M83 or M-83 may refer to:
M83 is the debut studio album by French electropop band M83, released on April 18, 2001 on Gooom. The album was reissued on September 6, 2005 on Mute Records for its North American release, and is thus sometimes referred to as 0905.
Produced by both M83 and Morgan Daguenet, the album is predominately instrumental, with dialogue samples from various films and television programmes appearing across the songs. The track titles, if read sequentially, form a short story.
Recorded as a duo by founding members, Anthony Gonzalez and Nicolas Fromageau, the album was recorded at Echotone, in the Autumn of 2000, with co-producer Morgan Daguenet. The track "Slowly", included on the album's 2005 reissue, was recorded two years later at the same location.
All songs written and composed by M83.
M83 are a French electronic music band led by Anthony Gonzalez and currently based in Los Angeles, California, United States. Formed in 2001 in Antibes, France, the band initially was a duo featuring Nicolas Fromageau. They have released six albums and two soundtracks, including the Grammy Award-nominated Hurry Up, We're Dreaming.
Gonzalez and Fromageau parted ways shortly after touring for their second album Dead Cities, Red Seas & Lost Ghosts, with Gonzalez now recording primarily on his own, often with the help of his brother Yann Gonzalez, vocalist and keyboardist Morgan Kibby, and drummer Loïc Maurin. In 2011, Gonzalez posted an open audition on the M83 website for a multi-instrumentalist who could join the band. Nineteen-year-old Jordan Lawlor won the audition. Fromageau formed a new band in 2009 called Team Ghost and has released two albums to date.
Gonzalez first developed an interest in music while in high school. Together with Fromageau he formed a post-rock outfit called My Violent Wish. At the age of 17, Gonzalez bought a synth to record a demo, which he sent to a number of French labels. When Gooom Records appeared interested, he recruited Fromageau to "help me because I didn't feel like I had the shoulders to carry the project on my own". The band is named after the galaxy of the same name.
Wait or WAIT may refer to:
"Wait" is a song recorded by the Beatles, from their 1965 album Rubber Soul. The songwriting credit is Lennon–McCartney, and the song is usually said to be a joint effort between the two, although in the 1997 book, Many Years from Now, McCartney recalls it as entirely his. This is supported by a 1970 interview with John Lennon by Ray Connolly. John could not remember writing it. "That must be one of Paul's," he said. The middle eight section is similar to Autumn Leaves (1945 song) (one example being the line "I know that you" matches "old winter's song" from Autumn Leaves).
The song was originally recorded for Help! in June 1965 but did not make the final pressing. When Rubber Soul fell one song short for a Christmas release, "Wait" was brought back. Overdubs were added to the initial recording so it would blend in better with the other, more recent songs on Rubber Soul.
The lyrics, describing the singer's anxieties about his relationship with his girlfriend while he is away, are thematically similar to several other Lennon–McCartney songs, such as "When I Get Home" and "Things We Said Today," written during the period of 1964 and 1965. The vocals on the verse are shared between Lennon and McCartney, and McCartney sings the two middle eight sections. Instrumentally, the most memorable feature of "Wait" is George Harrison's tone pedal guitar.
"Wait" is a single by Wang Chung, released as the fourth and final single from their 1984 album, Points on the Curve. The single reached #87 on the UK Singles Chart. Aside from the early singles released as Huang Chung, "Wait" was the only single by Wang Chung that failed to chart on the U.S. Billboard Hot 100. However, it peaked at #17 on the U.S. Billboard Hot Dance Club Play chart.
No music video was shot for "Wait".
Wait is also the only Wang Chung song to appear on two different non-compilation albums. Wait originally appeared on Points on the Curve, but was used again in the To Live and Die in L.A. soundtrack when director William Friedkin liked the song so much, he wanted to incorporate it into his 1985 thriller, To Live and Die in L.A. "Wait" appears during the end credits of the film.