WJJZ may refer to:
WISX ("Mix 106") is a Hot adult contemporary (Hot AC) radio station licensed to Philadelphia, Pennsylvania and owned by iHeartMedia. The station has studios located in Bala Cynwyd and broadcasts from a 22.5 kW transmitter in nearby Wyndmoore.
Philadelphia's 106.1 began operation on November 11, 1959 as WQAL and was owned by George Voron, whose company provided businesses with "piped-in music". The first song was "The Star-Spangled Banner" as performed by Henry Mancini and the Warner Brothers Studio Orchestra. The first voice broadcast was that of Dave Custis, who was in charge of the station's format. The first song other than the National Anthem was "The Carousel Waltz" by Percy Faith. The station employed an easy listening format playing mostly instrumental versions of popular songs (Mantovani, Lawrence Welk, Percy Faith, John Fox, Chet Atkins, Richard Clayderman) with an occasional vocalist (Frank Sinatra, the Carpenters, Nat King Cole, Anne Murray). The station was sold to United Artists in 1970. The call letters then became WWSH and its brand, "Wish 106." The WQAL call letters are now used by another station, the Hot AC-formatted "Q104" in Cleveland, Ohio.
WPEN (97.5 FM, "97.5 The Fanatic") is a radio station owned by Greater Media. Licensed to Burlington, New Jersey, it currently broadcasts a sports format to the Philadelphia metropolitan area. It has studios located in Bala Cynwyd and broadcasts from a transmitter site in Wyndmoor.
The 97.5 frequency was originally allocated to Trenton, New Jersey. The station there began test broadcasts on January 10, 1949, then official operations on April 19, 1949, as WTOA. It was owned by the Mercer Broadcasting Company, which was a wholly owned subsidiary of the Trenton Times newspaper. WTOA started out broadcasting from 3 pm to 11 pm, with an ERP of 14,500 watts. Its original coverage area reached as far north as Queens, NY and as far west as Reading PA.
By the late 1960s, the station had been acquired by Nassau Broadcasting. Its call letters were changed to WPST on September 13, 1971.
The WPST calls originally stood for "Passport Stereo Trenton," a slogan of the station at the time. WPST is known for its mainstream CHR format, which they've had for many years. Tom Taylor was the PD who launched the format in the mid-1970s, and did mornings on the station until 1987. In August 1975, owner Herb Hobler hired Phil Gieger as the General Manager. Along with Tom Taylor, they revamped the station and coined the phrase, "From The Shore To The Poconos, The Music Is On The FM 97.5 WPST." They initially established an Adult Rock format, and by the Fall of 1975, the station took off and eventually became the number one station in the market. Some WPST DJ's over the years included John Mellon (aka Walt Ballard), Ed Johnson, Doug James, John Brown, Eddie Davis, Trish Merelo, Andy Gury, Brian Douglas, Mel "Toxic" Taylor, Jay Sorensen, Dave Hoeffel, Tom Cunningham, Michelle Stevens, Eric Johnson, Mark Sheppard, Andre Gardner, Phil Simon, Steve Trevelise, Joel Katz, Rich DeSisto, Lee Tobin, Steve Kamer, Lori Johnson, Mark DiDia, Bob Sorrentino, and Scott Lowe.
[Speaking]
New Juice, the CONGLOMERATE, come on
[Verse 1]
Now sometimes, you got to fight it out
Find something how to write about and white it out
It ain't too many things I ain't seen or done
Cream and guns, I'm feeling like our rap dreams have begun
The scene is upon us, the green is enormous
I'm god's law, you could read me in your tauris
You could call me, when it's a weed shortage
I breez through artists, It's funny and shit, they wanna
Alter a nigga, when my money's legit
I guess they must've thought that I was fucking with Knicks
Shit, they should've caught me when I was bringing bricks in
Right past customs,driving them to chicks in
Now I'm in the big Benz, stacking sick ends
And just wait, loyalties ain't even kicked in
And young jackers get immortalized forever at twenty-one
I used to move more damn weight than anyone
[Chorus]
Give it all you got, no matter what you do
You got to keep it real with yourself
One shot at the top, you never got two
I'll let you know the deal
Give it all you got, no matter what you do
You got to keep it real
It's one shot at the top, you never get two
No time to chill nigga
[Verse 2]
In my crib, use big screens is my rule
Yo boy got more sixteens than high school
More twenty-two's than college, I drop jewels
Fools refuse to use the knowledge
I used to set up whole schools in the projects
When niggas is dead broke, hoes viewed as objects
Opps, I just contradicted myself, who the fuck am I to teach
I'm afflicted myself, at least I'm rich
You gonna get priced out if you try
Two point seven, I'm iced out in july
Sometimes, taking the right rout, you do right
Chuchu breaking the pipe out, my crew high
I send this one out to Chi
Approach CONGLOM wrong, no doubts you die
The second live don't just drop out the sky
I ain't took the game yet, but I'm out to try, nigga
[Chorus]
[Verse 3]
I'm adjacent to myself, with the spirit that I rhyme with
My Movado is broken, my lyrics are timeless
I'm with the great ones, whoever you call great
But niggas always got their hands out like All State
I'm like "Excuse me G, I don't fuckin know ya
I can't do nothing for ya."
I'm not the nigga to depend on
Because before I let you eat, I'm gonna have to put my friends on
I might rush you through the crowd, and write ten songs
Or air it out, I'm just trying to see the endzone
Or you can kind of say, I'm kind of like the goal post
I'm always up-right with it when I hold toast
Mr. Gold Coast, rocking a chain
I'm hot like flame, with no block to claim
Em know me, and Jin knows of me
One in a million like the great ten Moseley
Kan' Know me, Kanye Knows me
Twista know me, It's ya homie
Slum know me, Dilated do
Jurassic 5, since way back in eighty-two
Xzibit know me, Tash, Jeru and Ino
Royce, what up cuz, you need to holla at yo people
To all my underground niggas that I started with
You know the battle cat, I'll show you who the artist is
He grew up claiming BZT
When Rio was gettin bone-taste from Eazy-E
So nigga please, let me be me
Somewhere between fifty and BDP, lies me
I'll leave your vocal cords come in a loose
I am not the one to comfront in the booth
King of freestyle, I've done it as a youth
And I don't know a motherfucker that want it with Juice
[Chorus]
[Juice speaking]
That's real. Yea. Emmaculate on the beat. Whattup nigga
Conglomerate. J U, I haven't even started my rain, I'm