Voodoo Woman | |
---|---|
File:Voodoowoman.jpg film poster by Albert Kallis |
|
Directed by | Edward L. Cahn |
Produced by | Alex Gordon |
Written by | Russ Bender V.I. Voss |
Starring | Marla English Tom Conway Mike Connors |
Music by | John Blackburn Darrell Calker |
Cinematography | Frederick E. West |
Editing by | Ronald Sinclair |
Distributed by | American International Pictures |
Release date(s) |
|
Running time | 75 min. |
Country | United States |
Language | English |
Voodoo Woman (1957) is a horror film directed by Edward L. Cahn and released by American International Pictures.
Contents |
A pair of treasure hunters, which includes the beautiful but ruthless Marilyn Blanchard (Marla English), discover gold in the voodoo idol of a tribe of the African jungle. Hoping to find more such treasures, they con the innocent Ted Bronson (Mike Connors) into acting as a jungle guide and leading them to the tribe that made the idol.
Meanwhile, Dr. Roland Gerard (Tom Conway), a mad scientist who has exiled himself deep in the same jungle, is using a combination of native voodoo and his own biochemical discoveries in an attempt to create a superhuman being. He hopes that this being, possessing the best of man and beast, will be the mother of a new perfect and deathless race which he will control with a mixture of hypnosis and telepathy. He is accompanied by his wife, Susan (Mary Ellen Kaye), who has long since disavowed her husband but remains trapped by her husband and the natives.
Dr. Gerard's initial attempts to create a female superbeing are a failure because the transformation is only temporary and the native girl used as the subject of the experiment lacks the killer instinct he deems necessary for survival. However, when he stumbles upon the party of treasure hunters, he decides that Marilyn will be a perfect subject for his experiment. He successfully turns her into an invulnerable monster, but her inherent selfishness and greed outweigh his mental control over her and she turns on him. Ted and Susan are able to escape in the ensuing chaos.
The film is widely regarded as one of the worst films in cinema[citation needed] - yet in 1966, just nine years later, it was remade by Larry Buchanan into a TV film that is considered even worse, Curse of the Swamp Creature.[citation needed]
On a more personal level, in his The Pit and the Pen column in Fangoria magazine producer Alex Gordon revealed that the movie nearly caused a break-up with his then-fiancee Ruth Alexander. Proud of the finished production he took her to see it at its Burbank premiere only to have her hand back his engagement ring when it was over, telling him that he should be making prestigious high class art films and not trash like this. Luckily, his brother Richard was able to explain to her the differences between low budget and big budget film-making, and she and Alex were eventually married, with her later actually scripting several of his features.
The original make-up design for the voodoo woman was deemed unsuitable at the last minute and the title monster is actually the She Creature costume hurriedly stripped of its tail, fins and pincer-like claws. What remained was the bulky Thing-style body, which was wrapped in a burlap sarong and topped with a modified skull mask and big blond wig. Cahn worked actively to conceal this fact, using quick cuts and keeping her mostly in shadows or behind foliage. The rumbling growl of a lion was also dubbed for added effect.[citation needed]
|
![]() |
This article about a 1950s horror film is a stub. You can help Wikipedia by expanding it. |
VOODOO WOMAN
Covered by Susan Tedeschi, originally done by Koko Taylor
Ohh they call me the voodoo woman
And I know the reason why
Ohh they call me the voodoo woman
Ohh and I know-o the reason why
Ohh, if I raise up my hands now
Don't you know the sky begins to cry, darlin' ohh now!
Ohh they call me the voodoo woman
Cause I look through water and I spot dry land
Ohh they call me the voodoo woman
I look through water and I spot dry land
And I'm gonna tell all you men out there
If your woman's got another man
Honey you better hope she doesn't!
Cause, gotta rabbit foot in my pocket
A toad frog in my shoes, a crawdaddy on my shoulder
Looking dead at you
I got dust from a rattlesnake
And a black spider bone
If that don't do it baby
You better leave this girl alone
They call me the voodoo woman
And I know the reason why
Lord if I raise my hand
Ohh I know the sky gonna come down with rain!
Lord you better hope not, come on now!
(Solo-break)
Ohh honey, I gotta rabbit foot in my pocket
A toad frog in my shoes, crawdaddy on my shoulder
Looking dead at you
I got dust from a rattlesnake
And a black spider bone
If that don't do it baby
You better leave this girl alone
They call me the voodoo woman
Oh I know the reason why
Oh if I raise up my hand
Oh I think somebody, somebody better look out
‘cause I don't think they understand!
(Solo-break)
they call me the voodoo woman
Cause I look through water and I spot dry land
Ohh they call me the voodoo woman
I look through water and I spot dry land
And I'm gonna tell all you men out there
If your woman's got another man
You better hope she doesn't honey!
Lord, ohh they call me the voodoo woman
And I know the reason why-ee
Ohh they call me the voodoo woman
And I know the reason why
Ohh, if I raise up my hands now