Walk On

Walk On may refer to:

Walk-on (sports)

The term walk-on is used in sports, particularly American college athletics, to describe an athlete who becomes part of a team without being actively recruited beforehand or awarded an athletic scholarship. This results in the differentiation between "walk-on" players and "scholarship" players.

College football

Walk-ons have a particularly developed history in college football. Often these athletes are relegated to the scout team, and may not even be placed on the official depth chart or traveling team. However, there are occasions, sometimes well publicized, where a walk-on will become a noted member of his or her team in one of several ways.

Bit part

A bit part is a role in which there is direct interaction with the principal actors and no more than five lines of dialogue (often referred to as a "five or less" in the United States). In British television, bit parts are referred to as under sixes. A bit part is higher than that of an extra and lower than that of a supporting actor. An actor who regularly performs in bit roles, either as a hobby or to earn a living, is referred to as a bit player, a term also used to describe an aspiring actor who has not yet broken into major supporting or leading roles.

Unlike extras, who do not typically interact with principals, actors in bit parts are sometimes listed in the credits. An exception to this practice is the cameo appearance, wherein a well-known actor or other celebrity appears in a bit part; it is common for such appearances to be uncredited. Another exception occurred in MGM's 1951 screen version of the musical Show Boat, in which the role of the cook Queenie (Frances E. Williams) was reduced from a significant supporting role in the stage version to a bit part in the film. Williams, whose appearance was not intended as a cameo, was not listed at all in the credits. On the other hand, William Warfield, whose role as Joe, Queenie's husband, was also drastically shortened in the film from the stage original, did receive screen credit because he sang Ol' Man River.

Doveman

Thomas Bartlett (born October 13, 1981), also known as Doveman, is an American pianist, singer, and producer, best known for his work with Sufjan Stevens, Glen Hansard, The National, Sam Amidon, Nico Muhly, and The Gloaming.

Biography

Born in Vermont, Bartlett studied piano in London with Maria Curcio before moving to New York City. As a teenager, he and lifelong collaborator Sam Amidon formed the folk music band Popcorn Behavior (later known as Assembly), and released three albums.

Upon moving to New York in 2001, Bartlett soon began performing with Chocolate Genius and Elysian Fields, and also worked as Salon.com's music critic, writing first a weekly "Wednesday Morning Download", and later the daily "Audiofile" feature. In recent years, Bartlett has performed and toured extensively with artists like The National, Antony and the Johnsons, Mike Doughty, Martha Wainwright, Glen Hansard (in both The Frames and The Swell Season) and Bebel Gilberto.

The first Doveman record, "The Acrobat", 2005, was produced by Patrick Dillett, one of Bartlett's most frequent collaborators. It was followed in 2007 by "With My Left Hand I Raise the Dead," again produced by Dillett, and released by Brassland Records. In 2008 Bartlett released a self-recorded solo re-imagining of the entire Footloose soundtrack. 2009's "The Conformist," again produced by Dillett, featured members of frequent Doveman collaborators The National, as well as backing vocals by Norah Jones, Glen Hansard, Beth Orton, Martha Wainwright, and Dawn Landes.