Wall of Voodoo was an American new wave group from Los Angeles best known for the 1983 hit "Mexican Radio". The band had a sound that was a fusion of synthesizer-based new wave music with the spaghetti western soundtrack style of Ennio Morricone.
Wall of Voodoo had its roots in Acme Soundtracks, a film score business started by Stan Ridgway, later the vocalist and harmonica player for Wall of Voodoo. Acme Soundtracks' office was across the street from the Hollywood punk club The Masque and Ridgway was soon drawn into the emerging punk/new wave scene. Marc Moreland, guitarist for The Skulls, began jamming with Ridgway at the Acme Soundtracks office and the soundtrack company morphed into a new wave band. In 1977, with the addition of Skulls members Bruce Moreland (Marc Moreland's brother) as bassist and Chas T. Gray as keyboardist, along with Joe Nanini, who had been the drummer for Black Randy and the Metrosquad, the first lineup of Wall of Voodoo was born.
The band was named Wall of Voodoo before their first gig in reference to a comment made by Joe Berardi, a friend of Ridgway's and member of The Fibonaccis. Berardi was listening to some of the Acme Soundtracks music Ridgway and Moreland had created in their studio. When Ridgway jokingly compared the multiple-drum-machine- and Farfisa-organ-laden recordings to Phil Spector's Wall of Sound, Berardi commented it sounded more like a "wall of voodoo" and the name stuck.
Wall of Voodoo (EP) is an EP released by Wall of Voodoo in 1980. In 1991, it was re-released on CD under the title, The Index Masters, with live bonus tracks. It contains one of Wall of Voodoo's best-known songs, "Ring of Fire", which is a cover of the Johnny Cash song featuring moody guitars and synthesizers. The second half of "Ring of Fire" features a dissonant guitar solo covering the theme to the 1966 film Our Man Flint.
it's the human thing to do
On this life-like stage,
we act a play,
well that's so human too
Why don't you drink
from my ruby red glass?
Why don't you drink
from my ruby glass?
An unlit corner
in the world alone...
what shall we do?
Now I'm thinking less
of pain and lies
and I'm thinking more of you...
And I'm thinking more of you...
The empty room-
upon a black floor
come on and fill this glass.
Forget this life
and lock the door.
Give me violets
and vine tonight.
From this night on
we'll be alright
'til empty falls the ruby glass
I'm thinking less,
but I'm thinking more of you
thinking more of you,
thinking more of you.
Life is short,
and you're the sort that
turns a night into a year...
Silently call me close,
say it's the same for you
Why don't you drink
from my ruby red glass?
Why don't you drink
from my ruby glass?
The empty room-
upon a black floor
Give me violets
and vine tonight.
From this night on
we'll be alright
'til empty falls
the ruby glass
I'm thinking less,
but I'm thinking more of you
thinking more of you,