (XO)" is a song by American singer-songwriter Elliott Smith. It was released in 1998 by record label DreamWorks as the first single from his fourth studio album, XO.
The single did not chart in the United States but reached number 52 in the UK Singles Chart, his highest chart placement in the UK to date.
In its article on the song, Slate called it Elliott Smith's best song.
The waltz (from German: "Walzer") is a smooth, progressive ballroom and folk dance, normally in triple time, performed primarily in closed position.
There are several references to a sliding or gliding dance—a waltz—from the 16th century, including the representations of the printer H.S. Beheim. The French philosopher Montaigne wrote of a dance he saw in 1580 in Augsburg, where the dancers held each other so closely that their faces touched. Kunz Haas (of approximately the same period) wrote, "Now they are dancing the godless Weller or Spinner." "The vigorous peasant dancer, following an instinctive knowledge of the weight of fall, utilizes his surplus energy to press all his strength into the proper beat of the measure, thus intensifying his personal enjoyment in dancing".
The peasants of Bavaria, Tyrol, and Styria began dancing a dance called Walzer, a dance for couples, around 1750. The Ländler, also known as the Schleifer, a country dance in 3
4 time, was popular in Bohemia, Austria, and Bavaria, and spread from the countryside to the suburbs of the city. While the eighteenth century upper classes continued to dance the minuet, bored noblemen slipped away to the balls of their servants.
The waltz is a ballroom and folk dance of Austrian origin.
Waltz may also refer to:
Waltz is an EP released by the Australian indie rock band Augie March. It was first released in 1999. It includes the first appearance of the band's early hit "Asleep in Perfection". A music video was also issued for the closing track, "The Moth Ball".
first the mic then a half cigarette
singing cathy's clown
that's the man that she's married to now
that's the girl that he takes around town
she appears composed, so she is, i suppose
who can really tell?
she shows no emotion at all
stares into space like a dead china doll
i'm never gonna know you now, but i'm gonna love you anyhow
now she's done and they're calling someone
such a familiar name
i'm so glad that my memories remote
'cos i'm doing just fine hour to hour, note to note
here it is the revenge to the tune
";you're no good,
you're no good you're no good you're no good";
can't you tell that it's well understood
i'm never gonna know you now, but i'm gonna love you anyhow
i'm here today and expected to stay on and on and on
i'm tired
i'm tired
looking out on the substitute scene
still going strong
XO, mom
it's ok, it's alright, nothing's wrong
tell mr. man with impossible plans to just leave me alone
in the place where i make no mistakes
in the place where i have what it takes
i'm never gonna know you now, but i'm gonna love you anyhow
i'm never gonna know you now, but i'm gonna love you anyhow
i'm never gonna know you now, but i'm gonna love you anyhow