Coil (band)
Coil was an English cross-genre, experimental music group formed in 1982 by John Balance—later credited as "Jhonn Balance"—and his life partner and collaborator Peter Christopherson, aka "Sleazy". The duo worked together on a series of releases before Balance chose the name Coil, which he claimed to be inspired by the omnipresence of the coil's shape in nature. Today, Coil remains one of the most influential and best-known industrial music groups.
The group's first official release as Coil was a 1984 12" album titled How to Destroy Angels released on the Belgian Les Disques du Crépuscule's sublabel LAYLAH Antirecords. Following the 12"s success, Some Bizarre Records produced two albums, Scatology, Horse Rotorvator and Coil departed SomeBizzare Label and Produced Love's Secret Domain, which met with little commercial success, but were praised as innovative due to their blend of industrial music and acid house.
In 1985, the group began working on a series of soundtracks, amongst them music for the first Hellraiser movie based on the novel The Hellbound Heart by their acquaintance at that time, Clive Barker. The group's first live performance in 16 years occurred in 1999, and began a series of mini-tours that would last until 2004. Following the death of John Balance on 13 November 2004, Christopherson announced via their official record label website Threshold House that Coil as an entity had ceased to exist.
Coil (hieroglyph)
The coil hieroglyph is used in the Ancient Egyptian language hieroglyphs as an equivalent for the Quail chick (hieroglyph), but is also used in other word constructions, probably for the balance of the hieroglyph composition block. The coil as well as the quail chick are used for the alphabetic vowel letter w, (or u). Because 'w' is not a "vowel", the use is often in the form of 'woo' for the w, and 'oo' for the u.
Quail chick or coil, the plural
The Egyptian hieroglyph alphabetic letters
The following two tables show the Egyptian uniliteral signs. (24 letters, but multiple use hieroglyphs)
External wall relief; (foot and leg hieroglyphs)
External wall relief; (foot and leg hieroglyphs)
Column relief
Column relief
See also
References
Wait (Wang Chung song)
"Wait" is a single by Wang Chung, released as the fourth and final single from their 1984 album, Points on the Curve. The single reached #87 on the UK Singles Chart. Aside from the early singles released as Huang Chung, "Wait" was the only single by Wang Chung that failed to chart on the U.S. Billboard Hot 100. However, it peaked at #17 on the U.S. Billboard Hot Dance Club Play chart.
No music video was shot for "Wait".
Wait is also the only Wang Chung song to appear on two different non-compilation albums. Wait originally appeared on Points on the Curve, but was used again in the To Live and Die in L.A. soundtrack when director William Friedkin liked the song so much, he wanted to incorporate it into his 1985 thriller, To Live and Die in L.A. "Wait" appears during the end credits of the film.
Track listing
Charts
Wait (Earshot song)
"Wait" is the lead single from Earshot's second album Two. It reached #13 on the Mainstream Rock charts and #33 on the Modern Rock charts.
Although it did not chart as well as the band's debut single, "Get Away," "Wait" is considered a breakthrough hit for the band and helped launch them into further mainstream success. It was featured on the video game soundtracks to both Madden NFL 2005 and MX vs. ATV Unleashed. An alternate version was also included on the former soundtrack as The D.O.C. vs. Earshot - "The Madden Re-Match." "Wait" was also featured in the DVD Tampa Bay Lightning 2004 Stanley Cup Champions. Former UFC Lightweight Champion Sean Sherk has used it as his entrance music as well.
Lyrically, the song deals with the frustration of loneliness and indifference toward the world. Phrasing is somewhat general and a particular inspiration or meaning behind "Wait" is not evident. Despite these melancholy themes, the song is rather quick-paced and headstrong in its execution.
Wait (White Lion song)
"Wait" is a song recorded by White Lion and written by White Lion vocalist Mike Tramp and guitarist Vito Bratta. It was the lead single from their second album, Pride. It is well known for its guitar solo at the 2:15 mark.
The single was released on June 1, 1987, but did not chart until February 1988, around the time the band filmed their Live in New York concert for MTV. In May 1988, "Wait" finally cracked the top 10 in the US, due in no small part to MTV airing the "Wait" music video in regular rotation—nearly seven months after the single's release. The song peaked at #8 and also charted at #48 in Canada and #88 in the UK.
The song features a music video and was also re-recorded in 1999 on the album Remembering White Lion (also released as "Last Roar" in 2004) and a live version was released in 2005 on the live album Rocking the USA. The live version was released as a promo and later iTunes single and also features as a bonus track on the album Return of the Pride.
Return
Return may refer to:
In business, economics, and finance
In technology
In entertainment
Film
Returning
In retail, a return is the process of a customer taking previously purchased merchandise back to the retailer, and in turn receiving a refund in the original form of payment, exchange for another item (identical or different), or a store credit.
Many retailers will accept returns provided that the customer has a receipt as a proof of purchase, and that certain other conditions, which depend on the retailer's policies, are met. These may include the merchandise being in a certain condition (usually resellable if not defective), no more than a certain amount of time having passed since the purchase, and sometimes that identification be provided (though usually only if a receipt is not provided). In some cases, only exchanges or store credit are offered, again usually only without a receipt, or after an initial refund period has passed. Some retailers charge a restocking fee for non-defective returned merchandise, but typically only if the packaging has been opened.
While retailers are not usually required to accept returns, laws in many places require retailers to post their return policy in a place where it would be visible to the customer prior to purchase.
Podcasts:
