Wait or WAIT may refer to:
"Wait" is a song recorded by the Beatles, from their 1965 album Rubber Soul. The songwriting credit is Lennon–McCartney, and the song is usually said to be a joint effort between the two, although in the 1997 book, Many Years from Now, McCartney recalls it as entirely his. This is supported by a 1970 interview with John Lennon by Ray Connolly. John could not remember writing it. "That must be one of Paul's," he said. The middle eight section is similar to Autumn Leaves (1945 song) (one example being the line "I know that you" matches "old winter's song" from Autumn Leaves).
The song was originally recorded for Help! in June 1965 but did not make the final pressing. When Rubber Soul fell one song short for a Christmas release, "Wait" was brought back. Overdubs were added to the initial recording so it would blend in better with the other, more recent songs on Rubber Soul.
The lyrics, describing the singer's anxieties about his relationship with his girlfriend while he is away, are thematically similar to several other Lennon–McCartney songs, such as "When I Get Home" and "Things We Said Today," written during the period of 1964 and 1965. The vocals on the verse are shared between Lennon and McCartney, and McCartney sings the two middle eight sections. Instrumentally, the most memorable feature of "Wait" is George Harrison's tone pedal guitar.
"Wait" is a single by Wang Chung, released as the fourth and final single from their 1984 album, Points on the Curve. The single reached #87 on the UK Singles Chart. Aside from the early singles released as Huang Chung, "Wait" was the only single by Wang Chung that failed to chart on the U.S. Billboard Hot 100. However, it peaked at #17 on the U.S. Billboard Hot Dance Club Play chart.
No music video was shot for "Wait".
Wait is also the only Wang Chung song to appear on two different non-compilation albums. Wait originally appeared on Points on the Curve, but was used again in the To Live and Die in L.A. soundtrack when director William Friedkin liked the song so much, he wanted to incorporate it into his 1985 thriller, To Live and Die in L.A. "Wait" appears during the end credits of the film.
Adrienne Arsht Center, formerly Omni Station, is a Metromover station in the Omni neighborhood of Downtown, Miami, Florida, United States. The station is adjacent to the Adrienne Arsht Center for the Performing Arts, just west of The Miami Herald building and the Venetian Causeway, and directly south of the MacArthur Causeway.
This station is located near the intersection of Northeast 15th Avenue and Biscayne Boulevard (U.S. 1). It opened to service May 26, 1994 as Omni station.
OmniROM is a free software operating system for smartphones and tablet computers, based on the Android mobile platform. It involves a number of prominent developers from other projects.
The project is a reaction to the commercialisation of ROM project CyanogenMod. The project provides Android 4.4 (KitKat) based ROMs for experimentation, including support for the Galaxy Note II. Other devices supported include the Galaxy Note, Galaxy S3, Galaxy S4, Nexus 4, Nexus 5, Nexus 7, LG Optimus G, Galaxy S2, HTC One (2013), Oppo Find 5, Sony Xperia T, HTC Explorer, Lenovo A6000. Involved main developers: P. Binder, J-H. Ude, Y. Taeuber, S. Rein
Since June 2015, there are Android 5.1.1 nightly releases based on Android Lollipop for the Asus Transformer Pad, Asus Transformer Pad Infinity, Nexus 4, Nexus 5, Nexus 6, Nexus 7, Nexus 10, Oppo Find 7/7a, OnePlus One, Sony Xperia Z and Sony Xperia ZL.
According to the Book of Mormon, Omni (/ˈɑːm.naɪ/) is the first writer of several authors of the Book of Omni, and the son of Jarom. It is believed that he was born in 390 BC. Omni wrote the first three verses of the Book of Omni before passing the responsibility of keeping the Book of Mormon record to his son, Amaron. His writings are shown below:
Oh what a woman she treats me uncommonly good yeah she does
My my woman she treats me like my woman should yeah she does
Well she's good as a woman can be anything to satisfy me
Yes oh what a woman she treats me uncommonly good
Well she cleans my house she sews my britches scratches my back everytime it itches
Cooks my food and has my youngun's makes me proud that she's my woman yeah
She knows I like cornbread butter milk onions and tomatoes
White beans turnip greens Irish potatoes
Sets me a table that's fit for a king cause she loves just being my queen
Oh what a woman treats me uncommonly good
Well some fellows don't know when they take a wife
Just what kind of woman they're stuck with for life
Now I've known men who took their spouse
And she wound up wearin' the britches in the house
Yeah but now my little woman on the other hand can't do enough to please her man
Spends her time just bein' my girl and there's not another like her in the world no
Oh what a woman she treats me uncommonly good yeah she does
My my woman she treats me like my woman should
Well she's good as a woman can be anything to satisfy me
Well oh what a woman treats me uncommon uncommonly good