Raymond "Ray" Krebbs is a character in the popular American television series Dallas, played by Steve Kanaly. Ray Krebbs is the illegitimate son of Texas oil baron Jock Ewing. He has appeared in the 2012 series.
Ray Krebbs was born on October 19, 1945 in Emporia, Kansas. His alleged father, Amos Krebbs, left him and his mother, Margaret Hunter Krebbs, when Ray was three years old. At age 15, Ray was sent off to Dallas and to the Southfork Ranch with a letter from his recently deceased mother asking Jock Ewing to help Ray out. Ray's mother, a United States Army Air Corps nurse, was a woman whom Jock Ewing had an affair with during World War II. At the time when Ray arrived on Southfork, both Jock Ewing and Miss Ellie Ewing knew that Ray was the son of the same woman whom Jock had an affair with in Britain during the war, but they did not know at that time that Ray was Jock's son.
Ray worked for Jock maintaining Southfork as its ranch foreman. Initially, Ray was a bit of a rogue, dating the much younger Lucy Ewing on the sly, and collaborating with J.R. Ewing to break up J.R's younger brother Bobby and his new wife (and Ray's old flame) Pamela Barnes. Despite this, Ray had a good heart, and became a trusted and upstanding friend of the Ewing family. Eventually, Amos Krebbs showed up in Dallas in 1980 and revealed that he wasn't Ray's father, reading out information in Margaret Hunter's diary to Jock Ewing, which revealed that Jock was Ray's father. Jock welcomed Ray into the Ewing family and publicly acknowledged Ray as his son. Because of the incestuous implications, Ray's prior relationship with Lucy was never referenced again.
"Voodoo Ray" is a 1988 acid house single by Gerald Simpson, recording under the name A Guy Called Gerald. The single was released in the UK in 1988, in the 7" and 12" vinyl formats, on the Rham! label. In an interview with Mojo magazine in 2005, Gerald explained that Voodoo Ray was recorded over 2 days in June 1988 at Moonraker Studios in Manchester. Rham! initially pressed up 500 copies of the record and it sold out in a day.
"I was trying to keep it quiet from the dudes in 808 State," Simpson recalled, "because I was still working with them but wanted to do my own thing. It was fun just slipping out of their basement and taking the drum machine. They'd be like, 'Where are you going?' I'd say, 'Oh, I'm just going home to do some programming,' then nip off to another studio. I was trying to get a tribal sound and found this sample saying 'Voodoo rage'. That was originally the title but the old sampler I was using didn't have that much memory. I just about had enough for 'voodoo ra…', so that's what it became."