List of Weeds characters

This is a list of characters from the television series Weeds.

Nancy Botwin's family

Nancy Botwin

Nancy Botwin, née Price (Mary-Louise Parker, leading character) — also known as Lacey LaPlante (season two) and Nathalie Newman (season six) — was a PTA soccer mom until her husband, Judah, suddenly died of a heart attack. To maintain the upper middle-class lifestyle to which she was accustomed in the fictional town of Agrestic, Nancy entered the world of marijuana dealing. At the start, her regular clients include her accountant, her lawyer, and fellow suburban friends. However, as she expands and fights for survival, she is confronted with the violent realities of her business as she jockeys against competitors, gangs, and drug lords. Adding complications to the situation, are her sudden relationship with Peter Scottson, a DEA agent who discovers Nancy's business, but takes measures to ensure her safety. Peter grew increasingly hostile towards Nancy and is eventually killed. Eventually, Nancy works for a gangster named U-Turn. During one of her runs for him, she meets Guillermo, a Mexican drug trafficker, who offers her a chance to move up in the drug game. Nancy declines, but changes her mind and leaves Agrestic after a fiery situation involving a rival dealer.

Turn

Turn may refer to:

Dance and sports

Film, TV and entertainment

Film

Television

Games

Music

Albums

Traversal Using Relays around NAT

Traversal Using Relays around NAT (TURN) is a protocol that assists in traversal of network address translators (NAT) or firewalls for multimedia applications. It may be used with the Transmission Control Protocol (TCP) and User Datagram Protocol (UDP). It is most useful for clients on networks masqueraded by symmetric NAT devices. TURN does not aid in running servers on well known ports in the private network through a NAT; it supports the connection of a user behind a NAT to only a single peer, as in telephony, for example.

TURN is specified by RFC 5766. An update to TURN for IPv6 is specified in RFC 6156. The TURN URI scheme is documented in RFC 7065.

Introduction

NATs, while providing many benefits, also come with many drawbacks. The most troublesome of those drawbacks is the fact that they break many existing IP applications, and make it difficult to deploy new ones. Guidelines have been developed that describe how to build "NAT friendly" protocols, but many protocols simply cannot be constructed according to those guidelines. Examples of such protocols include multimedia applications and file sharing.

Icon

An icon (from Greek εἰκών eikōn "image") is typically a painting depicting Christ, Mary, saints and/or angels, which is venerated among Eastern Orthodox, Oriental Orthodox, and in certain Catholic Churches.

Icons may also be cast in metal, carved in stone, embroidered on cloth, painted on wood, done in mosaic or fresco work, printed on paper or metal, etc. Icons are often illuminated with a candle or jar of oil with a wick. (Beeswax for candles and olive oil for oil lamps are preferred because they burn very cleanly, although other materials are sometimes used.) The illumination of religious images with lamps or candles is an ancient practice pre-dating Christianity.

Although common in translated works from Greek or Russian, in English iconography does not mean icon painting, and "iconographer" does not mean an artist of icons, which are painted or carved, not "written", as they are in those languages.

Comparable images from Western Christianity are generally not described as "icons", although "iconic" may be used to describe a static style of devotional image.

Icon (Luba album)

ICON is a compilation album by the Canadian-Ukrainian singer-songwriter Luba. It is the first release by Luba for 14 years. ICON is a compilation of previously released songs, as well as a new track, Heaven, which was presented on Luba's MySpace around 2007. The album has been released by Universal Music Canada.

Track listing

Icon (Vince Gill album)

Icon is a greatest hits album by American country musician Vince Gill. It was released on August 31, 2010 by MCA Nashville, and contains select highlight songs from his career.

Track listing

Critical reception

Stephen Thomas Erlewine, in his review for Allmusic, says the album is "a very good sampler of Vince Gill's biggest hits for MCA Nashville".

Chart performance

References

Hurry Up, We're Dreaming

Hurry Up, We're Dreaming is the sixth studio album by French electronic band M83. The double album was released on 18 October 2011 by Naïve Records in France and Mute Records in the United States. The album was produced by Justin Meldal-Johnsen, mixed by Tony Hoffer and has received generally positive reviews. In addition, it debuted at number fifteen on the US Billboard 200 with first-week sales of 21,000 copies, becoming M83's highest-charting album to date. The album was nominated for Best Alternative Music Album at the 2013 Grammy Awards.

The album was recognized as one of The 100 Best Albums of the Decade So Far by Pitchfork Media in August 2014.

Production

Background and recording

Prior to recording Hurry Up, We're Dreaming, Anthony Gonzalez had moved from his native France to Los Angeles. Describing the move in an interview, Gonzalez said: "Having spent 29 years of my life in France, I moved to California a year and a half before the making of this album and I was excited and inspired by so many different things: by the landscape, by the way of life, by live shows, by movies, by the road trips I took alone... I was feeling alive again and this is, I feel, something that you can hear on the album" Gonzalez's tour with The Killers, Depeche Mode and Kings of Leon, in addition to his road trips to Joshua Tree National Park also heavily influenced the album. Gonzalez cited the ambitiousness of albums such as Mellon Collie and the Infinite Sadness as the reason he made Hurry Up, We're Dreaming a double album. In addition, he described the two discs as brother and sister, with each track having a sibling on the other disc. The album was recorded in Los Angeles at Sunset Studio and The Sound Factory. Because of budget constraints and union issues, the string and brass players who contributed to the album were not paid and were credited with pseudonyms.