A vow (Lat. votum, vow, promise; see vote) is a promise or oath.

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Marriage vows [link]

Marriage vows are binding promises each partner in a couple makes to the other during a wedding ceremony. Marriage customs have developed over history and keep changing as human society develops. In earlier times and in most cultures the consent of the partners has not had the importance now attached to it, at least in Western societies and in those they have influenced.

Vow with God [link]

Within the world of monks and nuns, a vow is sometimes a transaction between a person and a deity, where the former promises to render some service or gift, or devotes something valuable to the deity's use. The vow is a kind of oath, with the deity being both the witness and recipient of the promise. For an example, see the Book of Judges. Also, see the Bodhisattva vows.

The god is usually expected to grant, on entering into contracts or covenants with man, the claims his vow establishes on their benevolence, and valuing of his gratitude. Conversely, in taking a vow, the petitioner's piety and spiritual attitude have begun to outweigh those merely ritual details of the ceremony that are all-important in magical rites.

Sometimes the old magical usage survives side by side with the more developed idea of a personal power to be approached in prayer. For example, in the Maghreb (in North Africa), in time of drought the maidens of Ma.zouna carry every evening in procession through the streets a doll called ghonja, really a dressed-up wooden spoon, symbolizing a pre-Islamic rain-spirit. Often one of the girls carries on her shoulders a sheep, and her companions sing the following words:

<poem> Rain, fall, and I will give you my kid. He has a 'black head', he neither bleats Nor complains; he says not, 'I am cold.' Rain, who filiest the skins, Wet our raiment. Rain, who feedest the rivers, Overturn the doors of our houses. </poem>

Here we have a sympathetic rain charm, combined with a prayer to the rain viewed as a personal goddess and with a promise or vow to give her the animal. The point of the promise lies of course in the fact that water is in that country stored and carried in sheep-skins.1

Secondly, the vow is quite apart from established cults, and is not provided for in the religious calendar. The Roman vow (votum), as W. W. Fowler observes in his work The Roman Festivals (London, 1899), p. 346, "was the exception, not the rule; it was a promise made by an individual at some critical moment, not the ordered and recurring ritual of the family or the State.' The vow, however, contained so large an element of ordinary prayer that in the Greek language one and the same word (ebxi~) expressed both. The characteristic mark of the vow, as the Suda and the Greek Church Fathers remark, was that it was a promise either of things to be offered to God in the future and at once consecrated to Him in view of their being so offered, or of austerities to be undergone. For offering and austerity, sacrifice and suffering, are equally calculated to appease an offended deity's wrath or win his goodwill.

The Bible affords many examples of vows. Thus in Judges 11. Jephthah 'vowed a vow unto the Lord, and said, If thou wilt indeed deliver the children of Ammon into my hand, then it shall be that whosoever cometh forth out of the doors of my house' to meet me, when I return in peace from the children. of Ammon, it shall be the Lord's, and I will offer it up for a burnt-offering.' In the sequel it is his own daughter who so meets him, and he sacrifices her after a respite of two months, granted so she could 'bewail her virginity upon the mountains.' A thing or person thus vowed to the deity became holy and sanctified to God. (Jephthah could not have lawfully burned his daughter in sacrifice as it would constitute human sacrifice - something that God explicitly forbade. Some have suggested that his daughter remained unmarried and was given to serve the Lord in the temple.) It belonged to once to the sanctuary or to the priests who represented the god. In the Jewish religion, the latter, under certain conditions, defined in Leviticus 27, could permit it to be redeemed. But to substitute an unclean for a clean beast that had been vowed, or an imperfect victim for a flawless one, was to court with certainty the divine displeasure.

It is often difficult to distinguish a vow from an oath. A vow is an oath, but an oath is only a vow if the divine being is the recipient of the promise and is not merely a witness. Thus in Acts 23:21, over forty men, enemies of Paul, bound themselves, under a curse, neither to eat nor to drink till they had slain him. In the Christian Fathers we hear of vows to abstain from flesh diet and wine. But of the abstentions observed by votaries, those with no relation to the barber's art were the commonest. Wherever individuals were concerned to create or confirm a tie connecting them with a god, a shrine or a particular religious circle, a hair-offering was in some form or other imperative. They began by polling their locks at the shrine and left them as a soul-token in charge of the god, and never polled them afresh until the vow was fulfilled. So Achilles consecrated his hair to the river Spercheus and vowed not to cut it until he should return safe from Troy; and the Hebrew Nazarite, whose strength resided in his flowing locks, only cut them off and burned them on the altar when the days of his vow were ended, and he could return to ordinary life, having achieved his mission. So in Acts 18:18 Paul had shorn his head in Cenchreae, for he had a vow. In Acts 21:23 we hear of four men who, having a vow on them, had their heads shaved at Paul's expense. Among the ancient Chatti, as Tacitus relates (Germania, 31), young men allowed their hair and beards to grow, and vowed to court danger in that guise."

 This article incorporates text from a publication now in the public domainChisholm, Hugh, ed. (1911). Encyclopædia Britannica (11th ed.). Cambridge University Press. 

See also [link]

External links [link]


https://wn.com/Vow

Vow (song)

"Vow" is a song by alternative rock band Garbage. It was released as their debut single in early 1995 by Discordant, a label set up by Mushroom Records to launch the group, and Almo Sounds in North America.

"Vow" was quietly licensed to a Volume magazine/CD sampler publication at the end of 1994; it was subsequently picked up and broadcast by BBC Radio 1 DJs Steve Lamacq and John Peel, and then playlisted by modern rock radio stations in Los Angeles and Seattle. "Vow" generated such significant buzz through positive reviews and word-of-mouth that it was eventually chosen as Garbage's first single release. After a low-key independent record label pressing in the United Kingdom, where it was packaged in a very limited edition logo embossed aluminium case, "Vow" went on to top the alternative charts in Australia and register on the Hot 100 singles chart in the United States.

The song began as a demo during sessions between band members Butch Vig, Duke Erikson and Steve Marker, and the composition finished after singer Shirley Manson joined the band. The lyrics for "Vow" deal with themes of revenge and retaliation, and were inspired by a newspaper article on domestic abuse. In 2007, "Vow" was remastered and included as the opening track on Garbage's greatest hits compilation, Absolute Garbage.

Vow (disambiguation)

Vow or The Vow may refer to:

  • A vow or promise
  • The Vow (devolution promise), a pre-referendum joint statement promising more powers for Scotland in the event of a No vote in the 2014 independence referendum
  • Books

  • The Vow, romance novel by Linda Lael Miller 1998
  • The Vow, novel by Denene Millner 2006 movie on the Lifetime network, called With This Ring 2015
  • The Vow, romance novel by Rebecca Winters 2008
  • Film and TV

  • The Vow (1946 film), a 1946 Stalinist propaganda film directed by Mikhail Chiaureli
  • The Vow (2012 film), a 2012 film directed by Michael Sucsy
  • The Vows, a 1973 film directed by António de Macedo
  • "Vows" (Dollhouse), an episode of the American science fiction television series Dollhouse
  • Music

  • Vows (album), a 2011 album by Kimbra
  • Songs

  • "The Vow" (song), a 1983 song by Toyah
  • "Vow" (song), a 1994 song by Garbage
  • A song by Kutless from the album Kutless
  • Acronyms

  • VOW Vertrokken onbekend waarheen, a Dutch term meaning "left town, destination unknown", used in Dutch resident registrations
  • Spex

    Spex may refer to:

  • variation of specs, colloquial abbreviation of specifications or spectacles
  • Entertainment

  • Spex (magazine), a German magazine
  • Spex (theatre), a kind of Swedish and Finnish amateur theatre performed by university students.
  • Industry and technology

  • Spex (MICE), Sponsorship and Exhibition
  • Spex Design Corporation, kit car manufacturer
  • Spex (solar park), a solar park in Spain
  • SPEX (astronomy), a Dutch space science project
  • See also

  • Specs (disambiguation)
  • Spex (solar park)

    The solar park "Spex" near Mérida in Spain's Extremadura provides 30 megawatts of solar power enough to supply 16,000 households. Deutsche Bank and ecoEnergías are the developers of the power plant. It was built for a cost of €250 million on a 195-hectare (480-acre) site and uses dual axis trackers. Each panel has an area of 130 m².

    See also

  • Photovoltaic power stations
  • References


    Spex (theatre)

    Spex is a kind of amateur comedy theatre act performed by university students in Sweden and parts of Finland. University cities, such as Gothenburg, Lund, Uppsala, and Linköping have long-running traditions of spex.

    The word is likely derived from abbreviated student slang for spektakel (spectacle; scene; show).

    Prominent features of spexes are the musical-like mix of spoken text and songs, the often rhymed dialogue, a good amount of satire and parody and the tradition of having the audience shout "Restart!" (Swedish: Omstart!/Omtag!) or "One more time!" (Swedish: En gång till!) if they consider the current scene especially hilarious. Ideally, the actor should then improvise the scene or punchline in a new way. The fact that the audience plays an active part in the performance is what distinguishes spex from other forms of theatre. There are also several other commands that the audience can give, for instance demanding that the actors should perform the scene in question backwards, in slow-motion, in another language, until the actors know their lines, or perhaps in a more violent fashion.

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