Ivanhoe was a 1997 television mini-series based on the novel Ivanhoe by Sir Walter Scott. It was a produced by the BBC and A&E Network and consisted of six 50 minute episodes.
This adaptation of Sir Walter Scott’s novel is set in 1192 AD and depicts a disinherited knight who is accused of treachery. He returns anonymously to his home in England, to clear his name and win his lady love. King Richard had been a prisoner in an Austrian dungeon, but is now returning to an England ruled by Prince John. The production claims realism, mainly through a depiction of a very rough and poverty stricken time; the producers claim this is in contrast to earlier, "sanitized" versions. People wear layers of often old, sometimes ragged clothing to keep the cold out, are sometimes dirty, and have long shaggy hair and beards.
Episode 1: The knight and crusader Ivanhoe is released from an Austrian prison after refusing to betray King Richard. He returns to England, where is is rumored that he did betray the King. Ivanhoe must clear his name and save his beloved Rowena from a loveless marriage to Prince Athelstane. Disguised as a pilgrim, he comes to the aid of a stranger, Isaac of York, who offers Ivanhoe a chance to compete in Prince John's tournament.
Ivanhoe is one of two commuter rail stations on the Metra Electric main branch in Riverdale, Illinois. The station is located at 144th Street and Tracy Street, and is 18.18 miles (29.26 km) away from the northern terminus at Millennium Station. In Metra's zone-based fare system, Ivanhoe Station is in zone D.
Like the Riverdale station, Ivanhoe is built on a bridge embankment south of 144th Street, which also carries Amtrak's City of New Orleans, Illini, and Saluki trains. The bridge over 144th Street has a twelve foot clearance. The waiting room is open 24 Hours, is located on the north sidewalk, and contains ticket vending machines. Parking is available on the east side of the tracks on primarily north of Illinois Street between 144th and 145th Streets. Another parking lot is available across from this one on 144th Street, and a third can be found off the northeast corner of 144th Street and Atlantic Avenue. Street-side parking can also be found on 145th Street between Illinois Street and Atlantic Avenue in front of C. Kelly Franson Park. No bus connections are available at this station.
Ivanhoe is a 1982 television film adaptation of Sir Walter Scott's novel of the same name. The film was directed by Douglas Camfield, with a screenplay written by John Gay. The film depicts the noble knight Ivanhoe returning home from The Holy Wars and finds himself being involved in a power-struggle for the throne of England.
The score by Allyn Ferguson was nominated for an Emmy Award in 1982. The film premiered on CBS on February 23, 1982.
De Bois-Gilbert is treated more ambiguously than in most versions of the story. He develops some genuine affection for Rebecca towards the end, and although he could easily have won the fight against the wounded and weakened Ivanhoe, de Bois-Gilbert lowers his sword and allows himself to be killed, thus saving Rebecca's life.
The film featured Julian Glover reprising his role as Richard I from the 1965 Doctor Who serial The Crusade, which was likewise directed by Camfield.
Since its premiere in 1982, Ivanhoe has received cult status in Sweden and has been shown on Swedish television annually on New Year's Eve or New Year's Day.
Wait or WAIT may refer to:
"Wait" is a song recorded by the Beatles, from their 1965 album Rubber Soul. The songwriting credit is Lennon–McCartney, and the song is usually said to be a joint effort between the two, although in the 1997 book, Many Years from Now, McCartney recalls it as entirely his. This is supported by a 1970 interview with John Lennon by Ray Connolly. John could not remember writing it. "That must be one of Paul's," he said. The middle eight section is similar to Autumn Leaves (1945 song) (one example being the line "I know that you" matches "old winter's song" from Autumn Leaves).
The song was originally recorded for Help! in June 1965 but did not make the final pressing. When Rubber Soul fell one song short for a Christmas release, "Wait" was brought back. Overdubs were added to the initial recording so it would blend in better with the other, more recent songs on Rubber Soul.
The lyrics, describing the singer's anxieties about his relationship with his girlfriend while he is away, are thematically similar to several other Lennon–McCartney songs, such as "When I Get Home" and "Things We Said Today," written during the period of 1964 and 1965. The vocals on the verse are shared between Lennon and McCartney, and McCartney sings the two middle eight sections. Instrumentally, the most memorable feature of "Wait" is George Harrison's tone pedal guitar.
"Wait" is a single by Wang Chung, released as the fourth and final single from their 1984 album, Points on the Curve. The single reached #87 on the UK Singles Chart. Aside from the early singles released as Huang Chung, "Wait" was the only single by Wang Chung that failed to chart on the U.S. Billboard Hot 100. However, it peaked at #17 on the U.S. Billboard Hot Dance Club Play chart.
No music video was shot for "Wait".
Wait is also the only Wang Chung song to appear on two different non-compilation albums. Wait originally appeared on Points on the Curve, but was used again in the To Live and Die in L.A. soundtrack when director William Friedkin liked the song so much, he wanted to incorporate it into his 1985 thriller, To Live and Die in L.A. "Wait" appears during the end credits of the film.
What figures, these, who stand and who wait
What dreams are dreamt by all the Fates
This web that binds us to jerk and to twist
That makes us dance and makes us twitch
How easy to lie, to smile and to kiss
The corpses laugh and start to jig
She cut his throat then cut her wrists
Oh what fun we have when we exist
A wheel was turned and a web that spun
A plot was hatched and then undone
A promise broken and a curse that's kept
The clock winds down and is then reset
How easy to lie, to smile and to kiss
The corpses laugh and start to jig
He cut our throats then cut his wrists
Oh what fun we have when we exist
The mirror darkens and the paint does peel
The photos fade and the box is sealed
Woods on stone or carved in wood
While others stand where we stood
How easy to lie to smile and to kiss
The corpses laugh and start to jig
He cut their throats then cut his wrists
Oh what fun we have when we exist
Oh such pain in all of us
We victims and villains who storm the earth
We plot and plunder, [??]
[??], the roles exchange
How easy to lie to smile and to kiss
The corpses laugh and start to jig
I cut their throats then cut my wrists