Voyage is a 1993 American television film directed by John Mackenzie.
Morgan and Catherine Norvell have their future plans ready. In Monte Carlo, their sailboat is stocked. From there they are going to sail to Malta and live on the boat for a year. They have bought some real estate with an old ruin of a hotel on it, which they are going to rebuild. A few days before they are about to start, they meet Gil and Ronnie Freeland. They would give anything to join them for a couple of days on the sea, and no sooner said than done, all four of them are enjoying the sweet life on the boat. The Norvells soon discover that it was a big mistake to invite them on board...
C'est la vie, mon chéri (Chinese: 新不了情; pinyin: Xīn bùliǎo qíng) is a 1994 Hong Kong movie directed by Derek Yee Tung-Shing and starring Anita Yuen, Lau Ching-Wan and Carina Lau. It won six awards, including Best Picture, during the 13th Hong Kong Film Awards.
The movie is sometimes referred to as C'est la vie, mon chérie even though this is grammatically incorrect in French (either "mon chéri" for a man or "ma chérie" for a woman is grammatically correct). The title may be roughly translated as "That's life, my darling/love".
The original Chinese title refers to the classic 1961 Hong Kong film Love Without End (不了情) starring Lin Dai, with the word "new" (新) added in front of it. The storyline is similar, in that the female lead character is also diagnosed with a fatal illness.
An alternative English title is Endless Love.
Min (Anita Yuen), who is part of a Cantonese street opera troupe and a part-time cover artiste, meets Kit (Lau Ching-Wan), a struggling jazz musician who has just broken up with his celebrity singer girlfriend (Carina Lau). Through her bubbly personality, she affects Kit for the better. However, just as their relationship begins to stabilize and win acceptance from Min's family, which includes a strict mother and a doting, saxophone-playing uncle, Min is re-diagnosed with bone cancer, which she had once suffered as a young child.
Voyage(s) or The Voyage may refer to:
Voyage is the first EP by American metalcore band, In Fear and Faith. It was independently produced and released by the band themselves on December 18, 2007.
Voyage is the only release by In Fear and Faith to feature vocalist, Tyler "Telle" Smith before his departure from the group within the following year. 2008 also marks the year that the band were signed to Rise Records after their attention caught onto Voyage. Its rhythmical melodies and harsh parts impressed the label. The two songs "Live Love Die" and "The Taste of Regret" were re-recorded for their debut full-length, Your World on Fire, which was released in 2009.
The EP was released on a rare independent pressing on CD, but was widely distributed on iTunes where it received over 30,000 song purchases by the end of 2008.
Pathé or Pathé Frères (French pronunciation: [pate fʁɛʁ], styled as PATHÉ!) is the name of various French businesses that were founded and originally run by the Pathé Brothers of France starting in 1896. In the early 1900s, Pathé became the world's largest film equipment and production company, as well as a major producer of phonograph records. In 1908, Pathé invented the newsreel that was shown in cinemas prior to a feature film.
Today, Pathé is a major film production and distribution company, owns a great number of cinema chains, across Europe but mainly in France, including 66% of the Les Cinémas Gaumont Pathé a joint venture between Pathé and the Gaumont Film Company, and several television networks across Europe. It is the second oldest still-operating film company in the world, predating Universal Studios and Paramount Pictures, second only to the French Gaumont Film Company studio.
The company was founded as Société Pathé Frères (Pathé Brothers Company) in Paris, France on 28 September 1896, by the four brothers Charles, Émile, Théophile and Jacques Pathé. During the first part of the 20th century, Pathé became the largest film equipment and production company in the world, as well as a major producer of phonograph records.
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
A television film (also known as a TV film; television movie; TV movie; telefilm; telemovie; made-for-television film; direct-to-TV film; movie of the week (MOTW or MOW); feature-length drama; single drama and original movie) is a feature-length motion picture that is produced for, and originally distributed by or to, a television network, in contrast to theatrical films, which are made explicitly for initial showing in movie theaters.
Though not exactly labelled as such, there were early precedents for "television movies", such as Talk Faster, Mister, which aired on WABD (now WNYW) in New York City on December 18, 1944, and was produced by RKO Pictures, or the 1957 The Pied Piper of Hamelin, based on the poem by Robert Browning, and starring Van Johnson, one of the first filmed "family musicals" made directly for television. That film was made in Technicolor, a first for television, which ordinarily used color processes originated by specific networks (most "family musicals" of the time, such as Peter Pan, were not filmed but broadcast live and preserved on kinescope, a recording of a television program made by filming the picture from a video monitor – and the only method of recording a television program until the invention of videotape).